The Kill Point

this is an enjoyable series--well worth the watch. and if you want to put it in Hollywood lingo, then it is a 21st century "dog day afternoon", without the Attica chant. and if you don't know that film--see it. that's the meat of the series, but after viewing some decent twists in the middle, the end turns into a broke down copy of "heat".

and after watching a couple of episodes, it becomes obvious why the two leads went for this project: the writing and lead parts are exactly what mature actors dream of, and the producers must have convinced them that the small budget would be seen on the screen, and not end up on producer's expense accounts.

i'm an old recon marine, and some of the early tactical stuff had me cringing. but this can be partially discounted by the bandits being regular grunts and not trained for speed, but when the sarge called former marines--soldiers--throughout the series, i about soiled my sheets. we don't do that. we are not ordinary soldiers. i know. i was in the army and the marines.

but again, this is a great series--that is if you're into realistic television. it has many flaws: like dumping a cop in a populated area when he could have been dumped, blindfolded in the woods and thwarted the outcome; and whenever a killshot was needed and should be made by pros, they all shot as badly as the comedic, t.v. A team; and then there's the female vet/swat officer who acts like she was a three tour grunt who knifed tangos in their sleep for fun, instead of realistically being a truck driver who had a rifle in the cab too dirty to fire; and then there was the story's massively overworked murphy's law of extraction; and also the military insignia worn on swat gear (which would be a p.r. death to a police department), most probably used, against technical advice, as a time-saving Hollywood device so the viewers could identify officers wearing gas masks later in the show.

but throughout the strong points fully outweigh the weak. there is well fledged character development. and that is very hard to find. and all good springs from competent writing, a series time frame to grow in, and a production team dedicated to the project. despite obviously disregarding adviser input.

one of my favorites about this series is that it was not produced to go beyond one season--and then only eight episodes. that took balls. look how far they elongated "prison break", now there was a one season show extended over and over again because the ratings were strong.

and how the hell did it show up on spike? it may have been produced first then put up for sale--and spike was the only one ready to buy for the right price--or it may have been flatly rejected because it was too short for a series, and too long for a mini series, and since it fits neither.... anyway, what a shame, and this shows the limited vision of network t.v. executives.

I just finished watching the pilot myself. I couldn't help but think how well done this was.

"The Nine" had a similar premise, but it fell flat of expectations. "The Kill Point," by contrast, was tautly suspenseful, was laden with brilliantly crafted characters, and brought the sublime talents of Donnie Wahlberg and John Leguizamo to the forefront.

The writing made you actually feel for the characters, both "good" and "bad." Wahlberg and Leguizamo play off each other perfectly in a cat-and-mouse hostage game which, at least, kept me guessing as to how it was all going to play out.

Even the smaller details, like the cinematography and music, the colors used by the production designer, the little quirks of all the characters, make this story feel so real despite the implausibility of it all.

This is a show well worth watching, and I can't imagine not loving every moment of this truly intelligent miniseries. In the end, I wish more shows were done this well.

A quiet working day in the centre of Pittsburgh is momentarily disrupted when a group of masked armed men walk into a bank and, with ruthless efficiency rob it and leave within minutes. However a passing cop, a security van and an FBI agent all come together at the wrong moment for the gang and the result is a gun battle in the street. Retreating back into the bank, the groups leader, Mr Wolf immediately sets up a hostage situation and prepares to defend the bank. Outside, Police negotiator Horst Cali learns that he is facing a group of Iraq veterans and political pressure starts to mount on him and his working style.

This got a bit of a mention in The Times and Guardian and it made me decide to check it out. Although it was not brilliant, the show was short enough both in terms of running time of each episode (if you forward the adverts) and the overall season (eight episodes). To be honest the main thing that grabbed me about it was that it does seem to have been somewhat of an acting "busman's holiday" for a chunk of the cast of HBO's brilliant The Wire. Sadly the overriding thought in my head seeing so many of them together in one place was that it is genuinely unlikely any will ever have work that good again, but still it was nice to see them. On The Kill Point itself, the series throws the viewer right into the bank job and the first episode is pretty frantic. In the style of 24 it tries to keep this up and some episodes do really well on it, but it does have frequent and clunky dips in pace that frustrate.

