O Filho de Rambow

When I saw the trailer for this film, it looked like another corny British comedy. The film itself is much, much better than that, as someone else has said it feels more like a Michael Gondry film. Very idiosyncratic, quirky and confident in what it does, with many laugh-out-loud moments. What I enjoyed most of all was how some really nice themes and subplots started to innocently dovetail with the story, never feeling contrived, or overly sentimental. There were some great touches where the writer/director chose to imply or suggest something without going overboard - which makes for a much more warming experience than the usual obvious and clunky approach in British screen writing. The acting was superb. This film will appeal to many, many people for different reasons - I just hope they are encouraged and inspired enough to go and see it. I hope that word of mouth does this film the justice it deserves. Go see it!!

Greetings again from the darkness. The Sundance favorite is finally making the rounds and I found this to be a very entertaining and charming film, despite its relative simplicity.

A semi-autobiographical piece from writer/director Garth Jennings ("The Hitchhiker's Guide to the Galaxy"), the film focuses on the escapades of two young boys making a movie. Along the way, many topics are addressed ... family, religion, friendship, loyalty, idol-worship, etc.

Bill Milner (as Will Proudfoot) and Will Poulter (as Lee Carter) are the newcomers who play the boys. Poulter is a near reincarnation of River Phoenix as Chris Chambers ("Stand By Me") as he carries so much bottled up emotion stemming from his longing for attention. Milner's character is the more sensitive, creative type being suffocated by his family's religion. Quite a pair.

As a commentary on film and celebrity, the two boy's world is rocked when their film-making is discovered. Now everyone wants a piece including the French exchange student, Didier, played hysterically well by Jules Sitruk. Character issues to follow!

The boys are so endearing that most kids would enjoy the film and certainly most adults who were still growing up in the 80's will get a kick out of it.

It helped that I'd been warned to expect something a little more substantial than just a Rambo spoof (apparently suggested by trailers and bus advertising), which is possibly why my flatmate's boyfriend didn't enjoy it.

That doesn't mean though that guys won't enjoy this film as much as my girlfriends and I did. It follows similar themes to 'Stand by Me' (the classic starring River Phoenix), such as childhood loyalty and comradeship, but in a typically British fashion with understated humour, quirky comedy, and some nice references to 80s Britain.

Genuine laugh out loud moments, poignant and uplifting, and it can also just be appreciated as a well made film, with good acting, dialogue and direction.

I had high hopes for this film as it's very much the era I grew up in.

I too wanted to send a film for 'Screen Test' (an 80s UK film quiz show for children's TV with a regular slot for home-made films) though I didn't get tosee Sly eating snakes and stitching up his arm till much later.

I'm happy to say that it didn't disappoint at all. The performances were wonderful (especially the young leads) and as well as having more than its fair share of laugh out loud moments, there's a real warmth and emotional truth to this story of friendship, growing up and blowing stuff up.

I really hope 'Son Of Rambow' is the hit it deserves to be.

An endearing, feel-good (unless you're Plymouth Brethren!), 1980's nostalgia fest. A bit of a cross between "Kes" & "Gregory's Girl". If you haven't watched either of those 2 films - or if you have watched them and didn't like them - then I doubt whether this film will do much for you.

If you can't relate to being in awe of a 'cool' French exchange student; or the thrill of being allowed in the hallowed ground of a 6th form common room; or dancing to The Cure, Duran Duran & Gary Numan, then you're unlikely to feel much of a connection with the characters in this film. It has so many uniquely 1980's British cultural references I suspect a lot of overseas audiences will be left just scratching their heads.

I also don't understand why they had to have so much bad language & blasphemy in it otherwise it would have been a really good family film. Why do British film producers do that? :o(