O Filho de Rambow

When I saw the trailer for this film, it looked like another corny British comedy. The film itself is much, much better than that, as someone else has said it feels more like a Michael Gondry film. Very idiosyncratic, quirky and confident in what it does, with many laugh-out-loud moments. What I enjoyed most of all was how some really nice themes and subplots started to innocently dovetail with the story, never feeling contrived, or overly sentimental. There were some great touches where the writer/director chose to imply or suggest something without going overboard - which makes for a much more warming experience than the usual obvious and clunky approach in British screen writing. The acting was superb. This film will appeal to many, many people for different reasons - I just hope they are encouraged and inspired enough to go and see it. I hope that word of mouth does this film the justice it deserves. Go see it!!

Greetings again from the darkness. The Sundance favorite is finally making the rounds and I found this to be a very entertaining and charming film, despite its relative simplicity.

A semi-autobiographical piece from writer/director Garth Jennings ("The Hitchhiker's Guide to the Galaxy"), the film focuses on the escapades of two young boys making a movie. Along the way, many topics are addressed ... family, religion, friendship, loyalty, idol-worship, etc.

Bill Milner (as Will Proudfoot) and Will Poulter (as Lee Carter) are the newcomers who play the boys. Poulter is a near reincarnation of River Phoenix as Chris Chambers ("Stand By Me") as he carries so much bottled up emotion stemming from his longing for attention. Milner's character is the more sensitive, creative type being suffocated by his family's religion. Quite a pair.

As a commentary on film and celebrity, the two boy's world is rocked when their film-making is discovered. Now everyone wants a piece including the French exchange student, Didier, played hysterically well by Jules Sitruk. Character issues to follow!

The boys are so endearing that most kids would enjoy the film and certainly most adults who were still growing up in the 80's will get a kick out of it.

Son of Rambow, set in 1980's England, tells the story of two young schoolboys making a home-video addition to the Rambo series. This promising theme gives rise to one of the most hilarious comedies in recent cinema, memorable not only for countless laugh-out-loud moments but also for its engaging and unexpectedly moving story.

Will Proudfoot (Bill Milner) and Lee Carter (Will Poulter) are a chalk and cheese pairing, thrown together by chance after being summoned to detention at school. Will, from a fatherless family in the grip of the austerely religious Brethren, is a heart-warmingly polite boy harbouring a boundlessly artistic imagination; Carter, from a parentless household, is a lonely rebel with a total lack of respect for everyone except his astoundingly self-absorbed brother, marvellously played by Ed Westwick. And yet, following their chance encounter, the situation where naïve and amiable Will is exploited by sharp-witted and seemingly cynical Carter is replaced by mounting empathy and friendship between the two, alternately spurred and severed by their family backgrounds and their turbulent film-making.

The two leads are remarkable debut actors, making the story touching and believable and realising the film's comic potential. Poulter is hilarious in the role of Carter, delivering stinging wit and outraged putdowns with aplomb. The shooting of the film provides some hysterical contrasts between grown-up pretensions and childlike absurdity, with gun-battle sequences ripped straight from 'Rambo: First Blood' interspersed with footage of a flying dog attack.

The overlapping secondary story, portraying the school-playground infatuation with the New Wave style of French exchange student Didier, is also a rich seam of humour; the stinging parody of teenage culture culminates in Will and Carter's visit to the school common room, populated by posing, pogoing teens. The supporting cast of adults also includes some fine comic actors, including Jessica Stevenson (notably of TV comedy Spaced) and Adam (of the Adam and Joe Show fame).

Writer-director Garth Jennings skilfully weaves together the overlapping worlds of children, teenagers and adults in this film with excellent dialogue and cinematography. The camera-work is striking in many places, particularly the opening montage of front gardens, with Lee riding his bike past and casually causing havoc. The film also benefits from its bubbly soundtrack, composed by Joby Talbot. This is a superb comedy and definitely the best Rambo film ever.

I had high hopes for this film as it's very much the era I grew up in.

I too wanted to send a film for 'Screen Test' (an 80s UK film quiz show for children's TV with a regular slot for home-made films) though I didn't get tosee Sly eating snakes and stitching up his arm till much later.

I'm happy to say that it didn't disappoint at all. The performances were wonderful (especially the young leads) and as well as having more than its fair share of laugh out loud moments, there's a real warmth and emotional truth to this story of friendship, growing up and blowing stuff up.

I really hope 'Son Of Rambow' is the hit it deserves to be.

It helped that I'd been warned to expect something a little more substantial than just a Rambo spoof (apparently suggested by trailers and bus advertising), which is possibly why my flatmate's boyfriend didn't enjoy it.

That doesn't mean though that guys won't enjoy this film as much as my girlfriends and I did. It follows similar themes to 'Stand by Me' (the classic starring River Phoenix), such as childhood loyalty and comradeship, but in a typically British fashion with understated humour, quirky comedy, and some nice references to 80s Britain.

Genuine laugh out loud moments, poignant and uplifting, and it can also just be appreciated as a well made film, with good acting, dialogue and direction.