Reino Escondido

This was not a perfect film by any means, but looking back from 2022, it got a worse rep than it deserves. A couple of voice actors were chosen more for their fame than their actual VA experience, and it made the error of making the "bad guys" overly one-note/evil for evil's sake (which very much messed with the inherent theme of balance, not *total defeat of one side*, in nature) but it was beautifully animated, had a lovely score, a pretty decent plot and main characters, and a good message.

My Rating: ***1/2 (out of ****)

The way things a currently looking, this might very well not be a Pixar year. A much as I might enjoy Monsters University and possibly Planes, they may very well not be my favorite animated films of the year, and they probably won't be. The Croods is already my favorite animated film of the year, and this movie, Epic, in my opinion, is also pretty good.

The main protagonist of the film is Mary Katherine, or M. K., a likable (and cute) teenage girl who, after her mother's death, goes to live with her eccentric and reclusive father. Her father believes that there is a miniature world of magical little people and creatures that live in the forest, and of course other people, including M. K., don't believe him. However, she soon magically shrunken and discovers this little world, which she must save.

And so on. I admit, the movie is not very epic; it is a bit generic and has just about every cliché possible: good vs. evil, balance of nature, dysfunctional parent/child relationship, etc etc. The film resembles a number of other films, such as FernGully, Avatar, and Honey I Shrunk the Kids, among others. One of the main characters, the Nod, even resembles Flynn Rider from Tangled pretty strongly (but this wasn't a problem for me). However, I disagree with everyone who is calling it charmless, forgettable, too reliant on visuals, and weak in terms of character, plot, heart, etc. That's right, I actually enjoyed it.

I actually thought the movie was handled fairly well and has a decent, solid, enjoyable, well- paced plot. The film started out a bit slow, but I started to get more interested as trouble started brewing in the miniature forest world and then M. K. gets shrunken; from then on the movie was much better, and I got interested and emotionally involved in the story. The film also has likable characters and relationships, and good voice performances by Amanda Seyfried, Josh Hutcherson, Colin Farrell, Beyonce Knowles, and the rest of the cast. It even had some good humorous parts, including a pair of mollusks and a three-legged dog.

The best part of the film is the animation; dazzling, lively, meticulously detailed, and it helps bring everything to life. Like Avatar, this movie has what I found to be an interesting, immersing, well-designed setting. Also, like Avatar, it has a good, strong ecological message, which I appreciate. It also has heart, charm, and genuine emotion, and additional good moral messages such as friendship, love, bravery, and selflessness.

Bottom line: If you ask me, Epic is hardly epic, but it's good. And it was especially enjoyable for me on the big screen. Kids will certainly love it; and if you are an adult, like me, just let out your inner child and enjoy the film.

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This animation is about a teenage girl who goes to live with his father, who is a scientist fanatical about civilised creatures in the first, after his mother died.

"Epic" has everything to be a successful animation. It's colorful and delightful to watch. The characters are really nice (but only limited to the characters in the Queen's land). The story is very engaging, even though it seems to be a simple story of God versus evil. The father daughter relationship is presented beautifully, it makes me feel for both the father and the daughter as their relationship blossoms.

I think "Epic" is a really good animation. It touched me and entertained me, made me laugh and made me be filled with tears of joy. I thoroughly enjoyed it.

This is without a doubt the most fantastic visual animation I've ever seen. It brought to mind i) nature scenes on Pandora in "Avatar", ii) lush vegetation jungle scenes from "Up!", iii) the whole valley turning green at the end of "Princess Mononoke", and iv) the infinitely graded colors in "Oz the Great and Powerful". (I watched it in 2D, and don't know what 3D is like.)

But visually it outstrips all of those. The plants are real ones we're familiar with (not imagined ones); scenes are incredibly detailed (not one fern but tens of them, not one blossom but hundreds); biological growth and decay is of individual plants seen up close (not a very long shot across a whole valley); and all the vibrant yet subtle colors appear in nature (not a fantasy world). Vegetation unfurls and extends as we watch, and it all seems perfectly realistic and believable. We see the whole process of burls developing on live trees in just a few seconds over and over. We see growth meristems probing for the best direction and expanding little by little. And we see the slight shifts in color that signal the beginning of more decay or more growth.

All the animation effects technology has already conquered --fur, musculature, waves, droplets, rain, crowds, flying, moving cameras, etc. etc.-- are also deployed virtuosic-ally in the places the storyline calls for them. From my aged (about 60) perspective, it seems suitable and enjoyable for all ages (although it's rated PG) ...and not because adults will see a different film as they understand the more salacious meaning of double entendres - there aren't any. There isn't any notable music nor abstract visual patterns nor references to fairy tales either, other things frequently associated with animations.

The story is decent too. It's a seamless melding of realities (such as a brusque taxi driver) with fantasy (tiny beings riding hummingbirds?). It proceeds organically, eventually incorporating pretty much everything that happened earlier (even things that appeared to be already completed or even unrelated). The typical joke is mostly visual, developing slowly over many seconds - no one-liners here. There are not a lot of the ironic jokes that have been prominent in many recent animations. (In fact this movie is often relegated to "kids film" or "family film", which makes me feel a little silly for enjoying it.) The ending is positive but not saccharine -- there's resolution ...but not of everything.

Comic relief is provided by a tag team of a snail and a slug. A typical gag is something about "eyes inside your head" or "everybody hide in your shell" (slugs of course don't have shells). I found it adequately funny (but not laugh out loud funny). Humor is a very personal thing though, and I suspect some of the more "with it" young adults will find it painfully unfunny.

The flights, the fights, the falls are gripping. This is edge of your seat stuff. And the tiny perspective casts familiar things in a new light: a mouse becomes a threatening giant, and a looming doggie kiss would mean serious injury or even death. Pick a theater with a really big screen and a newish projector, and sit toward the front. And if you're an animation aficionado plan to attend more than once. Also, sit through the end credits, as the level of detail and imagination in the background visuals --often throwaways or repeats, but not here-- is astounding.

Whenever I saw this movie was on TV, I would just keep scrolling until one day I decided to DVR and watch it with my toddler. I actually really enjoyed it. Sure, there were some cheesy parts, but there was no over-hyped romance either. The story concluded with an older daughter reuniting and connecting with her dad - which is a great lesson for kids. The animation is not "wow" level like Tangled or Moana. The voice actors did a great job, and again, the story itself is really good.