AVALIAÇÃO DA IMDb
6,0/10
2,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe wealthy stock dealer bequeaths his Montana farm to the three daughters provided they would live there together at least for a year.The wealthy stock dealer bequeaths his Montana farm to the three daughters provided they would live there together at least for a year.The wealthy stock dealer bequeaths his Montana farm to the three daughters provided they would live there together at least for a year.
Nora Roberts
- Dancing Wedding Guest
- (não creditado)
Georgia Smith
- Supporting Artist
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I haven't read the book, but other reviewers comments mentioning all that was left out and changed doesn't surprise me. With 4 relationships in the movie (3 male/female and the one amongst the sisters), running the ranch, and the several "bad guy" stories over a year's time, they don't leave much time for much else in a 2 hour (1:36 without commercials) TV movie.
This movie's story just skips along like a stone on water, touching the surface every so often to cause a small ripple that quickly disappears to no effect before finally sinking under the surface. Pretty to look at as it skips, but quickly forgotten when it is done.
I was disappointed in the story's lack of depth. Then again I thought of how I like romantic comedies from the 30s through the 60s and they aren't known for their depth. Why I am more ready to accept the lack of depth from these older movies? It may be because they are old and I am more ready to suspend belief and accept the story and characters because the movie is "from a simpler time".
Another reason I would overlook a shallow story would be if the actors were movie stars. In this movie the actors were good, but no one sizzled and was a star like Gary Grant, Rock Hudson or Doris Day. John Corbett comes closest to a movie star, but I am a guy so the bar for a male actor is higher and Corbett doesn't interest me. He is pretty but bland.
The female actors.... um, who were they again? The black haired, the blonde, and the brunette? The frightened, the Hollywood Californian, and the ranch 'chip-on-her-shoulder'. Three sisters who knew each other? Knew OF each other? More of their back story would have been nice instead of them just being stereotypes.
Another reason I would have trouble overlooking this shallow story and characters is the movie takes place in Montana. While I don't live in the Bozeman area of Montana, I live among the Montana mountain ranch way of life and people. This movie is the Hollywood version of the Montana image. The scriptwriters may have spent a little time in Montana in order to notice a few obvious things such as many Montanans dislike of Californians and their rich Hollywood ways. Unlike the sheriff in the movie, the typical Montana man, after spouting off to the Hollywood sister on Californians like he did, wouldn't immediately express interest in her unless it really was for the reason she thought it was for and not the type of relationship he wanted.
In other words... the Montana men depicted in the movie are not your typical Montana man. And this ranch and house were certainly NOT your typical Montana ranch!
The movie was predictable, but that is not always bad. Sometimes one wants a comfortable movie that conforms to ones beliefs and/or wishes. This movie is that. No rough edges. No major surprises. Reassures one's stereotypes and ends happily.
When characters disagreed, the writers were careful not to overdo the disagreements so as not to create a bad impression in the viewers mind that would be difficult for the character to overcome when the 'feuding' characters changed course and became friends (or friendlier *wink* *wink* as this is a romance movie).
Part of the problem with the lack of feeling is I am not sure why some of the characters didn't like one another to begin with other than the story called for this to be so. I am still puzzled why the 'ranch, chip-on-her-shoulder' sister didn't like John Corbett's character. Was it because he had flirted with other women in his past and was not a virgin? Consequently when they later liked one another it seemed arbitrary. What changed? I guess time passed and it was now or never for her, though if I were Corbett's character I would have moved on from her a long time ago as nothing she did or said impressed me. This is where a movie star charisma comes in handy - who cares why they now like one another, you just are happy they do.
When it came to the bad men in this movie, they were so one-note bad and evil that they were not believable. Watching them in their threatening scenes was like watching the villain at the end of a James Bond movie. The villain spouts off some crazy nonsense as to why he is acting this way and doing what he is doing, then the hero races around shooting until the villain is dead or captured. One puts their mind in neutral until the scene is over as it is so unbelievable. It was the same for this movie. Fortunately this movie was more on the romance side and only had the bad men as subplots to have some sort of dramatic tension in the movie. Just one skip of the stone.
