AVALIAÇÃO DA IMDb
6,4/10
1,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaUses detailed research and explosive new testimonies by soldiers who have served in Iraq to tell an emotional fictional story of two young men very much out of their depth.Uses detailed research and explosive new testimonies by soldiers who have served in Iraq to tell an emotional fictional story of two young men very much out of their depth.Uses detailed research and explosive new testimonies by soldiers who have served in Iraq to tell an emotional fictional story of two young men very much out of their depth.
- Ganhou 1 prêmio BAFTA
- 6 vitórias e 13 indicações no total
Avaliações em destaque
Although Mark of Cain isn't a bad movie, and most of the acting is in fact pretty good, it seems to be lacking a clear purpose. For a movie that aims to make a political statement, it seems to pull its punches at the most crucial moments. As a movie that wants to tell a story about a modern war, although realistic and often gritty, it is not nearly as powerful as Platoon or as intricate as Jarhead. In fact, the power of the story seems to peter out after the first two-thirds of the movie. For example, the technique of starting with a crucial scene, and then flashing back to this scene as the story unfolds, becomes less powerful. Eventually, the viewer pretty well knows what to expect. Watch Mark of Cain, expect some poignant scenes, but don't expect any new insights in that fiasco known as Iraq and don't expect to see war's truly horrific face.
Tony Marchant's film 'The Mark of Cain' tells three stories: that of the impossible task facing British soldiers in Iraq; that of the terrible cruelties they inflicted on Iraqi suspects; and that of a cover-up in the chain of command. The story is fictional but based on true events; however, there's less evidence in the real world for the cover-up than for the other two elements, and while it seems plausible, this aspect of the tale feels more "written" than the other two. And as always with Marchant, there's a careful and clever manipulation of the viewer's sympathies throughout: I never quite feel that Marchant gives me the space to form my own opinion. But it's strong stuff, well-performed and unflinching, even if it doesn't really say much in the end except that bad things happen in war.
This movie had its World Premiere at the International Film Festival Rotterdam. Unfortunately it didn't have any subtitles, so the British-English dialog was sometimes very hard to understand.
The movie follows a group of British soldiers in Iraq showing their sometimes forced humiliation against Iraqi soldiers, their psychological problems, the cover ups in the British army and the outcome during a trial.
The movie is obviously low budget, but the outcome is very well. The first quarter of the film starts powerful, then it skips to TV drama style for a while, (i didn't really like that) but the ending is again very powerful.
7.5/10. I wonder if this movie is still going to be aired on television or if they decide to release this is in cinema. It is certainly a lot better than the standard blockbuster films we see....
The movie follows a group of British soldiers in Iraq showing their sometimes forced humiliation against Iraqi soldiers, their psychological problems, the cover ups in the British army and the outcome during a trial.
The movie is obviously low budget, but the outcome is very well. The first quarter of the film starts powerful, then it skips to TV drama style for a while, (i didn't really like that) but the ending is again very powerful.
7.5/10. I wonder if this movie is still going to be aired on television or if they decide to release this is in cinema. It is certainly a lot better than the standard blockbuster films we see....
This isn't a war film per se, but rather a film about the conflict between loyalty and morality. The question is where do you draw the line between loyalty to the regiment and the morality of your actions? This film is powerful stuff but I can't help but feel that this film is somehow unrepresentative of the British Army in Iraq. I have to say that it has left a rather foul taste in my mouth, but this may well be down to my refusal to think about the examples of brutality in custody that have taken place rather than the film's depiction of those crimes. So in regards to the effectiveness of the film at portraying its subject the film is most effective. The acting is strong throughout as is the cinematography and the sparse soundtrack. I won't watch it again as I have nothing further to gain from it. I think, in retrospect that it is still too recent an event to gain any further wisdom from. Although it is not 'based on true events' there have been instances of abuse that have culminated in criminal cases. But would we gain anything from watching a feature film about the abuses at Abu Grahib only three years after the events?
A seemingly accurate portrait of the British Army immiediately post combat, but drawn into the turbulence of post war Iraq, with the start of sectarian fighting, and bombings.
Based on the experiences of two young lads, and their squad, in Basra in 2003, after the fall of Saddam Hussein, and the legacy as they return home.
Many people may find the home scenes just as poignant as the Iraq scenes. An interesting angle on how young people often try to block out negative thinking.
There are many moral issues to be drawn from this film. Recommended.
Based on the experiences of two young lads, and their squad, in Basra in 2003, after the fall of Saddam Hussein, and the legacy as they return home.
Many people may find the home scenes just as poignant as the Iraq scenes. An interesting angle on how young people often try to block out negative thinking.
There are many moral issues to be drawn from this film. Recommended.
Você sabia?
- Erros de gravaçãoWhen Gulliver and Tate are outside, before they go to beat the prisoners, the scene changes from morning to the middle of the night, after watching the other soldiers walk towards the cells and cut back to them talking.
- ConexõesFeatured in Screenwipe: Review of the Year 2007 (2007)
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Bilheteria
- Faturamento bruto mundial
- US$ 9.877
- Tempo de duração
- 1 h 27 min(87 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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