These aside, it must also be said that the whole series is not quite a great example of how to maintain pace and deliver within a thriller. The themes surrounding Iraq are held up like billboards rather than woven into the story and characters and likewise some emotional content is ham-fisted in delivery and just serves to suck dramatic tension out of the series rather than increasing it by adding depth. That said it still functions at a level that the majority will find distracting, if never really gripping. The direction gives proceedings tension but somehow never nails "urgency" in the way that I wanted.

The cast back up the "solid but not special" feel that the whole thing has, with reasonable performances from reasonable actors. Leguizamo leads the cast well with the strongest performance and character, getting the conflict and urgency in his character. Wahlberg is nearly as good when given the material but his grammar pedantry is nonsense (his own dialogue is full of "less" instead of "fewer" and such) and it is a crass quirk that doesn't work. Davidson is satisfyingly unhinged and works well with Grillo's incredibly buff (and I say this as a straight guy) and charming performance. The Wire's Fitzpatrick and JD Williams are both good but don't have much to do – the latter in particular quite hard to watch as he doesn't have a lot to get his teeth into in the way he did in The Wire. Although really this could be said of all of them but not in the same way. Hyatt has more time on screen than in The Wire (where she was Avon's sister) but she is not that good with it and she cannot get her character to work. Conversely Michael Williams seems to be unable to escape the wonderful character of Omar, although fan that I am, this is not a bad thing really. He has dialogue that could have been given to Omar (with a bit of tightening) but for the majority of the series he appears to be in his own show, totally detached in terms of plot and material from the rest of the goings-on! Enough "The Wire" chat though, I am conscious that I am already a bore on the subject, but the connection does add a novelty value to this show that it probably doesn't deserve. On its own terms, The Kill Point doesn't totally work but it has enough trash appeal to just about make it worth seeing if you want a couple of months of disposable distraction. It is far from being Dog Day Afternoon (although it has a touch of that), it lacks the urgency and pace of 24 (when it is good) and the writing lets it sag far too often for its own good but for the undemanding viewer it might just do the job.

"Kill Point" is a very, intense movie and worth the watch. I really don't expect TV Mini Series to be worth watching unless they're on Pay Cable or something, but I don't think this was on Pay TV, which means this should have "sucked". Anyway, this was a "nail-biting" suspense that delivered from start to finish. It was a very addicting watch, and I just wanted to know what was going to happen next. There was no ridiculous Character development, or far fetched scenes that stinks of lazy/ stupid writing. All the Characters were well written and behaved as if they were really in a hostage situation. This movie is good enough that after watching it, all the parties involved are seen in a new respectful, light. I also gained new respect for all the Actors in the movie. Donny Wahlberg who is pretty much dismissed as Mark Walhberg's, less talented, older Brother is actually fantastic. John Leguizamo was also very good as the Hostage Taker who has to manage an intense situation, and try to maintain his honor. Of course, it's not an Academy Awards acting job, but they were worth watching because this was a great movie, and I would recommend it to even the hardcore action/ suspense movie goers.

By and large TV mini-series are horrible little things, plagued by low production values and actors that barely qualify as B-list. Occasionally you see a Stephen King story pop up that is told fairly well, but other than that the field is sparse with anything of decent quality. Because of this, the Kill Zone deserves special attention for what it is - an extremely well produced piece of television that falls more in line with a moderately low budget movie than the typical TV mini-series you run into.

The acting is top notch, Leguizamo and Wahlberg(who looks exactly like Bruce Willis circa 1990 oddly) deliver performances worthy of any film and the rest of the cast who are primarily unknowns(except for an appearance by Wahlberg's Saw 2 nemesis, Jigsaw himself, Tobin Bell) all fill their purpose more than adequately.

Unfortunately it does has its share of flaws, otherwise it wouldn't be stuck on a mediocre cable network as a mini series to begin with. Primarily there are a number of plot holes and quite a few issues of improbable occurrences(a massive fire fight between two heavily armed forces that results in the casualty of not one character central to the story for example), so basically the stuff you can typically lay at the foot of any action oriented movie, series, or other.

The basic story however is quite solid, and has multiple layers presented to keep it from just being some guys holding hostages in a bank for 8 hours straight. While some of these lines are never taken to their true potential(primarily Tobin Bell's involvement) in favor of keeping the focus on Leguizamo and Wahlberg's interaction, for the most part they serve their purpose.

All in all, you have to look at this series for what it is. A mini-series on Spike with a moderate budget at best. And for what it has going for it, it is damn good and a solid 8 hours of entertainment. And really, what more can we ask from our TVs? Not everything need be a masterpiece.