Out of the Blue

I was lucky enough to attend a preview screening of Out of the Blue at the Embassy theater. As the final credits rolled and the curtains closed I realized I had finally found the meaning to the word 'masterpiece'. This is unquestionably one of the best films I have ever seen. Period.

The portrayal of David Gray is haunting in every meaning of the word. Matthew Sutherland is an expert as his craft. I despised him throughout the film but at the same time felt pity; for what he was going through mentally was almost as scary as what he was causing the town to go through.

Robert Sarkies has proved to us that he has a genuine eye for directing, and that he is loaded with talent. Although he has already worked on several other New Zealand films/series, I believe that this could be his calling card for getting into the big-budget pictures.

The acting is incredible, and I really admire Karl Urban for returning to NZ and doing this low-budget film. Every single performance in this film is nothing short of spectacular. I have never felt as though I actually knew a bunch of people in a movie until now. It was genuinely the most scary thing I have seen when the town goes to hell.

I wish that this movie could get a wide theatrical release, although I am almost certain it wont because its story wont really effect anyone outside of New Zealand. However, if you live in New Zealand you must see this film when it is locally released in cinemas. In fact no; everyone should go see this film. Everyone. Twice.

10/10 This is what happens when you get a bunch of people together who love what they do to make a movie.

Sarkies does a brilliant job setting up the feel and mood of a small New Zealand seaside town in a slice of life style, giving us a brief but sufficient set up into the lives of those involved prior to the massacre. Then, as the title suggests, out of the blue comes the dark and unexpected. Sarkies doesn't shy away from the violence and terror, nor does he glorify it. His method of storytelling via following the first affected family, to the first initial killings with Gray then onto the first (and only) officer on the scene is extremely effective in showing how tense and unpredictable David was, and how the town had a night of horrific terror. The acting is superb, the music effective, and the location beautiful (as it was shot at a neighbouring location to the actual town involved). Stand out performances by the two leading actors, although the rest of the cast (relatively unknown) perform exceptionally too.

I remember very well the events unfolding in Aramoana as it was broadcast on the TV and radio. I was a Police Officer at the time and the death of a fellow officer was tough news to hear. Seeing the events recreated on screen for the first time brought the memories flooding back. Seeing how even in a relatively peaceful nation such as New Zealand, no-one is immune from random acts of violence was very sobering. I sat bolt upright the entire movie and didn't realise it. The theater was deathly quiet. This is a movie that pulls no punches and has not an inkling of Hollywood in it. It is a sad, dramatic, true to life retelling of the massacre. This type of film is one of the reasons I avoid many of the big budget Hollywood movies. There's no glorification here, no overly animated death scenes, this is movie making at it's best. The story is being told without embellishment and in a sadly beautiful way. A must see for New Zealander's, and for anyone else interested in seeing a powerful, compelling movie. New Zealand's movie of the year, without doubt.

I'm a somewhat elderly American, resident in New Zealand, and this is one of the best movies I've ever seen. Everyone who appreciates truly fine movies should see this one. You needn't be a kiwi to get it. Photography, acting, composition, everything in this movie shines. As other viewers have suggested, this movie compares favorably to Hollywood and Hollywood-influenced movies (such as "Lord of the Rings", ahem) because it doesn't depend on special effects, mind-blowing battle scenes, guts or gore or gorgeous actresses to keep our attention. Regardless of what you do or do not compare it to, this one is riveting, a masterpiece.

New Zealand docudrama about the massacre that occurred in Aramoana when an angry gun nut opened fire on his neighbors and severely reduced the population.

Slow to start, I thought that this was going to be a typical story of a shooting with its pleasant vistas and the get to know the participants set up scenes. However once things got going things spiral out in ways that they can only in real life. The violence, which we know is coming, is at first explosive and in its way out of left field. Then as the neighbors and soon to be targets attempt to figure out what the "fireworks" are things becoming darker as the random acts of violence begin to pick up. What do you do when a nut job begins to open fire? Here's the answer.

Though far from perfect, its a tad too clinical for my tastes, this film really packs a punch, especially in the final scenes where there are a few decidedly haunting images that not only drive home whats happened but also turns so of what we've seen on their ear (The swat team in slo mo).

I thought it was quite good. However I'm not particularly pleased with the Weinstein company who is its distributor. No ads for the film in New York. Sure you screened it for critics, but no add other than in the general ad for the IFC center where its playing. Clearly you don't want anyone to see it or know it existed.(I caught it on IFC on Demand cable service.) I only gave it a shot because I saw the title in the Time Out New York film reviews. Clearly they don't know what they are doing since here's a film they should promote but don't, yet other things like... Doogal...they promote like mad even thought it belongs in the bottom of a charnel house's fire pit.

If you get a chance to see it do so, its too good not to be seen.