A Casa ao Lado

Not that I was really surprised....movies are never as good as the books that they originated from. I was looking forward to seeing this movie because this is one of my favorite books, even though I knew it would probably suck. I was hoping to be pleasantly surprised. However, they strayed from the book's storyline too much, and the movie version did not convey how horrible this house really was. Ending was different too. Lara Flynn Boyle looked terrible due to some really bad cosmetic surgery. The acting was unremarkable at best. Perhaps if a theatrical version was made so that they wouldn't have to stay so much in Lifetime's "made for TV movie" box, it would be a better flick. If you saw this movie I highly encourage you to track down the book and read it. I doubt you'll be disappointed and hope you enjoy it as much as I do every time I read it.

The cast is OK. The script is awkward at times, and it takes a while to figure out what the point of the movie is. I found myself looking forward to doing the dishes. The Shehan bit is a cheesy statement on the war. I guess we were supposed to not notice it...we did. Its a house, you did nothing more than kill forty five minutes. The shower part...huh? What was that about? Literally, it is I have a client, "Ok you can use our shower." Yawn. The angles are trying way to hard. There was a set of woods, suddenly its gone cause you can see right through, then next it is deep and animals are dying. In the end this is a horrendous movie of boring proportions.

OK! Simple fact is that compared to the novel this Lifetime Television movie pales in comparison. Anne Rivers Siddons' novel is worthy of the praise it has received over the years. Directed by Jeff Woolnough, it's a film that is routine but effective both in atmosphere and story telling.

Lara Flynn Boyle and Colin Ferguson play the contented couple whose idyllic suburban life is tipped upside down when a modern house is built on the land next to their home. Embracing the community spirit of new neighbours at first, the couple soon come to realise that whoever lives in the house - or even those who visit it - are beset by tragedy or uncontrollable urges.

Each segment with the various "house" owners vary in quality, but always there's a smart thematic link pulsing away in the narrative. It's never scary as such, unless you count Boyle's cosmetic surgery (silly girl, she was a natural and sexy beauty), and the house itself is a monstrously modern ode to yuppiedom, which to some (ok, me) kind of negates the horror factor, yet this is worth a look on a time waster basis. But please do seek out the book if you haven't already. 6/10

After too many years of waiting, Anne Rivers Siddons' noted 1979 book "The House Next Door" has finally been filmed. The result veers a bit from the novel which, especially in the first story of the trilogy is understandable if unsatisfying as it's a TV film, the whole of which is absorbing and actually very good, just not as great as the book, one of Stephen King's favorites and one of mine as well.

With more running time and fewer constraints as a theatrical release, all the richness inherent in the original three-part story of the ominous ultramodern house could have been explored and nurtured, especially the climactic revelation near the very end.

Still, the whole cast does well in this thoughtful tale of mindless malevolence. There are a few unnecessary cheap shocks but the growing atmosphere of dread is well developed. Actually, one of the most disturbing scenes involves an abstract painting of the house by its next-door amateur-artist neighbor who is trying to visualize its corruption on canvas.

Be sure to read the great novel.

Basically there was a creepy house. It was creepy on account of its hauntings. Anyways, some woman who lived on the street found out a friend who designed the house lost the ability to design, so she assumed the house was evil, like any sane person would.

Basically the movie tells the story of several people who occupy the building, but these people had little personality outside of attributes the house turned against them. The characters not living in the house really only existed to demonstrate that the protagonist's life was being affected by her paranoia about the house.

There isn't much reason to be concerned with any of these people since... well honestly early on the effect of the house on its first occupants was kinda unexpected.

I've mostly been rambling but this movie while watchable is one of those without any lasting impact on the viewer.