AVALIAÇÃO DA IMDb
6,6/10
29 mil
SUA AVALIAÇÃO
Mariane Pearl embarca numa busca frenética para localizar seu marido jornalista, Daniel, quando ele desaparece no Paquistão.Mariane Pearl embarca numa busca frenética para localizar seu marido jornalista, Daniel, quando ele desaparece no Paquistão.Mariane Pearl embarca numa busca frenética para localizar seu marido jornalista, Daniel, quando ele desaparece no Paquistão.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 19 indicações no total
Mushtaq Khan
- Danny's Taxi Driver
- (as Mushtaq Ahmed)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Taking away how others may view the Pearle's story and the question of whether or not the family should have been there in the first place, the story was excellent in conveying the emotions felt throughout the whole search of Daniel. Those who are opposed to the purpose of Daniel Pearle being there after 9/11 even with other journalists vacating will only enter and leave the theater wondering if Mariane is trying to give more credit to her husband then what people expect. It's important to walk into this movie with an open mind so that the story will be more real. Major kudos to the creators of this film for bringing a new view on a part of American history that seemed so easily cast aside.
Telling the truth is generally considered to be the first step on the path to righteousness. It brings redemption to some and relieves the guilt of others. Many people have a hard time accepting the truth when faced with it. That difficulty in dealing is perhaps the main reason some run far away from the truth altogether. Given how troubling facing the truth can be in everyday reality, being subjected to it in celluloid on the big screen is a very hard sell. This is even more relevant when the film in question is based on an event that was played out to the point of emotional exhaustion in the media. (Just ask the producers of UNITED 93.) This is the plight of A MIGHTY HEART, an adaptation of Mariane Pearl's novel of the same name, about her experiences during the search for her kidnapped husband, Daniel Pearl, in the winter of 2002. For director Michael Winterbottom, this is only the beginning though. Assuming he manages to get people to see the film, (casting Angelina Jolie in the role or Marian Pearl certainly doesn't hurt the film's chances), Winterbottom must then get people to forget that they know how it's all going to end.
Winterbottom is too smart to go against the grain. Instead, he uses the audience's prior knowledge of the story to incite an even deeper emotional reaction. He begins by establishing his style. A MIGHTY HEART is not a documentary but rather a fictionalized reenactment of actual events that is shot and edited like a documentary. There are no talking heads but the camera is an active participant in the drama that unfolds. Hand-held movement, jump cuts and an omnipresent observer's point of view lend realism to the film's already tense premise. For those who aren't aware, Jewish-American journalist, Daniel Pearl (played here by CAPOTE scribe, Dan Futterman) was kidnapped in Pakistan in January of 2002. The violent act became an international scandal as the group that claimed responsibility for the crime demanded the liberation of prisoners from American detainee prison, Guantanamo Bay, in Cuba. The American government does not give in to the terrorists' demands. It doesn't end well. The film focuses on the efforts made by Mariane, the Pakistani police, the C.I.A. and the journalistic community throughout the search for Daniel. Knowing Daniel doesn't live through the ordeal and that this search is fruitless may leave the audience without hope but the dedication and fervor with which the case is attacked carries enough hope to inspire an overwhelming sympathy that sinks our hearts when what we know is coming actually comes.
A blustering soundscape and tightly framed street and crowd shots elevate stress levels to unimagined heights. Mariane is alone in a foreign country, searching for the most important person in her life. Knowing the odds are against her, holding on to hope becomes all the more complicated when she is surrounded by strangers, traffic and the sounds of incessant honking, cell phones and random farm animals. The chaos is absolutely inescapable. Yet still, Mariane must remain calm. After all, she is the heart of this operation. If her heart fails, all hope is lost and all efforts will fall apart. Jolie exhibits both outer strength and inner fragility at the same time as Mariane. She is direct and focused in face of this horrific reality, holding it together for Daniel, herself and her unborn child but Jolie's distant eyes and suddenly fidgeted demeanor suggest just how difficult maintaining all this composure truly is. Being a journalist herself, Mariane's most endearing quality is perhaps her ability to remain hopeful in spite of all the horror she has known in her own career without coming across as naïve. Jolie's balancing act upon such a tightly wound rope is truly genuine in both its intention and execution.
