A Garota da Casa ao Lado

A bum is run over by a car. Some guy in a business suit gives him CPR for some reason and save his life somehow. The suit then tells us about pain and that nothing has been right in his life since the summer of '58. He pulls some painting out of an envelope.

Now we're in 1958 when this guy, named David of course, was a kid. While at the river he runs into some older girl. They get along well. She tells him she lives with her aunt, Ruth, and sister, Susan, next door to him, after her parent died in a car accident.

This was a time when doors were kept unlocked and kids just showed up in your living room. We meet some of the other teen and preteen kids in the neighborhood, mostly mean guys who don't treat girls well. They also play mean games. David and the girl, Meg, run into each other a couple more times and they start liking each other, even though David seems several years younger. David starts visiting Meg at Ruth's place. There are always a bunch of kids there. Ruth is single, and for some reason she offers these kids beer and cigarettes. She gives moralizing speeches aimed to belittle Meg and Susan. Susan is disabled, wears knee braces, and uses crutches, but that doesn't stop Ruth from violently disciplining her in front of the kids.

One day Meg gives David a painting--the same painting from the intro. When Ruth finds out she interprets it as proof that Meg is a slut. After more abuse eventually Meg is bound in some torture position in the basement while Ruth and all the kids figure out how to make her suffer. They take her clothes off, start cutting her, burning her, eventually raping her. And things go downhill from there, while no one dares say a word and everyone except David participates enthusiastically.

And that's what this movie is about--human inhumanity and cruelty--for the sake of cruelty. It's never clear what Ruth gains from all this, what her motivation is. Perhaps it's just the sorry need to feel superior and doing something because it can be done. I guess that's the common denominator in all torture whether in the 50s or today, allegedly for the sake of "security." More than horror torture porn, this is rather drama torture porn, it's not particularly explicit or visually gruesome. The movie is fairly slow and oddly enough the filmmakers don't bother to establish the character of Meg enough, which is why we can't really feel for her all that much until the very end.

I found this film in a list of best torture films. I love saw and hostel and was hoping for this kind of thing. It's a slow burner at first, it sets the scene for over half an hour and I began thinking am I watching the right film? But when it starts it REALLY starts. I could say a lot about this film, like how the main guy could have done a lot more to help the situation. But I won't say much because I want you to watch it knowing and expecting nothing like I did. What I will say though, is I actually cried at this film. And I don't think I've ever done that in a horror film before. Enjoy!

I consider myself a Horror freak. I'm pretty experienced with the genre, and I don't scare or shock easily. I've "survived" Martyrs, The Inside and Murder Set Pieces. This film squeezed my soul to the point of trauma.

The entire film is one long psychological torture, leaving the audience desperate, enraged, frustrated and helpless. It's been a while since I felt the urge to scream, pick up the computer screen and bash it to pieces. That was what I wanted to do to the characters of this film (except the one protagonist of course).

If you've ever thought a person could be cruel, abusive, and plain down right evil - The Girl Next Door will teach you that you haven't seen anything yet. There's barely any blood, and still - I have never, ever been more shocked and disturbed over a film. I'm a grown man, and I had to continuously remind myself that it was just a film and not real. Watching this makes you wanna curl inside yourself and cry like a child, or scream and go on a rampage.

This film is a proof that immense implication of violence always leaves a harder mark than graphic violence and gore. The script, the acting, the screenplay... all put together create a sick and traumatizing experience. The fact that this is based on a true story and real events - makes it even more shocking. Seriously, I need a hug right now.

I will never recommend this film to anyone, except people who have emotional problems, feel numb and unable to experience emotions. This film would make a dead body cry. One might be able to appreciate it as a film, but not enjoy it. I really hope there's a hell dark enough with sadistic enough eternal torture for those who committed the acts portrayed here.

First time I've rated a film 10.

I was very unsure on how to rate this film. I watched it all and to be fair the film held my interest throughout. I would say it is probably a good film but something I cannot say I enjoyed watching, which was probably the aim of the director. Taboo subjects in society change rapidly over the years and this film deals with argumentibly the most taboo, certainly a topic most people find hard to talk about. Abuse and torture happen. Fact. What this film managed to do for me is to take both subjects and ram them down my throat at a more than uncomfortable rate. And that is the story line. No humour. No romance as such and no happiness. For me this was not entertainment. I guess some people will enjoy this film, in the same way that people like to rubber neck at accidents when they drive past. The publicity will make this film popular and it will no doubt develop a form of notoriety that clockwork orange and the exorcist enjoyed twenty years ago. But for me. I will not be watching it again as I would not be able to get anything positive out of it.

Meg Loughlin's parents are dead, causing her and her sister to live with their aunt Ruth. Ruth is not like the other parents: she allows the neighborhood children to smoke and drink, and has an intense dislike for Meg -- for no real reason. After telling the police about mistreatment, Meg's punishment becomes more and more severe.

First, let me say that Blythe Auffarth (who plays Meg Loughlin) is an amazing actress. Some of the scenes in this film are truly awful -- not acted awful, mind you, but are just visually repellent. Most actresses would say no to the torture, rape and beatings contained in this film. And you cannot blame them. But Auffarth accepts the role and does an amazing job of being the normal "girl next door".

While watching this film, I told myself I had finally found the spiritual successor to "Last House on the Left" and my opinion remains the same. Like "Last House", this film is scary because of its realism. The events could actually happen to the victim, it's not just a psycho with an ax (which, while possible, is more fantasy than anything). Perhaps this film even trumps "Last House" in a way because the events really did happen, and actually happened worse than depicted here. The real girl, for example, also had to consume human waste, which is not shown here.

Making the film even more powerful is that we are shown the events from the point of view of the neighbor boy, who has a crush on Meg (despite being a few years younger). We watch them meet, become friends and then as events spin more and more out of control we see how completely helpless the boy is. While the boy is only mildly harmed in the film, it's an emotional roller coaster to be put in his shoes knowing everything that is happening and having nothing available to remedy it. The suffering he feels vicariously, we also feel vicariously. It's a pain train.

I cannot recommend this film for the squeamish. I was very uneasy watching it, making this film a member of a very exclusive list (with such others as "Kids"). Even those who enjoy seeing a film of slaughter (and sometimes I do) will be shocked in some way by this one. It's not your Jason or Freddy film, it's your sister or girlfriend really being kidnapped and there's nothing you can do about it. And yes, this really did happen and it can happen again.