Caminhos Desconhecidos

I was privileged enough to see this film with one of the producers tonight in Las Vegas. I went with some trepidation as I had heard from my DIL, who's the producer's niece, that while she thought the first cut was good, it had some issues. And unfortunately, I am very critical when it comes to movies due to my writing background.

I have to say I was truly amazed at the quirkiness and depth of this story. Yes, it did have some issues. There were places where I would have liked to have more in-depth characterization, there were places I thought the pacing was slow. The acting was good and dead on with what characters had on their plates. And in all honesty, this is the type of movie that comes out of the blue and ends up a cult favorite. It is that good in some strange way.

Maybe part of this is because I can remember this week so well myself. I was just out of college and worked for Lockheed. We were on top of the world and it just came crashing down on us all that Thursday morning. I can't imagine having the whole week being that bad. LOL!

Then again, maybe it's the part about being adult enough to understand when you've done something wrong yet there is no way to ever take it back. I remember this lesson well.

Or maybe, it's just that the misfits are so true to life that I can empathize with what is going on in their lives. I know that I would have been devastated if my favorite teacher had died during my high school years no matter what the cause.

Still, it would have been worse if said teacher had committed suicide. I was angsty enough then to have wondered if it were my fault in any way at all.

Adding all these elements up, you have one heck of a story that can appeal to the masses. I have to say, I liked it.

There were a lot of very negative reviews of this film. Here are some of the positive ones you may have missed:

"A 2009 Sleeper. A complete original and definitely not your typical teen comedy. It's a darkly funny, wonderfully twisted story that marches to its own surprising beat. The entire cast is superb!"

• Pete Hammond, Hollywood.com

"A wonderful little film!"

• Jeffery Lyons, NBC

"A nifty little tragicomedy. Director and co-writer Jonathan Glatzer handles his talented cast well, and the movie is dark, droll and sentimental in roughly the correct proportions."

• Andrew O'Hehir, Salon

"Glatzer and (co-writer) Lawson show a deep understanding of how common ideals can hold even a community of outsiders together. And it has a one-of-a-kind character in Coogan, a cynic with a savior complex, who lies partly out of convenience, and partly because he knows – as Glatzer and Lawson know – that even a messy story can still inspire."

• Noel Murray, The AV Club / The Onion

"The wit is sharp and the performances are amazing. Hilary Duff will definitely get more and more 'real' acting roles thanks to this. And Molly Shannon has rarely been more manic and hilarious… If you like your comedies pitch black… you will enjoy this dark little jewel."

• Alex Dorn, UGO.com

It's wonderful because it's so true to life. It's exactly what WHAT GOES UP strives to be – a funny movie about death, a sad movie about life… It works. Olivia Thirlby exceeds all expectations lending her performance a gutsy rawness…"

• Kate Erbland, Gordon and the Whale

"The performances were incredible. I was blown away by them."

• Ted Ott, Real Talk LA

"The film is touching, truthful, and, more importantly, an absolute blast to watch, thanks in part to smart performances from Coogan, Molly Shannon, and Hilary Duff in a role that might rub some of her loyal fans the wrong way. What Goes Up is about the lies we tell and the truths we keep hidden deep inside, a theme I'm sure most of us can relate to on one level or another. Thoroughly impressive stuff." – The Film Fiend

I hadn't heard of this movie before I watched it but it turned out to be one of the best movies I've seen in the last few years. I can't believe no-one has told me about it. Sure, it's not neat and polished ( messy as the critics have it) but that's part of its appeal. Its fresh, off-beat, raw, dark, warm and full of heart and insight. The acting is terrific and touching throughout, particularly Steve Coogan and Hilary Duff. You really feel these people are lost and falling apart, looking for someone or something to grab hold of. And you never know where the film is going to take you. I found it enthralling and rewarding and the soundtrack is excellent too. Its one of those films you want to champion - so I did.

