A Troca

Christine Collins: "The boy they brought back is not my son."

ClintEastwood s knows a good story, and he knows how to tell it on film. Not everything he does is as powerful as his depiction of a dynamic female boxer in Million Dollar Baby, for which Hilary Swank won a best actress Oscar among four for the film. In Changeling he presents another strong woman, Christine Collins, played by the notable Angelina Jolie. Because she is directed to weep at almost every turn and regularly underplay her grit, Jolie won't win accolades, nor will Eastwood rack up the nominations as he frequently does in Oscar season. But his adaptation of the historic Wineville Chicken Murders chills with his perceptions about the capriciousness of crime and the determination of those who choose to fight it.

In a Prohibition-era 1928, Collins gets word that the Los Angeles Police Department is returning her kidnapped eight-year old son. When she sees him at the station, a finely directed sequence showing the forces of motherhood and politics clash, she knows it is not her child. LAPD, needing the good publicity, forces her to take the boy overnight with the logic that she is merely in shock. The rest of this overly long thriller carefully traces the discoveries leading to resolutions and disappointments. Along the way, police corruption is exposed, mental institution incarceration of women is laid bare, and grisly serial murdering is slowly detailed.

Yet in this discursive narrative, Eastwood indulges himself beyond Jolie's annoying crying by gratuitously laboring over the details of an execution. The stark San Quentin setting is ghastly and the villain worthy except for the film's obvious criticism of false mental institution lockup, ironic here because this murderer is clearly deranged enough to be determined unfit for trial.

As in every Eastwood production, the values are first-rate, in this case period costuming and vehicles (those Model T's and trolley cars are beautiful). As in Mystic River, Eastwood knows how to splice family and community together in the struggle against organized crime, from street violence to public service malpractice. The activist preacher Reverend Briegleb (John Malkovich) helps bring the worlds together in his radio broadcasts, Malkovich for once playing good well. Eastwood continues to be the director of choice for depicting crimes and heartaches that strike the common citizen at will.

We all should be as productive in our later years. May he extend well beyond his golf-playing days and into our future.

Wow, is this an involving story. It hooks you in fast and really grabs hold. It's very good in that aspect because it really makes you care about what happens. The story involves a parent's worst nightmare, so I would expect moms and dads to be particularly horrified. The movie manipulates, no doubt being overdone here and there, but it's generally effective.

Angelina Jolie does a superb job of portraying a Los Angeles woman ("Christine Collins") in the late 1920s whose boy is kidnapped. Five months later, the "proud" police department brings her kid back, making it a good PR session. Unfortunately, it's not her kid and stupidly, although she's naturally upset about, she poses with the kid and takes him home. (Would that really happen?).

Then she begins her quest of finding her real "Walter." Further twists and turns make the story increasingly horrifying. In all, you won't be able to keep your eyes off the screen wondering if justice will ever prevail in the end and who exactly is involved in what. It's not particularly a fun ride - you'll have a frown on your face for quite some time - but it sure is interesting and an excellent two hour-plus of entertainment. By the end, you'll be emotionally exhausted.

Kudos to all the actors in here for riveting performances and to the production and design team for a great period piece. Where else can you feel you're back 75-80 years in time with the boxy cars and flapper hats than in movies?

Angelina Jolie, for outstanding performance in Changeling.

Wow, I think I need to calm down a bit. I was skeptic at first to see this movie but I don't regret spending 900 króna's (I'm from Iceland so that's very expensive) on a movie ticket to see the best movie I've seen in a long time. And I encourage everyone to do the same, go see Changeling.

This movie has everything; a terrific story based on true events, outstanding acting from everyone of the cast, excitement, tears, blood and it holds you tight until the end. And I won't forget the magic behind the camera provided by the genius Clint Eastwood.

Angelina's character is terrific and she fights, what seems to be at first a lost fight, for her son in a world controlled by men. You learn to hate some characters in the movie and love others. You learn to feel for Angelina's character and hope the movie ends well. Changeling will make you cry and when you walk out of the theater after this fantastic film you feel both good and satisfied.

Angelina was so good and convincing in this movie that I could not believe my own eyes and ears. And John Malkovich was very good too but Angelina is the rock of this movie. She carries it on her shoulders and Clint Eastwood directs her like...like...I don't know what to write anymore, I'm still calming down. I'm going to stop now and finish the review with these two sentences: If Angelina Jolie gets an Oscar nomination for her acting she deserves to win. Just go see Changeling and Angelina's acting will blow your mind.

Changeling - In 1928, Single mother Christine Collins (Angelina Jolie) returns home one day to discover her nine-year-old son, Walter, is missing. She calls the police and, after enduring a grueling 24 hours, they search for her son. But the boy they return to her is not her son. After confronting corrupt city authorities, Collins is vilified as an unfit mother and sent to an asylum.

This is a grueling film to watch. I have not felt this hideous since North Country, a film which also dealt with misogyny within the power structure. Women are treated as fragile, emotional, and not believable. This film tackles corruption to boot, as the LAPD is accused of being a gang of thugs that answer to no one. Eastwood is old school with the violence, understanding that the mind can fill in the very brutal gaps.

Angelina Jolie delivers another great performance. But unlike A Mighty Heart, this film actually deserves her presence. I don't think she really should have so much press coverage, but there is definitely reason for her acclaim as an actress. The situation her character goes through is so surreal and the film captures it perfectly. It gives you chills from the second Christine is given this pretender to raise and rarely lets up. And if for one moment you tell yourself "It's just a movie" as I tried to, this s*** actually happened. Characters were composited or changed, a disclaimer at the end states, but the events were the same.

An odd praise goes out to Jason Butler Harner, who plays Gordon Northcott, a kidnapper and murderer of many children. He has played one of the monsters of everyone's nightmares to perfection. Also of note is Jeffrey Donovan for his portrayal of J. J. Jones, corruption personified. Jones is a man able to whisk people away to asylums with no need of warrants. Scary indeed.

Changeling shares a theme with several of Clint Eastwood's other films. Unforgiven and Flags of Our Fathers come most readily to mind. His lesson concerns truth and lies, and exposing the hypocrisy of falsehoods for want of the truth. The truth is rarely pretty, but generally preferable to lies, and will often come to surface, if given enough time. I doubt I will watch this struggle for truth for a long time to come (it's not one for casual viewing), but it's a very good film.

A-

Watching this film is like taking a look back in time. Everything is picture perfect, the beautiful automobiles, the red electric street cars, the telephones, the switchboard station with roller-skating supervisors, the house appliances, and the outstanding clothing, from dresses to hats to police uniforms, everything is meticulously detailed. The story, which we are told is true, is complex and multifaceted. Angelina Jolie, who plays Christine Collins, gives an outstanding performance as a single mother who returns home from work to find that her son is missing. This puts into motion a series of events that exposes the reality of what Los Angeles society was really like in the late 1920's. Corrupt Police, uncaring and self absorbed mental health professionals and the basic premise that people left to their own ambitions will do anything to secure their own prosperity. Although this paints a bleak picture of the human condition, the film show that the actions of a few good men can make a world of difference, John Malkovich as Reverend Gustav Briegleb, is determined to expose the corrupt Police in his radio talk show, Michael Kelly as detective Lester Ybarra, although hampered by his superiors, uncovers what really happened to the boy and the unlikely hero, a powerful attorney who takes her case pro-bono comes to her rescue. If indeed this is a true story, then to see these people stand up to the powers that be is a ray of hope to all of us that there were people who were strong and principled. We can only hope that there are still people like that out there today.