Angela, uma imigrante ilegal vivendo em Los Angeles, encontra Bill, um banqueiro desonrado em fuga. Através do sexo, conversas que vão da política à filosofia e outros prazeres mundanos, Ang... Ler tudoAngela, uma imigrante ilegal vivendo em Los Angeles, encontra Bill, um banqueiro desonrado em fuga. Através do sexo, conversas que vão da política à filosofia e outros prazeres mundanos, Angela apresenta Bill a outra visão do mundo.Angela, uma imigrante ilegal vivendo em Los Angeles, encontra Bill, um banqueiro desonrado em fuga. Através do sexo, conversas que vão da política à filosofia e outros prazeres mundanos, Angela apresenta Bill a outra visão do mundo.
Keller Wortham
- Bill
- (as James Wortham)
Adrian Quiñonez
- Diego
- (as Adrian Quinonez)
Avaliações em destaque
The male lead in this film is a doctor in real life and apparently quite accomplished in a number of fields. What he is doing in this miserable piece of tripe is beyond me. This guy must really want to be an actor which would be great if he could only act which he cannot. He's tall, dark and handsome and sports quite a package which is shown in all its glory, yet you never really believe this guy because he cannot stop being a doctor. There's even a scene where he's in bed with another man as well as a woman and even then it's almost as though he's in an examining room. When he takes hold of the other fellow's appendage I fully expected him to pull out some medical instrument to deal with the matter, but he does not. Yet one has the distinct feeling that the slab of beef in his hand is simply there for examination and nothing else. The female lead in this film is almost beside the point, playing second fiddle to the doctor's package which gets most of the attention in the film.
I liked the film very much. The whole story unfolds under the echo of the word "now". Now we live, love, die, fall and rise. Past is too far and future is hidden behind the dreams. It is such a relief when you realize that the only constant thing in life is the inconstancy. And there is no time enough for regrets and despair, no time for loosing yourself in the cave of greed for getting more and more. You should appreciate every single moment and never forget it is a gift.
The main actors managed to inspire all these thoughts. Same feelings inspired the music and some camera decisions. I liked the scene with the bird-kite. And about the sex scenes I find them erotic, not vulgar or rude.
The main actors managed to inspire all these thoughts. Same feelings inspired the music and some camera decisions. I liked the scene with the bird-kite. And about the sex scenes I find them erotic, not vulgar or rude.
This movie is an amazing movie, depicting intense varied emotions. It encapsulates liberation and freedom along with spirituality which is so much the essence of humanity. I found the sex to be so much a natural part, yet which is so often regarded as 'unnatural'to show in our society. The movie really teaches one to get in touch with his own spirituality instead of the dogma we have created for ourselves. A really powerful and enchanting movie, added by the superb acting by Shari Solanis - an actor with unparell emotional appeal. All in all, a must watch movie with kudos to the director and producer and the rest of the cast as well. Definitely 10 points - more if possible.
Explicit images (read nudity), but also penetration have made their way into mainstream movies (no pun intended). And while the term mainstream might feel like a stretch given to a low budget movie, this is not a single case of this thing happening. Low budget movies (or even higher budget movies like Nymphomaniac) do not hold back anymore. Caligula did that many decades ago, but back then it was more like a single case scenario (if you don't count some "horror" movies who had some explicit intercourse in them as well).
But back to this one, which is depicting a relationship and a financial situation that might make feel people uncomfortable (even more uncomfortable than two people having sex together, while everything is shown). There is drama between all the nudity and it does work on a basic level. The acting is a bit off, which might have given this a bit of a boost, but overall the story is decent, though annoying at times. If you rent/watch it for the obvious non-story related reasons, you might feel disappointed, don't blame the movie for it though - on the other hand don't expect this to be a superb drama
But back to this one, which is depicting a relationship and a financial situation that might make feel people uncomfortable (even more uncomfortable than two people having sex together, while everything is shown). There is drama between all the nudity and it does work on a basic level. The acting is a bit off, which might have given this a bit of a boost, but overall the story is decent, though annoying at times. If you rent/watch it for the obvious non-story related reasons, you might feel disappointed, don't blame the movie for it though - on the other hand don't expect this to be a superb drama
Comparing the movie to the critic reviews is like talking about another film: this very true and provocative cinematique angle is nearly a threat to todays society, just because it is honest enough. Unlike what is written in the other user reviews, I think that the explicit sex scenes are NOT the main reason why this film has been chopped up by the critics, but they eventuallly add up to all its superficially called "negative points". Briefly:
1. The sex scenes: it is true that a sexually repressed society will eventually turn out being violent and its people being miserable. The film underlines the oxymoron of how we are "taught" to hypocritically "hide" our need for sex and love, as if it is something bad and anethical, whereas in the end, if openly cultivated, leads to self-fulfilment, joy and mental balance. And reduces hatred and violence.