"What Goes Up" tells the story of Campbell Babbitt, an emotionally damaged journalist from NYC who goes to Concord (NH) to cover the hometown hooplah for the Space Shuttle Challenger launch. After having found out about an old friend of his' apparently suicide he becomes entangled in the petty businesses of his late friend's student and tries to uncover the truth of his death.

Or at least this is the most probable synopsis, 'cuz the movie ain't discernible at all. It aims to be profound and leave a certain message, but still, it's really convoluted & unclear. The cast has some potential and big names (Hilary Duff, Steve Coogan, Josh Peck etc.) but no one of them seems to be at easy with the script and what they have to do.

The movie certainly has some interesting scenes, but near the end it delivers the most outrageous scene you can shoot at least from my point of view, something really abhorrent! It gives me an ante-litteram Euphoria vibe at times throughout its entire length, something that I really despise.

The only positive thing I found out about it it's the fact that Hilary & Josh have become great friends years after the shooting & releasing of this film and both still cannot make sense of what this movie should be.

Maybe in the future I'll be able to re-evaluate "What Goes Up" but for now my vote is negative!

'WHAT GOES UP must come down' and that seems to be one way of looking at this funky little film written by Robert Lawson and writer/director Jonathan Glatzer. Given Steve Coogan's comedic talents it is able to rise above an implausible script and come close to be entertaining.

The time frame is January 1986 and Campbell Babbitt (the last name is well chosen as a reference to Sinclair Lewis' novel 'Babbitt' - a satire of American culture, society, and behavior, it critiques the vacuity of middle-class American life and its pressure on individuals toward conformity) played by Steve Coogan is a reporter for New York World, writing a series about a woman who became a 'hero' by turning the anguish of seeing her son murdered in to acts of civil service (the woman whom Babbitt has grown to love commits suicide, and out of cherishing her memory he continues to write stories as though she were still alive - an act that Babbitt's editor Donna (Molly Price) finds ridiculous and sends Babbitt of to New Hampshire to cool off and to over the upcoming Space Shuttle Challenger).

Babbitt arrives in a little town in new Hampshire (the town is preparing to celebrate the Shutttle launch as Christa McAuliffe was raised there) to discover that his old friend Sam who was planning to become a priest but opted for teaching had a class of 'problem kids' who adored him. Babbitt discovers Sam's body in the street. The class of odd kids mourn Sam's passing: he was their hero. What Babbitt discovers is a group of kids each of whom is challenged with a problem and is trying to find ways to overcome those problems: Lucy Diamond - a reference to the Beatles song - (Hillary Duff) was in love with Sam; Tess Sulivan (Olivia Thirlby) claims she saw Lucy and Sam in an intimate moment, suggesting that Sam's act resulted in his jumping off his roof in suicide (Tess has private problems at home that lead to an unwanted pregnancy); Jim (Josh Peck) is the guardian of the coffin and funeral and 'burial' of Sam; Peggy (Sarah Lind) is a paraplegic who talks Fenster (Max Hoffman, son of Dustin Hoffman) into being her first sexual encounter; Ann (Ingrid Nilson) and her 'twin' Sue (Andrea Brooks) provide comic relief in their bizarre antics; Lute (Laura Carswell) is the dissatisfied choral assistant to the weirdo-choir director and pageant designer Penelope Little (Molly Shannon).

In the midst of this strange crew and situation Babbitt as a reporter tries to sort every thing out, falls for Lucy, and is awarded the Pulitzer Prize for his woe begotten story in New York. His influence helps the kids sort out their priorities and leads Babbitt to find a way out of his own unwanted heroism. The story ends before we know the result of the Challenger explosion - and the creation of a real hero in Christa McAuliffe. But there really isn't a beginning or an end to a story in the ordinary sense of a film. WHAT GOES UP merely puts before the viewer the lives of some odd people and lets us watch how they cope. It has a bit of comedy, though dark, and a lot of tender moments that don't come into focus until movies end. For many this film will perplex: for others it will satisfy. It is an offbeat tale with a lot of innuendoes.

Grady Harp