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5,9/10
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SUA AVALIAÇÃO
Após um acidente de carro, uma jovem presa entre a vida e a morte encontra um agente funerário que afirma ter o dom de fazer a transição dos mortos para a vida após a morte.Após um acidente de carro, uma jovem presa entre a vida e a morte encontra um agente funerário que afirma ter o dom de fazer a transição dos mortos para a vida após a morte.Após um acidente de carro, uma jovem presa entre a vida e a morte encontra um agente funerário que afirma ter o dom de fazer a transição dos mortos para a vida após a morte.
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Avaliações em destaque
"After.Life" is Agnieszka Wojtowicz-Vooslo's feature-film debut, starring Christina Ricci, Justin Long and Liam Neeson in a deliberation on what happens to us after we die.
I will admit, my expectations for "After.Life" were in the low I was considering something along the lines of "I Know Who Killed Me", with a better cast. At least the trailer made it seem that way. Oh, how wrong I was. Dead wrong.
Anna (played by Christina Ricci) is a schoolteacher who finds herself with an open head wound on a dissecting table where Elliot (Liam Neeson), a mortician, informs her in a formal tone that she died during a car accident. Anna's disbelief and denial follow immediately. It's not the kind of news you hear everyday. Questions pop-up. Is she suffering from a mental disease, some personality disorder or maybe there is no rational explanation for the occurring events - it is what it is? In other words: WHAT IS GOING ON? The intrigue has a strong grip on the audience . More than a horror film, it's a psychological drama with a supernatural theme to it, although it manages to divert in a bad direction on occasion (the heart-pulling scene is as horror cliché as it gets).
Neeson gives Elliot a priest-like treatment. He's a man with a great work ethic, utter respect for the dead, and blessed/cursed with a gift. He can talk to the deceased. Throughout the days that he prepares Anna's body for her funeral, he tries to help her cope with her death. Unfortunately for him, she doesn't buy into his views and attempts to escape and contact her fiancé (Justin Long), who, because of her death, is in a fever-like state, where he starts to questions his sanity.
I would say that this is Neeson's most memorable performance in a while. It just has such resonance.
We all know that Christina Ricci isn't the best actress around in Hollywood, very flavorless, but in this case, by draining the life out of the role she, coincidentally, makes it work. I guess the director did the best with what she had to work with. Also the fact that she was willing to stay half-nude throughout a considerable amount of time on screen must have made her most desirable as a corpse from a producer's point of view.
The film doesn't indulge on the visuals; rather, it keeps everything on the minimum—just enough to keep you shivering. The eerie music is certainly a strong tool that ads on to the feel of heighten reality.
Luckily, "After. Life" is not just good as it's synopsis. Sure, the film takes elements from various horror films, but it puts them to a really good use. It builds around them and evolves.
I will admit, my expectations for "After.Life" were in the low I was considering something along the lines of "I Know Who Killed Me", with a better cast. At least the trailer made it seem that way. Oh, how wrong I was. Dead wrong.
Anna (played by Christina Ricci) is a schoolteacher who finds herself with an open head wound on a dissecting table where Elliot (Liam Neeson), a mortician, informs her in a formal tone that she died during a car accident. Anna's disbelief and denial follow immediately. It's not the kind of news you hear everyday. Questions pop-up. Is she suffering from a mental disease, some personality disorder or maybe there is no rational explanation for the occurring events - it is what it is? In other words: WHAT IS GOING ON? The intrigue has a strong grip on the audience . More than a horror film, it's a psychological drama with a supernatural theme to it, although it manages to divert in a bad direction on occasion (the heart-pulling scene is as horror cliché as it gets).
Neeson gives Elliot a priest-like treatment. He's a man with a great work ethic, utter respect for the dead, and blessed/cursed with a gift. He can talk to the deceased. Throughout the days that he prepares Anna's body for her funeral, he tries to help her cope with her death. Unfortunately for him, she doesn't buy into his views and attempts to escape and contact her fiancé (Justin Long), who, because of her death, is in a fever-like state, where he starts to questions his sanity.
I would say that this is Neeson's most memorable performance in a while. It just has such resonance.
We all know that Christina Ricci isn't the best actress around in Hollywood, very flavorless, but in this case, by draining the life out of the role she, coincidentally, makes it work. I guess the director did the best with what she had to work with. Also the fact that she was willing to stay half-nude throughout a considerable amount of time on screen must have made her most desirable as a corpse from a producer's point of view.
The film doesn't indulge on the visuals; rather, it keeps everything on the minimum—just enough to keep you shivering. The eerie music is certainly a strong tool that ads on to the feel of heighten reality.
Luckily, "After. Life" is not just good as it's synopsis. Sure, the film takes elements from various horror films, but it puts them to a really good use. It builds around them and evolves.