Before anyone complains about my assessment of the bad men subplots, that "no, this was more realistic", I disagree. These guys had anger and impulse control issues and were not smart at all. No way do I believe they would act, then wait 6 months and do nothing over a Montana winter before completing their revenge plan. And there are other examples of their over-the-top behavior which I won't bother to mention.
I wasn't unhappy with the movie. I was fine with it. When I watched it, it was what I thought it may be, and wanted, a predictable romance TV movie. Kind of like watching a James Bond movie when one is in the mood for a mindless action movie.
Maybe the movie would have been better off as a four hour mini-series where it could have had some more depth.
This movie's story just skips along like a stone on water, touching the surface every so often to cause a small ripple that quickly disappears to no effect before finally sinking under the surface. Pretty to look at as it skips, but quickly forgotten when it is done.
I was disappointed in the story's lack of depth. Then again I thought of how I like romantic comedies from the 30s through the 60s and they aren't known for their depth. Why I am more ready to accept the lack of depth from these older movies? It may be because they are old and I am more ready to suspend belief and accept the story and characters because the movie is "from a simpler time".
Another reason I would overlook a shallow story would be if the actors were movie stars. In this movie the actors were good, but no one sizzled and was a star like Gary Grant, Rock Hudson or Doris Day. John Corbett comes closest to a movie star, but I am a guy so the bar for a male actor is higher and Corbett doesn't interest me. He is pretty but bland.
The female actors.... um, who were they again? The black haired, the blonde, and the brunette? The frightened, the Hollywood Californian, and the ranch 'chip-on-her-shoulder'. Three sisters who knew each other? Knew OF each other? More of their back story would have been nice instead of them just being stereotypes.
Another reason I would have trouble overlooking this shallow story and characters is the movie takes place in Montana. While I don't live in the Bozeman area of Montana, I live among the Montana mountain ranch way of life and people. This movie is the Hollywood version of the Montana image. The scriptwriters may have spent a little time in Montana in order to notice a few obvious things such as many Montanans dislike of Californians and their rich Hollywood ways. Unlike the sheriff in the movie, the typical Montana man, after spouting off to the Hollywood sister on Californians like he did, wouldn't immediately express interest in her unless it really was for the reason she thought it was for and not the type of relationship he wanted.
In other words... the Montana men depicted in the movie are not your typical Montana man. And this ranch and house were certainly NOT your typical Montana ranch!
The movie was predictable, but that is not always bad. Sometimes one wants a comfortable movie that conforms to ones beliefs and/or wishes. This movie is that. No rough edges. No major surprises. Reassures one's stereotypes and ends happily.
When characters disagreed, the writers were careful not to overdo the disagreements so as not to create a bad impression in the viewers mind that would be difficult for the character to overcome when the 'feuding' characters changed course and became friends (or friendlier *wink* *wink* as this is a romance movie).
Part of the problem with the lack of feeling is I am not sure why some of the characters didn't like one another to begin with other than the story called for this to be so. I am still puzzled why the 'ranch, chip-on-her-shoulder' sister didn't like John Corbett's character. Was it because he had flirted with other women in his past and was not a virgin? Consequently when they later liked one another it seemed arbitrary. What changed? I guess time passed and it was now or never for her, though if I were Corbett's character I would have moved on from her a long time ago as nothing she did or said impressed me. This is where a movie star charisma comes in handy - who cares why they now like one another, you just are happy they do.
When it came to the bad men in this movie, they were so one-note bad and evil that they were not believable. Watching them in their threatening scenes was like watching the villain at the end of a James Bond movie. The villain spouts off some crazy nonsense as to why he is acting this way and doing what he is doing, then the hero races around shooting until the villain is dead or captured. One puts their mind in neutral until the scene is over as it is so unbelievable. It was the same for this movie. Fortunately this movie was more on the romance side and only had the bad men as subplots to have some sort of dramatic tension in the movie. Just one skip of the stone.
Before anyone complains about my assessment of the bad men subplots, that "no, this was more realistic", I disagree. These guys had anger and impulse control issues and were not smart at all. No way do I believe they would act, then wait 6 months and do nothing over a Montana winter before completing their revenge plan. And there are other examples of their over-the-top behavior which I won't bother to mention.
I wasn't unhappy with the movie. I was fine with it. When I watched it, it was what I thought it may be, and wanted, a predictable romance TV movie. Kind of like watching a James Bond movie when one is in the mood for a mindless action movie.
