Caramelo

This is one of the few moments of my life where I could enjoy a movie without reading sub titles. This time it is not Russian, not Swedish, not Danish, not German and not Spanish. It is an art movie in my native Lebanese language.

The lovely acting of all the team, the superb cinematography of Yves Sehnaoui and the charming music of Khaled Mouzanar all joined to make a movie to remember.

This is a movie about woman's inner being; men are in the background and the women's disorders are all exposed in a very elegant way. Uncertainty of life, sexuality, marriage, mid life crisis and elderly all put together in a colorful plot of innocent people.

In Caramel, we also see Christian and Muslim women living together, working together, truly loving and supporing each other. Thanks to Nadine Labaki for this message during a period of secterian conflicts.

The Last scene of the 2 ladies holding hands is a painting. I can't wait to get it on DVD. This will sit at the heart of my art movie collection.

Caramel is one of the rare contemporary films that shows restraint in its use of common language and in-your-face eroticism. I can't remember the last time I watched a movie that dealt with adult topics in such creative ways.

In contrast to most other films of this kind, we the audience are treated as intelligent, thinking people. We are asked to examine women's issues of sex, relationships, and aging without being subjected to the graphic scenes and gratuitous language that are prevalent in today's film-making. There isn't even an instance of "potty" humor, although one particularly touching scene takes place in a bathroom. Nevertheless, humor abounds in the form of terrific writing and amazingly good acting by these Arabic actresses.

Naturally, movies of this type do not have mass appeal in US culture. But for cinema buffs who appreciate the creative nature of screen writing, Caramel should not be missed. Guys, you can earn points by taking your date to this one, and there is a bevy of beauties for us to enjoy. And moms, don't miss the chance to take your adolescent daughters to Caramel... It will spark conversations about love, relationships, adultery, lesbianism, menopause, and more... All without being offensive.

A wonderful beautiful surprisingly well directed movie. It took me back to the place where I grew up, to the people I knew, to the narrow streets I hated then, and that I miss so much now. I had forgotten "la douceur de vivre" in that part of the world, how loving and supportive Lebanese people can be, regardless of their religion, background or social status. The stories of these 4 women is told with such simplicity, but yet a lot of tenderness, understanding, and forgiveness. The camera was their friend, exploring their most intimate feelings, joys and pains, but very protective too. Protective of their privacy, of their feelings, and their sadness. These 96 minutes of movie, brushed up all the callouses that had built up around my heart, and made it vibrate again, and made it dance to the rhythm of this beautiful city Beirut. Thank you Nadine for this wonderful gift, and thank you Khaled Mouzannar for making my heart and soul dance. Nicole Mishalany, Los Angeles, CA

I watched this movie today and I can say I am a bit disappointed. Don't get me wrong, the movie wasn't bad in general, but I was expecting more. It's the hype, again...

Coming from Greece, I can say that I found the situation described in the movie pretty familiar and that's another excuse for my low vote (7/10).

It's like an hour since I saw the movie and if you I had to say three things about the movie I'd say "Habibi" (the Arabic word for "love", I think), "Lili" and "Oh my, Nadine's eyes are so stunning".

All in all, it's a good way to spent some time.

Greetings again from the darkness. Insightful film dominated by Writer-Director-Lead Actress Nadine Labaki. Billed as a Romantic Comedy, this is much more a commentary on people ... especially women and how everyone's thought and actions revolve around finding the right companion. During that search, there can be much loneliness and frustration, but the discovery makes it all worthwhile.

The doe-eyed Ms. Labaki gives a fine performance and supposedly most of the supporting roles were filled by "real" people, not actors. Probably why the movie has such an earthy, straight-from-the-heart feel to it. There is much creativity in the editing and scene cuts. Much of the humor of the film is derived from tying one scene to another seemingly unrelated one.

Not in the class of the Almodovar films, it still is very poignant and classy in it's commentary on women and relationships. Also, it is refreshing to see a film on Beirut that is character driven and not politically or war based.