Ostrov

This is an Orthodox movie in its core, and it might not appeal to people of different religious backgrounds. Orthodox church is not a church of comfortable and simple, but ridiculous answers. Its path is hard and full of obstacles, and the fight for salvation, is life long. Of course, this is completely opposite to evangelical, easy fix theology that calms the minds of the naive folk. This movie is not an advert for converting to the Orthodox faith. How could it be? All three monks that we see in this movie are struggling to understand their spiritual journey.Being religious is a tough gift, not for the faint of heart.

an Orthodox film. religious in a profound sense. because it only remands old pieces from the Church's life. the figure of Starets. the weakness who becomes, step by step, sainthood. the image of Fool for Crist , present in Russia, Greece, Romania in same measure. it could be, for the viewer from West, a surprise and a revelation. in fact, it is only a testimony about the force and essence of faith. about God in simple - honest manner. Pyotr Mamonov presents the pillars of his faith. and that fact gives the touching emotion. the images from a far land for who the life is different , the meetings as keys of old events, the humor, very strange for a large part of the public, are only pieces from a fascinating puzzle about the life's meaning.

If you love Lars Von Trier's series about Human Virtue and Sin, you will definitely fell the same way about with this brilliant movie and the main character- once sinned soul turned life-long searching forgiveness wonder-working monk, played by unique and genius Russian actor/musician/now-hermit- Petr Mamonov. The movie actually reflects the real current life and spirituality of the actor.

The movie won't leave you indifferent and senseless even if you try. To preserve beauty and richness of Russian language may be an arduous task for an interpreter, but you shouldn't worry about it very much since dialogs are rare, short and sharp, and the movie is very rich visually.

Enjoy. D.

I was almost reluctant to watching this movie because of all the hype it receives in Russia currently. At first, I thought it was one of those "we are the best", the usual Russian things. Not so. It is still the #1 feature in Russian movie theaters at the time of this writing. Anyway, Russians don't wait as long as Americans do before they release a movie to the television. And so today they did (the movie is still in the theaters and is doing really good at the box office). Don't know how exactly it works in Russia. But anyway, the movie is SO GOOD! It is definitely up there with Bergman and Tarkovsky. It is simply spectacular! Don't even think of missing it! Everything is great about this movie. The story is really short to get you into the mood in the orgasmic kind of way, and it will keep you at the edge of your sit to the very last second. Beautiful actors. The film is shot in beautiful widescreen – an absolutely breathtaking cinematography. The only thing bad about this movie is that it is too short!!!! Don't get me wrong, it is a full-length film, but it's ended just a couple of hours earlier than I expected :) Just watch it! You will not regret it.

Some people saw this film as a religious propaganda. I don't think it is so - "Ostrov" it's rather a testimony, for those interested, about the Russian soul, which is deeply religious and rooted in Orthodox Christianity. I think the main target of the movie were the Russian themselves, or maybe, by extension, those nations who are traditionally Orthodox Christian, but forgot their roots.

The movie tries to bring into attention the essence of Orthodox Christian belief - the reunification of man with God, which is done through repentance and unceased prayer, in humbleness and ascetic struggle. According to the same beliefs, God is the one who works this union in co-operation with the man.

The main character, Fr. Anatoli, was inspired from the lives of some Russian "fools for Christ" - men who tried to hide their sanctity and keep their humbleness behind a mask of apparent insanity - especially from the life of St. Theophile the Fool for Christ.

I think the success gained by this movie in Russia and beyond is determined by the inner identification of the viewer with the concepts revealed in it.

Nevertheless, beside it's religious significance, "Ostrov" has a brilliant image directing, with superb shots of the remote locations, and a very good and balanced script - even a surprising final turnaround, for those who may have felt the need for it. You may think of it, in a way, as a sort of "fictional documentary".

As a final note, I think the movie requires at least a second viewing, both for deepening and re-enjoying it.