The Kill Point

I too thought it was lame at the beginning, cliff hangers were OK, suspense and drama nothing new and most importantly the cast sucked. Great acting by John Leguz, and Donny Wal, if they hadn't taken the bulk of the screen time I would have changed the channel a long time ago. I have to give kudos to John and Donnie for being able to carry a crappy cast like that and being able to keep the viewer in tune. Who the hell was that lady cop criticizing Donnie all the time, she sucked. The show was good in my view, but with a better cast, it would have been great... but not to be a hater I watched all the shows on my dvr and was entertained. Thanks for the show but work on the ending, kinda weak sauce.

By and large TV mini-series are horrible little things, plagued by low production values and actors that barely qualify as B-list. Occasionally you see a Stephen King story pop up that is told fairly well, but other than that the field is sparse with anything of decent quality. Because of this, the Kill Zone deserves special attention for what it is - an extremely well produced piece of television that falls more in line with a moderately low budget movie than the typical TV mini-series you run into.

The acting is top notch, Leguizamo and Wahlberg(who looks exactly like Bruce Willis circa 1990 oddly) deliver performances worthy of any film and the rest of the cast who are primarily unknowns(except for an appearance by Wahlberg's Saw 2 nemesis, Jigsaw himself, Tobin Bell) all fill their purpose more than adequately.

Unfortunately it does has its share of flaws, otherwise it wouldn't be stuck on a mediocre cable network as a mini series to begin with. Primarily there are a number of plot holes and quite a few issues of improbable occurrences(a massive fire fight between two heavily armed forces that results in the casualty of not one character central to the story for example), so basically the stuff you can typically lay at the foot of any action oriented movie, series, or other.

The basic story however is quite solid, and has multiple layers presented to keep it from just being some guys holding hostages in a bank for 8 hours straight. While some of these lines are never taken to their true potential(primarily Tobin Bell's involvement) in favor of keeping the focus on Leguizamo and Wahlberg's interaction, for the most part they serve their purpose.

All in all, you have to look at this series for what it is. A mini-series on Spike with a moderate budget at best. And for what it has going for it, it is damn good and a solid 8 hours of entertainment. And really, what more can we ask from our TVs? Not everything need be a masterpiece.

I just finished watching the pilot myself. I couldn't help but think how well done this was.

"The Nine" had a similar premise, but it fell flat of expectations. "The Kill Point," by contrast, was tautly suspenseful, was laden with brilliantly crafted characters, and brought the sublime talents of Donnie Wahlberg and John Leguizamo to the forefront.

The writing made you actually feel for the characters, both "good" and "bad." Wahlberg and Leguizamo play off each other perfectly in a cat-and-mouse hostage game which, at least, kept me guessing as to how it was all going to play out.

Even the smaller details, like the cinematography and music, the colors used by the production designer, the little quirks of all the characters, make this story feel so real despite the implausibility of it all.

This is a show well worth watching, and I can't imagine not loving every moment of this truly intelligent miniseries. In the end, I wish more shows were done this well.

I only discover it now, although it was aired in France ten years ago. What a terrific mini series. It is certainly not in France that such a story could have been told. See for yourself; a story where veterans, war vets, openly talk against their own country, against their own government. That's certainly not in France that such a tale could have been shown. In America, the main advantage compared to France, is that you can talk about ANYTHING if it makes money. Period. In France, that's not the same. The channel who produce such a topic would have IRS inspectors the following day dig into their accounts...See what I mean? The director Yves Boisset was the victim of such a system. France, human rights country and its hypocrisy. And I am French. So, that said, back to this terrific series, you can think of RESERVOIR DOGS, HEAT and TAKING OF PELHAM 123...And it is obvious that such a story is far better made for TV show, than for theatrical release in a two hours feature. In a series, you have plenty of time and room to emphasize on characters and develop situations, with plenty of characters. The gunfight in the subway tunnel, however, in the sixth episode, is rather corny, totally unbelievable.

I am surprised it was produced by James De Monaco, the director of American NIGTMARE series crap, for the big screen this time.

Good characters study here, thanks to the series concept. The main drawback, weak point, is the fire fights sequences. The characters shoot tons of ammo without even changing the barrels of their weapons. I don't speak of the absence of impacts on most cars and walls during the shootings, at least the last one, not the first, involving the SWAT team trying to get into the bank, which is the best gun battle of the entire show. I don't understand why the film makers don't care about such important détails, which are nothing to be cared about. That remains childish to argue about this but, sorry, that upsets me.

this is an enjoyable series--well worth the watch. and if you want to put it in Hollywood lingo, then it is a 21st century "dog day afternoon", without the Attica chant. and if you don't know that film--see it. that's the meat of the series, but after viewing some decent twists in the middle, the end turns into a broke down copy of "heat".

and after watching a couple of episodes, it becomes obvious why the two leads went for this project: the writing and lead parts are exactly what mature actors dream of, and the producers must have convinced them that the small budget would be seen on the screen, and not end up on producer's expense accounts.

i'm an old recon marine, and some of the early tactical stuff had me cringing. but this can be partially discounted by the bandits being regular grunts and not trained for speed, but when the sarge called former marines--soldiers--throughout the series, i about soiled my sheets. we don't do that. we are not ordinary soldiers. i know. i was in the army and the marines.

but again, this is a great series--that is if you're into realistic television. it has many flaws: like dumping a cop in a populated area when he could have been dumped, blindfolded in the woods and thwarted the outcome; and whenever a killshot was needed and should be made by pros, they all shot as badly as the comedic, t.v. A team; and then there's the female vet/swat officer who acts like she was a three tour grunt who knifed tangos in their sleep for fun, instead of realistically being a truck driver who had a rifle in the cab too dirty to fire; and then there was the story's massively overworked murphy's law of extraction; and also the military insignia worn on swat gear (which would be a p.r. death to a police department), most probably used, against technical advice, as a time-saving Hollywood device so the viewers could identify officers wearing gas masks later in the show.

but throughout the strong points fully outweigh the weak. there is well fledged character development. and that is very hard to find. and all good springs from competent writing, a series time frame to grow in, and a production team dedicated to the project. despite obviously disregarding adviser input.

one of my favorites about this series is that it was not produced to go beyond one season--and then only eight episodes. that took balls. look how far they elongated "prison break", now there was a one season show extended over and over again because the ratings were strong.

and how the hell did it show up on spike? it may have been produced first then put up for sale--and spike was the only one ready to buy for the right price--or it may have been flatly rejected because it was too short for a series, and too long for a mini series, and since it fits neither.... anyway, what a shame, and this shows the limited vision of network t.v. executives.