Espíritos Famintos

After the release of Japan's "Ringu", Eastern horror became extremely popular in the west and lead to a series of remakes including "The Grudge" and "The Ring". "They Wait" isn't a remake of an existing Eastern horror but an original production in which an American mother (played by Jaime King) and her six year old son find themselves facing the ghosts of the Chinese community into which they have arrived from Shanghai. Although it may not be based on a Japanese or Chinese horror movie, "They Wait" unfortunately comes across like a compilation of greatest hits from such productions.

There's one very good scare quite early in the movie but, once this is over, everything else comes across as quite tame. "They Wait" also unfortunately employs some terrible CGI effects in places. Some of the ghosts (especially those seen before the titles roll) look like something from a Playstation game! This is quite surprising as the rest of the movie looks to have had quite a bit of money thrown at it and director Ernie Barbarash (who also directed "Cube: Zero") knows how to make his movie look extremely polished.

The lead performances are all very good (Ms King, in particular, proves to be a strong center for the story) but the plot is quite uninspired. You'll quickly guess what's going on and who is responsible, and the way in which things are resolved also leaves a lot to be desired. But is it a bad movie? No, not at all. If you catch it on television late at night, you'll probably be perfectly entertained throughout its running time and enjoy something that has many charms amongst its faults. If you pay money to rent it out, however, you might feel you've wasted money on something that seems incredibly similar to so many other movies.

At the time of writing, this movie has a 3.8 score on IMDb which is, in my opinion, completely unjustified. I've seen a few movies deserving of a score like that and this movie certainly isn't one of them! I can guess at the reason for this, and that reason would be the presence of a certain Uwe Boll who most movie fans will know as the director of a growing library of terrible movies (Alone In The Dark, In The Name Of The King, Bloodrayne etc). However, it's worth pointing out that Uwe Boll was simply the producer here. He didn't write this movie and he certainly didn't direct it!

In summary then, "They Wait" is an inoffensive horror movie which works nicely as a late night time-waster but not much more.

Another thriller that confirms my saying that the best movies are not so popular.

The performance of the Chinese little boy is very good. He reminded me of the performance of Haley Joel Osment in The Sixth Sense (1999). The script is not perfect, but it is an interesting story enough to keep most fans of the genre involved.

THEY WAIT is an entirely routine ghost film in which a couple discover that their young son is being haunted by a vengeful female ghost. We've seen this sort of stuff a zillion times before, and on the face of it this is no different to the normal sort of fare; some below par CGI effects are hardly the thing to instill confidence in the viewer.

And yet, and yet...THEY WAIT is a surprising film. Surprising because the writing surrounding the reason for the ghost's presence is actually decent for once. It's clearly been well thought out, and it's a story that mixes together forced labour, murder, and the hungry ghost festival. Despite the proliferation of Asian ghost films over the last couple of decades, I actually found the back story to be fresh and engaging. It doesn't make THEY WAIT a perfect film, but it is worth a look for fans of the genre on that basis alone.

Don't get me wrong, I love The Ring, The Grudge, and most J-Horror movies with the jerky movement ghosts and tales of revenge.

However this movie seemed to be able to communicate the same concepts that make the Asian ghost stories so intriguing without resorting to all the same clichés. And when they do decide to throw in a jump scene, it is usually not where you expect it or completely out of nowhere.

It is a simple story that has been told over and over, but this adds and Asian twist with concepts such as Hungry Ghost Month and Spirit Money without alienating a western audience.

Overall the story is pretty predictable and that is the only downside to this movie. Once you figure out what is going on, it's pretty much a "which road will they take to the end" as opposed to a surprise around each corner. The acting is pretty decent for this type of flick. The kid actually does a good job - never know how they will do in these.

I would recommend this if you want to introduce some of the elements of a good Asian horror story without all the oddness that is directly copied in some of the other remakes. Many of the concepts of the genre are there without the kabuki inspired movements.

Seeing THEY WAIT at the Vancouver Festival, people were screaming at the scares, and the audience broke out into applause after a tense, white-knuckle 89 minutes. THEY WAIT leaps into action with a highly engaging first half, and then escalates quickly into a harrowing and riveting second part. Surprisingly strong performance from Jaime King and excellent turns by the rest of the cast. THEY WAIT - quite frankly - really does have blockbuster theatrical hit written all over it as another commentator has said, and has remarked the only legitimate print journalist to review it so far; everything, from the visuals to the performances, seems to be operating at a Hollywood movie level, far beyond its budget and seemingly nothing like the usual unpopular and noncommercial Canadian film disasters. Does this film mark the return to the days when Canadian films like SCANNERS or PORKY'S could take the box office crown away from the Hollywood studios? People applauding at the end, swarming around the lobby talking about how good it was -- that tells you everything you need to know about the reception to the film by an audience. With a decent release and a good ad campaign, this will be a hit. Though not perfect -- there is a certain clunkiness to a flashback sequence, for example -- the film is a revelation in doing what it sets out to do. It bangs virtually every mark. Director Ernie Barbarash has grown leaps and bounds from his previous efforts with the mediocre to dull low-rent CUBE ZERO and has hit the Hollywood Standard here. This film shines and looks and sounds terrific.

Paul Kael @ rotten tomatoes