Any movie entitled A MIGHTY HEART cannot spend all its time entrenched in fact. After all, there is a delicate, growing love between Daniel and Mariane that is also being held prisoner. This love though cannot be held captive and gives life to hope. Their love comes back to Mariane in flashes throughout her suffering. Insignificant moments like the last time they saw each other take on new meanings, making the loss feel larger while still reminding her what she is fighting to find. The truth behind A MIGHTY HEART is that it takes one to live through something like this and, more importantly, live past it.
Winterbottom is too smart to go against the grain. Instead, he uses the audience's prior knowledge of the story to incite an even deeper emotional reaction. He begins by establishing his style. A MIGHTY HEART is not a documentary but rather a fictionalized reenactment of actual events that is shot and edited like a documentary. There are no talking heads but the camera is an active participant in the drama that unfolds. Hand-held movement, jump cuts and an omnipresent observer's point of view lend realism to the film's already tense premise. For those who aren't aware, Jewish-American journalist, Daniel Pearl (played here by CAPOTE scribe, Dan Futterman) was kidnapped in Pakistan in January of 2002. The violent act became an international scandal as the group that claimed responsibility for the crime demanded the liberation of prisoners from American detainee prison, Guantanamo Bay, in Cuba. The American government does not give in to the terrorists' demands. It doesn't end well. The film focuses on the efforts made by Mariane, the Pakistani police, the C.I.A. and the journalistic community throughout the search for Daniel. Knowing Daniel doesn't live through the ordeal and that this search is fruitless may leave the audience without hope but the dedication and fervor with which the case is attacked carries enough hope to inspire an overwhelming sympathy that sinks our hearts when what we know is coming actually comes.
A blustering soundscape and tightly framed street and crowd shots elevate stress levels to unimagined heights. Mariane is alone in a foreign country, searching for the most important person in her life. Knowing the odds are against her, holding on to hope becomes all the more complicated when she is surrounded by strangers, traffic and the sounds of incessant honking, cell phones and random farm animals. The chaos is absolutely inescapable. Yet still, Mariane must remain calm. After all, she is the heart of this operation. If her heart fails, all hope is lost and all efforts will fall apart. Jolie exhibits both outer strength and inner fragility at the same time as Mariane. She is direct and focused in face of this horrific reality, holding it together for Daniel, herself and her unborn child but Jolie's distant eyes and suddenly fidgeted demeanor suggest just how difficult maintaining all this composure truly is. Being a journalist herself, Mariane's most endearing quality is perhaps her ability to remain hopeful in spite of all the horror she has known in her own career without coming across as naïve. Jolie's balancing act upon such a tightly wound rope is truly genuine in both its intention and execution.
Any movie entitled A MIGHTY HEART cannot spend all its time entrenched in fact. After all, there is a delicate, growing love between Daniel and Mariane that is also being held prisoner. This love though cannot be held captive and gives life to hope. Their love comes back to Mariane in flashes throughout her suffering. Insignificant moments like the last time they saw each other take on new meanings, making the loss feel larger while still reminding her what she is fighting to find. The truth behind A MIGHTY HEART is that it takes one to live through something like this and, more importantly, live past it.
This is one of the more intelligent and well constructed movies of 2007 thus far. Touching on the human element as it collides with the unpleasant realities of hot-bed issues including politics and religion, the brutality and evil this story depicts is at times difficult to watch.
Difficult to watch because the content is disturbing, which is the intent of the film. We see a very human dimension to the real life characters who are depicted sensitively, making the grotesque outcome all the more horrifying. The story is fair to the innocent parties involved, and honest in rightfully assigning the blame to those responsible for these heinous acts. Dramatically and artistically, this is a superior movie.
Angelina Jolie's portrayal of Mariane Pearl feels sincere, but she appears miscast. Little dimension is brought to her real-life subject, a woman inexorably thrust into the limelight amidst painful circumstances. The film would have been better off with another actress in this challenging role.