AFTER.LIFE (yes, that is a dot between the two words suggesting this may be a video game...or blog, or something created in cyberspace) takes a long shot; can a one-line story keep an audience's attention for over 103 minutes? Not having noticed whether this played in theaters or is one of the direct to DVD films, that question is tough to answer. The director and writer Agnieszka Wojtowicz-Vosloo (writing in tandem with Paul Vosloo and Jakub Korolczuk) asks us to suspend belief and muse about the idea that there is a time between 'death' and the actual burial (or other means of final interment/disposal) when the spirit may struggle with the idea of life ending. It is an interesting hiatus to study and fortunately a cast was selected to portray the characters involved in this internet-like game that makes it watchable.
Schoolteacher Anna Taylor (Christina Ricci) and Paul Coleman (Justin Long) are in a rocky relationship: they could be headed toward marriage but Anna has trust issues that prevent her from committing to same. In a rage she leaves the frustrated Coleman, subsequently is killed in a car accident, and is taken to a mortuary where mortician Elliot Deacon (Liam Neeson) begins preparing her body for the funeral. Anna is unable to move anything but her mouth and denies that she is dead, a situation Deacon encounters with most every dead body he prepares for burial. And this is where the conundrum begins: is Anna dead or is she alive, kept prisoner by Deacon? Anna's hateful mother (Celia Watson) visits her daughter's corpse and has few kind words to say. Paul is devastated, comforted by his colleague Tom (Josh Charles), that Anna is dead and visits the mortuary to see the body but is refused admittance by Deacon. One of Anna's young students Jack (Chandler Canterbury) seems to have a special affinity for the dead and spies on the mortuary where he sees Anna standing in a window. Anna and Deacon have long talks about the after.life - that time when the soul is preparing to leave the corporal body - and Deacon continues to prepare Anna for her funeral. As she is buried the facts of the story straighten out a bit, but to reveal those facts would ruin what little suspense there is in this film.
Though the moody atmosphere is well captured by both the director of photography Anastas N. Michos and the musical score by Paul Haslinger, and the presence of Liam Neeson who plays his role very straight and Christina Ricci who plays her role almost entirely in the nude, give the story the requisite creepy effect. Yes, it is corny in many ways, but at least it is a bit different from the formula movies that keep churning out of Hollywood.
Grady Harp
Schoolteacher Anna Taylor (Christina Ricci) and Paul Coleman (Justin Long) are in a rocky relationship: they could be headed toward marriage but Anna has trust issues that prevent her from committing to same. In a rage she leaves the frustrated Coleman, subsequently is killed in a car accident, and is taken to a mortuary where mortician Elliot Deacon (Liam Neeson) begins preparing her body for the funeral. Anna is unable to move anything but her mouth and denies that she is dead, a situation Deacon encounters with most every dead body he prepares for burial. And this is where the conundrum begins: is Anna dead or is she alive, kept prisoner by Deacon? Anna's hateful mother (Celia Watson) visits her daughter's corpse and has few kind words to say. Paul is devastated, comforted by his colleague Tom (Josh Charles), that Anna is dead and visits the mortuary to see the body but is refused admittance by Deacon. One of Anna's young students Jack (Chandler Canterbury) seems to have a special affinity for the dead and spies on the mortuary where he sees Anna standing in a window. Anna and Deacon have long talks about the after.life - that time when the soul is preparing to leave the corporal body - and Deacon continues to prepare Anna for her funeral. As she is buried the facts of the story straighten out a bit, but to reveal those facts would ruin what little suspense there is in this film.
Though the moody atmosphere is well captured by both the director of photography Anastas N. Michos and the musical score by Paul Haslinger, and the presence of Liam Neeson who plays his role very straight and Christina Ricci who plays her role almost entirely in the nude, give the story the requisite creepy effect. Yes, it is corny in many ways, but at least it is a bit different from the formula movies that keep churning out of Hollywood.
Grady Harp
After-Life embraces the mystery/thriller sub-genre of the drama genre's style and refuses to relent even up to and after its conclusion. The film relies on the question of whether or not those in the funeral home are dead or only being led to believe they are dead. Despite having evidence for both sides of this issue displayed throughout the film, you will be left to decide for yourself as to which side you believe. It is possible that both scenarios occur actively in the film. This film has a "Saw" style of lesson-learning involved in the story. It seems that the inability to love is the motive in After-Life whereas the inability to live life is Jigsaw's motive.
While the acting from Justin Long & Christina Ricci is on par with their other performances in recent history, Liam Neeson offer a performance that will rival his performance in Taken. Neeson is the reason this film is so suspenseful because he is able to create a character that can be viewed as delusional, insane, psychotic, or "gifted" without forcing the audience to believe only one of these characteristics.
Entertainment wise this film is not a blockbuster but connects many good directorial and cinemagraphical elements. The musical score is as eerie as John Carpenter's Halloween score. There is not much bad that can be said about this film. The shot choices are sensible and simple without being overtly creative. This is a film that allows the story to evolve on its own and the actors to the story its character.
While the acting from Justin Long & Christina Ricci is on par with their other performances in recent history, Liam Neeson offer a performance that will rival his performance in Taken. Neeson is the reason this film is so suspenseful because he is able to create a character that can be viewed as delusional, insane, psychotic, or "gifted" without forcing the audience to believe only one of these characteristics.
