Adicionar um enredo no seu idiomaA young woman's penchant for sensational Gothic novels leads to misunderstandings in the matters of the heart.A young woman's penchant for sensational Gothic novels leads to misunderstandings in the matters of the heart.A young woman's penchant for sensational Gothic novels leads to misunderstandings in the matters of the heart.
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- The Voice of Jane Austen
- (narração)
- Henry Tilney
- (as J J Feild)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The locations, costumes and hairstyles were all good too. It was a thoroughly entertaining piece.
Of course, reducing the book to not much more than 90 minutes means that a lot has to be sacrificed. In the case of Jane Austen this is done at a higher price than with many other authors, since a key feature of her works is their gentle pace and unhurried witty dialogue - but it was good nonetheless and can be thoroughly recommended.
Well, after seeing it I can only praise it. The cast performed extremely well - especially JJ Field as the charming and likable Henry Tilney, and Felicity Jones as the naive and excitable Catherine Morland - the direction was top class, and the narrative - though not always faithful to the book - was pretty much faultless.
Some people may be disappointed in the less-faithful parts of the feature, but I felt that they fit in very well with Ms. Austen's novel. They were charming and felt very up-to-date in a way that would appeal to both Jane Austen lover's, and people who just wanted to watch a good film on Sunday night.
If you haven't seen this, then I highly recommend it, and I know that I certainly will be buying the DVD.
Northanger Abbey was Austen's first proper novel, but her last to be published; very much a turn of the (19th) century novel, showing some of the roughness of that time, before ladies became entirely encased in the strict rules society saw fit to impose. It's fitting that a cheeky, confident and funny writer (Andrew Davies) gets to have a bit of fun with this one some 200 years later. In it, Catherine Morland, a young, naïve girl from a quiet village, gets her first taste of many things on a trip to Bath, and learns both life lessons and something about love through her contact with two very different families she meets there; the grasping, manipulative Thorpes and the thoughtful and sophisticated Tilneys.
The two leads, Felicity Jones as Catherine Morland, and J J Field as Henry Tilney, are beautifully cast. Felicity Jones' youth, pretty looks and inexperience served her character very well. Her 'modern' tone has been criticised, but whilst an older actress might have delivered the lines with greater accuracy, we'd have lost Jones' juvenile wonder and humour. She delivered (almost all) her lines nicely, and although at moments she looked almost simple, staring up blankly with her mouth open, in a way this was appropriate. Nothing in Catherine Morland's previous limited experience prepared her for the life of Bath or for a family like the Tilneys – she may well gape. I loved the dream sequences where her constant absorption in Gothic horrors spills over into her imagination: her reading was teaching her to look for horror everywhere.
J J Field was wonderful in the BBC's recent adaptation of Philip Pullman's excellent "The Ruby in the Smoke", and shows again that he can play the leading man with great charm and naturalistic ease - a long career in the making I think. Re-reading the book I'm struck by the affectionate details with which Austen made Henry Tilney lovable, such as his messy rooms and his keen sense of humour. I think Field goes a long way towards putting this on screen, despite shockingly ill-fitting clothes and a script very constrained for time, missing dialogue which would have drawn out his growing attachment to Catherine. Austen has Henry tell Catherine that she "is superior in good nature to all the world". In this version her youth and looks alone seem to be the reason for her appeal.
The minor characters were mostly well-played and well drawn; especially Eleanor Tilney, who brought great dignity to her role. Some concessions have certainly been made to an audience deemed incapable of reading subtlety or of tolerating lengthy or literary dialogue. But certain additions were really funny and delightful: Catherine rolling her eyes and curling her lip at Captain Tilney's rudeness; her little sister announcing, hand on hips and with a nice swing of her little head; "CATHY. Mama says will you bring Mr Tilney to the DRAWING room." Her withering glare at Henry when they are all seated, in awkward silence, is genius: go girl.
Adaptations don't need to be slavish. The BBC's rather lurid 1986 version took just as many liberties, and more than warranted a revisit. Overall I found this a delightful adaptation, delivered with verve and spirit, so well done ITV, please, more of this, less of the abridged and dumbed-down rubbish!
The actor playing Henry Tilney was charming (maybe more than the book Henry Tilney in fact) and all the others seemed to fit their roles. Carey Mulligan makes a very effective Isabella Thorpe and plays her part with subtlety while Felicity Jones looks just naive enough for the role of Catherine. I was only bothered by the choice of William Beck of Robin Hood to play John Thorpe. His physical appearance simply did not seem to fit the character. He is a very good actor but hardly attractive enough to make a valid love-interest for romantic Catherine.
The only reason I do not give it "10" is because of the absurd over-sexualisation of Catherine's dreams or the lending to her of "The Monk" by Thorpe.
This is taking incredible liberties with the historical period in order to "make it relevant" to 21st century viewers which TV film-makers must assume to be incapable of viewing anything with interest if it does not contain overtly sexual contents, though the contrary has been proved again and again.
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- CuriosidadesFelicity Jones spoke about Jane Austen --- "People think Austen is a lot more romantic and straightforward than she actually is. She is quite practical about love and relationships --- she's very measured about who people should marry. What's quite interesting with Henry Tilney is that he doesn't necessarily fall madly in love with Catherine straight away. It's a very gradual development, and it's her enthusiasm for him that prompts him to return her affections. It's very subtle how she draws her characters, which is what I like."
- Erros de gravaçãoAt one point the dance caller announces that the next dance will be "Upon a Summer's Day." This dance was actually performed in an earlier scene, and is not the next dance in sequence.
- Citações
[last lines]
Catherine Morland: He thought I was rich?
Henry Tilney: It was Thorpe who misled him at first. Thorpe, who hoped to marry you himself. He thought you were Mr. Allen's heiress and he exaggerated Mr. Allen's birth to my father. You were only guilty of not being as rich as you were supposed to be. For that he turned you out of the house.
Catherine Morland: I thought you were so angry with me, you told him what you knew. Which would have justified any discourtesy.
Henry Tilney: No! The discourtesy was all his. I-I have broken with my father, Catherine, I may never speak to him again.
Catherine Morland: What did he say to you?
Henry Tilney: Let me instead tell you what I said to him. I told him that I felt myself bound to you, by honor, by affection, and by a love so strong that nothing he could do could deter me from...
Catherine Morland: From what?
Henry Tilney: Before I go on, I should tell you there's a pretty good chance he'll disinherit me. I fear I may never be a rich man, Catherine.
Catherine Morland: Please, go on with what you were going to say!
Henry Tilney: Will you marry me, Catherine?
Catherine Morland: Yes! Yes I will! Yes!
[They kiss, and she backs him into a wall in her passion]
Catherine Morland: [voiceover]
The Voice of Jane Austen: To begin perfect happiness at the respective ages of 26 and 18 is to do pretty well. Catherine and Henry were married, and in due course the joys of wedding gave way to the blessing of a christening. The bells rang and everyone smiled. No one more than so than Eleanor, whose beloved's sudden ascension to title and fortune finally allowed them to marry. I leave it to be settled whether the tendency of this story be to recommend parental tyranny or to reward filial disobedience.
- ConexõesFeatured in Masterpiece Theatre: Northanger Abbey (2008)
- Trilhas sonorasThe Comical Fellow
Traditional
Performed by The Pemberley Players
From Thompson's 'Twenty Four Country Dances' (1776)
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- Idioma
- Também conhecido como
- Northanger Abbey
- Locações de filme
- Lismore Castle, Lismore, County Waterford, Irlanda(Northanger Abbey)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 24 minutos
- Cor
- Proporção
- 1.78 : 1