Restul e tacere

First time when i heard about this movie i thought it's gotta be another sad romanian movie with a low budget, but i was wrong! After i saw it, all i can say it's that this movie is one of the greatest romanian movie made in last 20 maybe 30 years. It has great humor, the acting it's very well done and the story-board it's amazing. I didn't knew that romanians are the first who made a long movie.

Anyway, from all the movies that i saw this year "Restul e tacere" it's in top 5 of my favorite movies.

After i saw it, i decide to buy it! If you want to see it, don't pirate it, buy it!

it could be another successful film of a special Romanian director. or the return of Romanian cinema to the historical genre. or occasion to see great actors in impeccable performances. or, just, a different film. but its virtue is the status of beautiful homage. to film. to sacrifice of few idealist people. to a slice of Romania modernity. to figures who looking for change everything. it is a basket with stories. love, humor, dramas. and the beginning of Romanian cinema. the same flavor of films and making of and clashes between different visions. for me, "Restul e tăcere" has two fundamental virtues : the original portrait of the king Carol I, the splendid presence of Ioana Bulcă. and , sure, the impeccable atmosphere.

The latest hits of Romanian cinematography are all movies which show Romania in gray tones. So far they've been successful and i really appreciate those movies but it's about time that a director does the normal thing, to change the pace of Romanian films a little. Through the magic of Nae Caramfil and the help of a consistent budget, we have a film good enough to compare with Hollywood productions and who still keeps his artistic integrity and doesn't fall into commercialism.

The script is brilliant and fearless, with cleaver lines and a language to suit the depicted times.

Marius Vizante has a great performance as a frustrated but proud young director, and Ovidiu Niculescu's unlikely (Niculescu having neither the age, neither the stature of Leon Negrescu) cast in the role of Leon proved to be a really good choice.

I sincerely believe that this movie will be a milestone in Romanian cinematography and i hope that many as good as this one will follow.

Story of a movie. Story of a Romanian society and the image of movie-adventure. A film about small things, warm, nostalgic, like a spring day.A comedy but, in same time, description of a fight. Old fashion atmosphere and subjective view. And large circles of collective memory. A film about present with words of past.Simple, naive and natural, classic and childish, cruel analysis of a victory and scene of soft discover of national modernity's roots. Ioana Bulca in a impressive come-back. Marius Florea Vizante as brilliant pioneer. And the ash of a lost time. A film about the deep images of soul. Piece of self-definition. A sort of game out of gray reality. A movie. About sense of art, fight, success, fame and truth. Small fragment of a huge mirror.

È pericoloso sporgersi, Asphalt Tango, Filantropica... The ingredient are the same: lots of humor on a tragic background. 'Restul e tacere' has the same Caranfil style, and more... Without a doubt, his best work. It's a story about the making of the first Romanian movie in 1911, the age when Bucharest was still 'little Paris', and the national identity feelings were probably at the highest level of all times. Although as a Romanian i felt really close to this movie, i must say there is no over - nationalist propaganda, just a simple decent story with a little bit of history as background, telling us how talent met with business to do the "War of independence" film. The humor is great, the story is a must know, the acting is extraordinary, especially the two main characters (Leon Negrea played by Ovidiu Niculescu and Grigore Ursache played by Marius Florea Vizante), the music is right on cue, the 'little Paris' atmosphere is greatly recreated and the rest is silence...