Entertainment wise this film is not a blockbuster but connects many good directorial and cinemagraphical elements. The musical score is as eerie as John Carpenter's Halloween score. There is not much bad that can be said about this film. The shot choices are sensible and simple without being overtly creative. This is a film that allows the story to evolve on its own and the actors to the story its character.
"After.Life" is a really intense thriller that will keep you in the dark, feeding you just small pieces to keep you guessing and speculating. And that worked so well.
The story told in "After.Life" is really riveting and compelling. It is the type of story that will keep you in suspense and wanting to see what happens next. The plot is Anna Taylor (played by Christina Ricci) is in a car accident and wakes up on a mortuary slab, where she is attended to by Eliot Deacon (played by Liam Neeson). And the story lets you guessing if she really is dead or alive, and whether it is all a ruse set up by Deacon. I am not going to reveal any more of the story, except that it was fantastic.
I like movies that keep you in the dark and have you grasping at clues, trying to figure out what really is happening. And "After.Life" really takes you on a thrill ride where you don't know what is true or false.
The cast was really good and they did good jobs with their roles. Especially Liam Neeson, in the role of the mortician Eliot Deacon. He was right on the money with this performance. I read that they had initially casted Alfred Molina for this part, and I think he would have done an equally good job (as he has been seen in a mortician role before). And also Christina Ricci was doing a good job with her role as Anna Taylor. And it is good to see that Justin Long is finally shedding that teenage role of his and stepping up into the bigger league of acting.
If you like thrillers, then "After.Life" is definitely worth checking out. The story blew me away and took me completely off guard. I hadn't expected it to be anything like this.
The story told in "After.Life" is really riveting and compelling. It is the type of story that will keep you in suspense and wanting to see what happens next. The plot is Anna Taylor (played by Christina Ricci) is in a car accident and wakes up on a mortuary slab, where she is attended to by Eliot Deacon (played by Liam Neeson). And the story lets you guessing if she really is dead or alive, and whether it is all a ruse set up by Deacon. I am not going to reveal any more of the story, except that it was fantastic.
I like movies that keep you in the dark and have you grasping at clues, trying to figure out what really is happening. And "After.Life" really takes you on a thrill ride where you don't know what is true or false.
The cast was really good and they did good jobs with their roles. Especially Liam Neeson, in the role of the mortician Eliot Deacon. He was right on the money with this performance. I read that they had initially casted Alfred Molina for this part, and I think he would have done an equally good job (as he has been seen in a mortician role before). And also Christina Ricci was doing a good job with her role as Anna Taylor. And it is good to see that Justin Long is finally shedding that teenage role of his and stepping up into the bigger league of acting.
If you like thrillers, then "After.Life" is definitely worth checking out. The story blew me away and took me completely off guard. I hadn't expected it to be anything like this.
This film is about a young woman who wakes up lying in the morgue, with a mortician insisting that she is already dead.
"After.Life" is such a good thriller! The film successfully generates a chilling and desperate atmosphere about a person experiencing the transition between life and death. The plot is great because first it makes you think one way, then there are clues as to what is really happening, then the truth is presented in your face. Some people say there are plot holes, but I think all of the supposed plot holes are easily explained along the lines of what really happens in the film. Christina Ricci is phenomenal in playing this tormented character, adding much realism into the film. Just pay attention to all the details in "After.Life", and you will find it is a well constructed thriller.
"After.Life" is such a good thriller! The film successfully generates a chilling and desperate atmosphere about a person experiencing the transition between life and death. The plot is great because first it makes you think one way, then there are clues as to what is really happening, then the truth is presented in your face. Some people say there are plot holes, but I think all of the supposed plot holes are easily explained along the lines of what really happens in the film. Christina Ricci is phenomenal in playing this tormented character, adding much realism into the film. Just pay attention to all the details in "After.Life", and you will find it is a well constructed thriller.
Você sabia?
- CuriosidadesChristina Ricci said in a 2022 interview that she had no problem being totally nude so much during filming, but what made her uncomfortable was other people being uncomfortable with her being naked. That made her feel really weird. So what she did, which she admitted actors probably wouldn't be allowed to do these days, is just stay naked and not wear a robe between scenes. She'd also go talk to crew members naked because she wanted everybody around her to stop reacting to it, because then she could forget that she was naked. Doing that made it one of the only times she's really felt comfortable being naked on camera.
- Erros de gravaçãoWhen Paul runs toward Anna's grave, he touches a tombstone which starts wobbling from side to side.
- Citações
Anna Taylor: Can I ask you a question?
Eliot Deacon: Yes, of course.
Anna Taylor: Why do we die?
Eliot Deacon: To make life important.
- Trilhas sonorasExit Music: For A Film
Written by Thom Yorke, Jonny Greenwood, Ed O'Brien, Colin Greenwood, Phil Selway
Performed by Radiohead
Produced by Radiohead with Nigel Godrich
Courtesy of Parlophone
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Después de la vida
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 4.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 108.595
- Fim de semana de estreia nos EUA e Canadá
- US$ 59.946
- 11 de abr. de 2010
- Faturamento bruto mundial
- US$ 2.425.535
- Tempo de duração
- 1 h 44 min(104 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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