Still, the movie is outstanding, and worthy of your time.
Difficult to watch because the content is disturbing, which is the intent of the film. We see a very human dimension to the real life characters who are depicted sensitively, making the grotesque outcome all the more horrifying. The story is fair to the innocent parties involved, and honest in rightfully assigning the blame to those responsible for these heinous acts. Dramatically and artistically, this is a superior movie.
Angelina Jolie's portrayal of Mariane Pearl feels sincere, but she appears miscast. Little dimension is brought to her real-life subject, a woman inexorably thrust into the limelight amidst painful circumstances. The film would have been better off with another actress in this challenging role.
Still, the movie is outstanding, and worthy of your time.
This movie gives a good account of the harrowing experience of Mariane Pearl from the moment her husband Danny went missing until he was beheaded. Angelina Jolie's acting is commendable with a well maintained French accent throughout. Dan Futterman bears a striking resemblance to Daniel Pearl. There's no suspense or major climax/anti-climax as we all know what happened to Daniel Pearl and this movie is based on Mariane's memoirs. Not much insight into the investigations performed by the American Intelligence agencies. Overall, it's good movie to get an insight into the unsuccessful hunt for Daniel Pearl on the streets of Karachi.
I just saw this film and I really liked. The story is very well told from the point of view of a professional journalist who has to experience with integrity and courage the whole process of losing her husband. I think Angelina Jolie makes AN EXCELLENT JOB. Many times I forgot was the sexy actress, and reminded me several great parts she have achieved in her career, including an Academy award. There is not any importance or relevance that she is a white woman developing an African woman... She is an actress. Until when we are going to play with racial issue. In many countries Hamlet is not from Denmark or Othello is not always a black actor, or Don Giovanni is not an Italian. The directing and several acting in this film are great. And the development of the film showing constantly the misery of this country to understand better their political situation and fanaticism.
It;s very comfortable to enjoy this film and going out in cities where we have so much comforts. I connected with Marianne Pearl, I felt I was with her watching her experience.
It;s very comfortable to enjoy this film and going out in cities where we have so much comforts. I connected with Marianne Pearl, I felt I was with her watching her experience.
Você sabia?
- CuriosidadesAfter Angelina Jolie was cast as Mariane Pearl, she and the filmmakers came in for a great deal of criticism, since Pearl's and Jolie's racial backgrounds are not similar, and Jolie played the role wearing makeup that somewhat darkened her own skin tone. The casting reminded many critics of the time in Hollywood when it was customary to cast "ethnic" roles with white actors in makeup rather than using Black, Asian, or Native American actors. During a promotional press event for the movie, Jolie responded to the criticisms by saying, "the idea is, if you ask Marianne, because she did address that... if you did actually want to find somebody that was her exact makeup, she's actually majority Dutch, and she's as black as she is Chinese, and she's Cuban, and she's French. So, it could have gone to many different racial backgrounds, probably, if you went technical on it." Pearl herself approved of casting Jolie; in Time Magazine, Pearl said, "I have heard some criticism about her casting, but it is not about the color of your skin. It is about who you are. I asked her to play the role--even though she is way more beautiful than I am--because I felt a real kinship to her."
- Erros de gravaçãoThere are few billboards shown on the roads of Karachi, which were not imaginable in early 2002, i.e. Telenor Mobile Service (introduced in March 2005), Qarshi Jam-e-Shirin's latest campaign etc.
- Citações
[last lines]
Mariane Pearl: [holding Adam for the first time] This film is for Adam.
- Trilhas sonorasDreaming on a Train
Written by David Holmes & Stephen Hilton (as Steve Hilton)
Published by Universal/Island Music Ltd & BMG Music Publishing Ltd
Courtesy of David Holmes & Steve Hilton
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- How long is A Mighty Heart?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- A Mighty Heart
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 16.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 9.176.787
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.948.863
- 24 de jun. de 2007
- Faturamento bruto mundial
- US$ 19.008.745
- Tempo de duração1 hora 48 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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