A Cidade da Violência

I didn't expect much from this....just an action flick to keep me busy for 90 minutes. I did get that, but I got even more.

I won't oversell it. The story is about as original as buttered toast. The actors however, played it with as much heart as they could (while trying to look tough). I'm not saying that there are Oscar-worthy performances here, but they didn't sleep walk through it, either.

There's a group of high school guys. They were friends, once upon a time. They grew up, and they drifted apart. One of them moved to Seoul and became a police officer. One day he gets a call summoning him home; it seems one of his boyhood friends has been killed. He goes home for the funeral, then with another boyhood chum, decides to investigate...because something just doesn't feel right. Tragedy and betrayal...and of course *violence* ensues.

The action scenes were certainly effective, with plenty of stylized Tae Kwon Do all over the place. Only one gun in the movie (in a police station)! There are some people on the site saying the action is under-choreographed and infrequent. I felt like the movie had a good deal of action: Plenty of short action scenes to keep it interesting, and two long b*lls-to-the-wall scenes, the second of which is something like "Kill Bill" meets "Lethal Weapon." A buddy martial arts flick, there just aren't enough of those! Oh, and people talk about the homage to "Kill Bill"....check out the homage to "The Warriors." What can I say....I laughed.

The bottom line is, this film is nothing groundbreaking. The drama won't make you cry. The action won't make you cheer out loud. The story won't make you think too much. In spite of this, it is a heck of a lot of fun. In the end, that's what entertainment is supposed to be...."fun." It's mindless action with a bit of soul....and I would recommend it to everyone....just set it aside for a night where you want a fun fix, and you don't want to think too much. And hey, we all have those some time.

Policeman Tae-su (Doo-hong Jung) returns to his hometown for the funeral of murdered childhood friend Wang-jae, where he is reunited with old pals Pil-ho (Beom-su Lee), Dong-hwan (Seok-yong Jeong) and Seok-hwan (Seung-wan Ryoo). Upon investigating Wang-jae's murder, Tae-su discovers that it was one of his own circle of friends who committed the crime.

The Koreans have given us some damn fine cinema in recent years, and having heard good things about The City of Violence, my expectations were running extremely high.

Which is probably where I went wrong.

Rather than being absolutely blown away by all aspects of the film, as I had hoped, I was merely entertained on a superficial level: the chaotic fight scenes are fun but uninspired (a few original, well choreographed 'killer moves' would have seriously improved matters); the drama is OK, but kinda clichéd, with the 'inseparable childhood friends divided as adults' theme having been done many times before; and the stylish visual touches employed by the director, whilst admittedly cool, do little to help one follow the plot and are used a tad too liberally for my liking.

The film also has a tendency to flip rather uncomfortably between comic book action and more realistic violence, with the film's heroes emerging relatively unscathed from a battle against 'Warriors'-style gangs of teenagers one minute, but taking on knife wielding gangsters with suitably bloody results the next.

I rate The City of Violence a reasonable 6.5 out of 10, generously rounded up to 7 for its particularly loathsome bad-guy, who finally gets his comeuppance after a prolonged battle inside a restaurant.

I just cant quite put my finger on the great work of this director and these actors...it just kicks @$$! The action packed fight sequences in this film have so much tooth and nail intensity that i can almost feel the pain...esp. the sequence of the hall of gangsters with knives.

As of 12:02am I finally saw this movie and i must say...it was a fantastic movie. The Cinematography was well done to a point it reminded me of Running Scared yet kept its own originality. The overhead views were nicely done and there was no shortage of action. I loved the editing on the movie and wasn't bored at all reading the subs as it was a fantastic story of loyalty an broken friendships. The action in its own right was brutal an fun as i craved to see what technique our heroes would use to take down there opponents. The ending was well played as the payoff was great and the final showdown was intense in action and drama. I don't have any real complaints about this movie as everything gelled together real well right down to the soundtrack (intresting they played western themes at the end when in the beginning Columbo was mention) its a great movie that should not be missed, it really shows how well Korea is coming along with its movies

This is an entertaining enough modern-day martial arts action thriller which is, it has to be said, entirely unoriginal in almost every respect. The plot concerns a city cop returning to his hometown for the funeral of a childhood friend, victim of a back-alley knifing while chasing thugs from his bar. Together with a second childhood friend, our hero suspects something amiss and begins his own investigation into the murder. This decision is the cue for a succession of unlikely encounters and a particularly bloody and fatal encounter with yet another childhood friend.

There are some people whose personalities are so under-developed that they have a tendency to adopt the characteristics of those they are close to (accent, mannerisms, etc), and this film reminded me a lot of people like that. Watching it, I got the impression that the writer/director was mimicking every film he wished he'd made. There are a number of obvious 'homages', and a flashback to a juvenile fight that is as (hopefully deliberately) cheesy as any 70s chop-socky sequence. One of the 'homages' is to Quentin Tarantino's (himself the king of the 'homage') over-rated Kill Bill so if, like me, you were bored by Tarantino's self-indulgence, you might consider thinking twice about watching a film whose writer obviously thinks so highly of it. Having said that, there is something ironic about an Asian film so clearly referencing a film which blatantly ripped off so many of the staple devices of its national genre.

The action is as frenetic and professional as you'd expect, and the storyline is reasonably engaging but, when all is said and done, this is really nothing more than a decent time-filler.