Maybe the movie would have been better off as a four hour mini-series where it could have had some more depth.
I've read the book and of course the book was so much better. However, putting aside that fact, I found this movie lacked....appeal. It was very hurried, which is expected for a 90 minute flick, but it had no, depth to the film. There have been many adaptations from novels to movies that have been wonderful. If this movie had its own zeal and personality, I don't think I would complain about the way it was done. However, it was very...damsel in distress, no brains, and kind of dull. If the chemistry was better, if the actresses added more personality I think it would have been brilliant. I've been looking forward to these movies since I heard they were coming out. I'm not saying this movie was terrible or anything, I am not saying "well the book was like this," I'm just saying it was dull.
Nice scenery, interesting character cast. Could have been subtitled, "The Ladies of Mercy Ranch". This must have been promoted to Lifetime Network as an afternoon movie for women. Lots of bonding between the sisters, a hot tub with candles and wine, trying on dresses, and other "girl" things. There are enough pickup trucks, horses, gunshots, and mild action scenes to keep the guys interested, but the ladies will enjoy this film much more.
Montana Sky opens with the death of the family patriarch, a man named Mercy who like Ben Cartwright fathered three children legitimately, except in his case it was daughters instead of sons. But a role model like Lorne Greene this guy wasn't. One daughter Ashley Williams stayed home and learned the ranch business. The other two were from trophy wives, Charlotte Ross and Laura Mennell. Ross is a screenwriter and Mennell is hoping to escape from a batterer whom she married.
For the zillionth time an eccentric will is the thing the plot turns on. The estate after a couple of cash bequests is worth 24 million dollars and the half sisters who don't know each other have to live and work the ranch for a year for any of them to inherit any of it. Eight million dollars is a mighty powerful argument to induce the sisters especially Ross to stay and make a go of it. Poor Mennell just wants to find refuge.
There's also someone slaughtering animals in a particularly sadistic way on the place. It could be Mennell's ex-husband Scott Heindl or maybe someone else also has a grudge.
I have to say that the three women had some nice chemistry between them or otherwise Montana Sky would not have worked. The vast western vistas are really something, better than the mostly studio based photography on Bonanza. Ross especially impressed me as she essayed a character who saw some considerable growth in character over the course of the story.
That's worth seeing Montana Sky in and of itself.
For the zillionth time an eccentric will is the thing the plot turns on. The estate after a couple of cash bequests is worth 24 million dollars and the half sisters who don't know each other have to live and work the ranch for a year for any of them to inherit any of it. Eight million dollars is a mighty powerful argument to induce the sisters especially Ross to stay and make a go of it. Poor Mennell just wants to find refuge.
There's also someone slaughtering animals in a particularly sadistic way on the place. It could be Mennell's ex-husband Scott Heindl or maybe someone else also has a grudge.
I have to say that the three women had some nice chemistry between them or otherwise Montana Sky would not have worked. The vast western vistas are really something, better than the mostly studio based photography on Bonanza. Ross especially impressed me as she essayed a character who saw some considerable growth in character over the course of the story.
That's worth seeing Montana Sky in and of itself.
First, I have to say I am a HUGE Nora Roberts fan. I have read every one of her books at least twice, and most more than that. That being said, if you've never read Montana Sky and you like typical Lifetime movies, then this is for you. However, if you love the book then don't waste your time on this film; you'll just end up angry at how far from the book it strays. I know it's almost impossible to make a movie as good as a book, but this movie could have done a MUCH better job of at least staying true to the story. Some of the most important parts that make the book so great were completely left out or changed. I guess it's just too hard to fit a 500 page book into a two hour time span (including commercials). I for one am very disappointed in this movie.
Você sabia?
- CuriosidadesNora Roberts: One of the couples dancing in the wedding scene.
- Erros de gravaçãoWhen Tess is applying gauze to Adam's wound, the close up shot has her wearing latex gloves. As the view switches to a long shot she is not wearing gloves, then as the camera moves in, she is pulling gloves on.
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Montana Sky
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- CA$ 4.000.000 (estimativa)
- Tempo de duração
- 1 h 36 min(96 min)
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
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