2. The social point of view: The two leads are surrounded by poverty, social discrimination and injustice in what we think is our "modern equal world". And their relationship is indeed determined by those differences, as they both serve as representatives of two opposite social classes, the upper-class banker and the illegal immigrant. Poverty IS a reality and people ARE being exploited to death for others to consume and win millions. And the film cares to remind us that even if the two protagonists don't exist in reality, there are many many people who are like them.
3. The "we are the heroes" part: now this is a turning point in the film. Sadly enough, politics ARE a way of expressing power and greediness, and some countries/ people are the unlucky victims. The main lead, as a former banker, a former "master of the universe", approaches the most painful part of the movie, the realisation that our political leads may not be so "saint" at all, that our country may have erred, that wars are being provoked just for the profit, that a poor country's future may be a toy in the hands of those who are in power (financially and politcally), that people die for others to get richer etc... All those are issues we are trying to forget or neglect or doubt, and this film makes us look straight up to them, or at least it tries.
Some would rather look straight up to the provocative sex scenes, there is, though, i think, a natural coherency between all the issues addressed by the film (the sex, the politics, the freedom, the social critic) that lead up to a compact, intimate and philosophical end result.
P. S. Give it a try and watch it, with honesty and open mindedness. As all authentically non-Hollywood approaches, the characters in this film are not the great heroes we have to admire and immitate. We merely learn from them. Besides, for instance, I don't see why the sexual theme in "Vicky, Chrsistina, Barcelona" should be more justifiable, less shocking or "intellectual" enough to win an oscar and get plenty of praising critic reviews.
1. The sex scenes: it is true that a sexually repressed society will eventually turn out being violent and its people being miserable. The film underlines the oxymoron of how we are "taught" to hypocritically "hide" our need for sex and love, as if it is something bad and anethical, whereas in the end, if openly cultivated, leads to self-fulfilment, joy and mental balance. And reduces hatred and violence.
2. The social point of view: The two leads are surrounded by poverty, social discrimination and injustice in what we think is our "modern equal world". And their relationship is indeed determined by those differences, as they both serve as representatives of two opposite social classes, the upper-class banker and the illegal immigrant. Poverty IS a reality and people ARE being exploited to death for others to consume and win millions. And the film cares to remind us that even if the two protagonists don't exist in reality, there are many many people who are like them.
3. The "we are the heroes" part: now this is a turning point in the film. Sadly enough, politics ARE a way of expressing power and greediness, and some countries/ people are the unlucky victims. The main lead, as a former banker, a former "master of the universe", approaches the most painful part of the movie, the realisation that our political leads may not be so "saint" at all, that our country may have erred, that wars are being provoked just for the profit, that a poor country's future may be a toy in the hands of those who are in power (financially and politcally), that people die for others to get richer etc... All those are issues we are trying to forget or neglect or doubt, and this film makes us look straight up to them, or at least it tries.
Some would rather look straight up to the provocative sex scenes, there is, though, i think, a natural coherency between all the issues addressed by the film (the sex, the politics, the freedom, the social critic) that lead up to a compact, intimate and philosophical end result.
P. S. Give it a try and watch it, with honesty and open mindedness. As all authentically non-Hollywood approaches, the characters in this film are not the great heroes we have to admire and immitate. We merely learn from them. Besides, for instance, I don't see why the sexual theme in "Vicky, Chrsistina, Barcelona" should be more justifiable, less shocking or "intellectual" enough to win an oscar and get plenty of praising critic reviews.
Você sabia?
- CuriosidadesShari Solanis said the sex in the movie was all simulated except one scene. "We kept it professional. We didn't want the dynamic or energy of porn. It was all simulated except the blowjob scene - but that was it. It was not about [porn]. It was about showing a slice of life, and sex being very natural. We tried to capture that and not be exploitative," she said.
- Erros de gravaçãoEven assuming that Anglea has some kind of off-screen arrangement/lease with the building owner(s) to make her residency on the roof legitimate, that is not the only factor that makes her situation untenable. Rain is admittedly sometimes rare in the Los Angeles area, but it is certainly not unheard of, and Angela seemingly has no provision whatsoever for protecting all of her rooftop possessions from being ruined every time it rains, or whenever some other inclement weather occurs.
- Trilhas sonorasAna Touiri
Performed by Fadhéla Dziria
Written by Al-habib Hachlafe
Composed by Haddad Al-Jilali
Edition de la paix / Royal Music
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Now & Later?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.808
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.516
- 20 de fev. de 2011
- Faturamento bruto mundial
- US$ 1.808
- Tempo de duração1 hora 39 minutos
- Cor
- Proporção
- 1.78 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente