O Guerreiro Silencioso

The human nature is very strange.You see a movie still, an artwork, or whatever, and you think you know everything about a movie, you haven't even seen yet.Yes, like most of you, my expectations were at a very different level, but i was simply not prepared for what i saw.

This movie is epic, although the small proportions of it.And by proportions, i mean budget, scale, those things.The only thing i knew before seeing the movie, was an actor i have seen before-One Eye, or Mads Mikkelsen.He was great in Casino Royale and was one of the few things i liked about Clash of the Titans.So that's the main reason i went to see the movie.

But after all, i wasn't left disappointed, because the movie was good in a light, i haven't predicted.It was relentless, ruthless, brutal, but fascinating as well.It has a few underline stories, involving Christianity and faith in God, as well as paganism and disbelief.There are some Christian taboos as well.And according to Christianity "Valhalla" means hell not the place, where all warriors go.That's in the Scandinavian literature.

The story is pretty simple-a man is being kept as a prisoner, until he escapes with a boy.They meet some Vikings on their way to Jerusalem.They travel together, but next thing you know they find themselves on an isolated shore.The men start dying one by one, which forces them to think, they're in hell.They see the quiet One Eye as the man to blame.

The acting of One Eye was great-the thing, that caught my attention till the very end.He did an outstanding job, and if you want to hear him talk, see Titans or Casino Royale, instead.Because that is something very different.It is set on a smaller scale, and is gruesome and a little bit pointless at time, but that obviously was the point...

The thing i have against the movie, is the fact, it is too slow.It is creative, beautiful, masterful direction most of the time, but it is simply slow and even boring at moments.The dialogue is rare to be found.There was a scene, i didn't quite understood, because of the lack of dialogue.And the scene was important.If this was the idea, well, it wasn't transfered good to the audience.And if it wasn't, this means one thing-poor screen writing.But nevertheless, a good movie, not great, not terrible as well.It is hard to be explained.Maybe, "strange" is the word, i'm looking for.See it.Judge for yourself.

If you're waiting to see endless battles, that's not the movie for you.It has battles, but in a very small amount of time.If you're looking for a different take on Religion, movie-making and acting, see it.And, pointless at times, slow and boring-those are the things that can bother You.But if You overcome them, You'll probably like it a little bit more, because it builds intensity and mystery, sooner or later.

A movie, not from this decade, but a movie, that should have been made.A movie not for anyone.

My rate:6/10

Damn! This was, like, the most frustrating kind of cinematic disappointment you can imagine. On one hand you expect a completely different and much more virulent kind of action movie, but on the other hand you totally can't claim that this was a terrible movie. Okay, admittedly, I expected non-stop swashbuckling, blood-dripping Viking spectacle and relentless violence from "Valhalla Rising", but can you blame me? The title and the awesome film poster, depicting a chained warrior with only one eye and war symbols painted on his muscular chest, alone were enough to make my mouth water. There are far too few genuine Viking movies out there, and since this is a local Scandinavian product, I honestly assumed it would have been a kick-ass movie. Instead, "Valhalla Rising" is a slowly unfolding and brooding epic with melancholic themes and unimaginably beautiful photography. Mads Mikkelsen, Denmark most talented actor even though he doesn't speak a single word in this film, stars as the charismatic and fierce warrior One-Eye (aptly baptized by his 10-year-old travel companion) who lives the miserable life in captivity. Viking tribes use him as their deadliest weapon in random gladiator games until, one day; he breaks his chains and regains freedom. Followed around by the one boy who treated him somewhat decently, One-Eye joins a clan of self-acclaimed crusaders intending to travel to Jerusalem with a vessel and re-conquer the holy land of God. The pacing is incredibly (at times even intolerably) slow and there's hardly any dialog in the film at all. More than once, "Valhalla Rising" actually reminded me of the legendary spaghetti westerns directed by Sergio Leone, and particularly "Once Upon A Time in the West". That movie – one of the greatest ones ever made, by the way – is also very slow and seemingly purposeless, but simultaneously boosts an atmosphere that is consistently ominous and unsettling. "Valhalla Rising" exists of multiple chapters, seven in total if I remember correctly, but nevertheless maintains a simple and chronological narrative. The crusade to Jerusalem is a marvelous symbolic criticism towards warfare in the name of religion; although I remain convinced the journey could have used action & bloodshed instead of hints at supernaturalism. Mikkelsen (the bad dude in Casino Royale) is terrific and it's remarkable how he must trained to get a body like that, but his character could have been so much more fascinating. Writer/director Nicolas Winding Refn ("Fear X", "Bronson") is definitely courageous and visionary, but I just hope that his film won't be misinterpreted or inaccurately promoted. If sold as a wildly exciting and blood-soaked Viking spectacle in Hollywood or so, "Valhalla Rising" is bound to become very unpopular.

When I heard there was going to be a Viking movie with Mads Mikkelson, and I saw the trailer for it, I was very very intrigued. I am of the opinion that a serious Viking drama has never been done well or respectfully, so I was really hoping that I might get that here.

Unfortunately, the plot of Vallhalla Rising is so shallow and near meaningless that I must admit that I'm still waiting.

That being said, if judged in terms of cinematic and visual experience, it was beautifully shot, and the much vaunted fights scenes (especially the ones in the beginning) were awesome in their brutality. The director sets great scenes in some awesome locations, so your eyes will be in for a treat... but don't expect riveting plot. Rather, think of this as an arts movie with a bit of brutal violence in it.

Hell, I just wished they named the movie better. The fact these characters are Norse is just about irrelevant... they could have plugged a number of different cultures into this story-line, change a few slight details and the difference to the core story would have been negligible. Way to name a movie Valhalla Rising' simply because otherwise the idea that there are Vikings in this movie is not reinforced heavily enough.

So, watch if you want a artsy visual experience... don't sit down with a bunch of friends expecting a action blockbuster. This is not it.

I saw it as a poem. Heavy, beautiful cinematography,Mads Mikkelsen as perfect option for One Eye, the Crusade theme and the visions as parts of ancient world source of meanigs, the lonely, silent man and the boy beautiful illustrated. Not comfortable images but fair illustration of a lost world spirit. So, admirable poem about life, options , answers and duty.

As far as bizarre and uncomfortable art films go, Nicolas Winding Refn's Valhalla Rising is pretty tame. In fact, it is so comparatively tame that the film's marketers felt they could serve it up as an action-packed Viking film—a terrible decision that caused the film to be a horrendous flop; because after all, this is a bizarre and uncomfortable art film. When I say "tame," of course, I do not mean it does not have an explicit evisceration scene—because it does—I mean it has a relatively discernible plot and characters with names.

The protagonist, One Eye (Mads Mikkelsen in a stark, fearsome performance), does not say a single word in the entire film. The other characters do a lousy job of filling in the silence, for I think I counted somewhere in the vicinity of twenty-four lines in total.

In addition to long periods of silence, the film also features clay-covered voodoo rock men, inverted dream sequences (I think), and a lot of existential symbolism—making it, without a doubt, a very bizarre and uncomfortable art film.

(Disclaimer: The film features starkly beautiful cinematography and brilliant performances. Certainly worth watching)