Hak kuen

Wu Jing is Kong Ko, a Chinese kung fu champion in Hong Kong briefly for a theatrical performance. He is approached by some influential figures in the underground fighting league who recognise his potential but turns them down as he has honourable intentions and wants to be "the next Jet Li" without resorting to illegal or underhand means. However, the intoxicating Siu Tin (Miki Yeung) convinces him to take part, and a delicately nuanced and tense action thriller/romance ensues. Kong is an honourable and respectful fighter, and is taught to be more brutal and ruthless by the brilliant and thrifty Captain (Ronald Cheng) as his tactics can only get him so far. To the end however he remains true to his principles, no matter how far he strays from his path. An action packed, moving and in places, beautiful and well characterised Hong Kong thriller. Definitely worth a watch.

I give it a 10.It's a movie full of soul.It starts pretty funny, gets into serious talking.But the ending and the characters make everything possible.It's about life, it's about priorities, it's about the human soul.If the soul is too damaged it will never survive happier times, it will crumble under it's own weight.Gives perspective on life....most people won't understand or appreciate it. The actors are playing a serious and simple act, they don't have fancy words or eccentric habits. The scenes are pretty simple and focus on the characters. I would not miss this movie if i like to see the unseen. The main characters are like children, they are in a pure form of existence, they are mortals, they are human.

Hmm, the synopsis listed on this page made me wonder if I'd seen a different film.

Jacky Wu plays a kung fu champion whose skills are apparently performance only (i.e. all technical with zero combat experience), yet when he feels pressured by the girl wooing him to provide, he goes against his moral code of using his skills for violence to compete in an illegal street fight. Naturally, one easy win tempts another fight, for more money, and so, things quickly descend...

On the surface this is an above-average film (thanks to Jacky Wu's typically excellent fight scenes), but by the time the final credits roll, the subtleties of the way the characters acted and said certain things becomes clear and it's this aspect which lifts the script from something very enjoyable to something brilliant. Others may (quite foolishly) refer to all this as superfluous, or insult the writer for adding unnecessary dramatic elements, but for me, this screenplay involved more psychology than 90% of drama... and they're as boring as hell too!

In terms of action or great fight sequences this may not be Jacky Wu's best film, however, in terms of depth and entertainment, it rates up there with the best flicks released in the same year, all genres, all nations. My only problem was that a K1 fighter would very doubtfully engage in such a showy form and would be hardly likely to use kung fu techniques at all (karate, kickboxing or muay Thai would have been expected).

A good film well worth watching with a lot more to it than I've bothered to brush upon here. I'm personally now looking out for more Ronald Cheng (Captain) flicks as his acting and martial arts skills were impressive.

Wu Jing equals Jet Li, well not - just yet…

After last year's scene stealing performance as an assassin in the now acclaimed – Sha Po Long, Wu Jing is now the tiny territory's lone martial arts future. His skills and fluency are second to none and his reputation of training in the same school as Jet Li only furthers this compliment. With that being said, Wu Jing still have miles to go, before he should even be compared to the later superstar, as his acting is still stiff and lack any sort of emotional impact. Sure, his death stare role in SPL can do wonders, but this is a leading role that we are talking about and as likable as Wu Jing is, he does not have the on-screen presence of Jet Li – just yet. Luckily, whatever acting talents that Wu lacks, is duly compensated, by the comic presence of everyone's love and hate – Ronald Cheng and the increasing cuteness of his fellow female co-stars in Miki and Theresa. There are definitely moments of exceptionally well choreographed fight sequences that will make you – wow and wah, but ultimately the movie fails to connect as director Dennis Law resorts to a cliché filled end. Just like, most HK movies, it just doesn't finish off with a bang! The movie goes like this: Wu Jing plays a Peking opera actor and former national martial-art champion, who makes a short visit to Hong Kong and is lured to join in the underground boxing ring. While winning matches one after the other, he is also sinking deeper and deeper into the dangerous game.

Director Dennis Law is a strange newcomer, as he ventures into two completely different genres of film making one being Love @ First Note and the other being this one. The former one is obviously a sweet romantic comedy, about two not so-good-looking guy and girl - somehow getting together and somehow fitting a couple of promotional music video for Justin Lo, but here, Law moves to action and in displaying action, he is not afraid to show the full brutality of the punches and that alone is a success. There is potential in this lad, and hopefully, Law will be given more opportunities and freedom which can only head one direction - as he will only get better.

Fatal Contact isn't just a film about underground fighting, but Law attempts to show the darkness of the business and the fact that no matter whom you are, you are never in control of yourself. Winning might win you money, but the moment you enter into this black fist underworld, there is only one way out – death. It might seem a rather simple message, but at the very least it seems more realistic then most of the romantic comedies these days. There is a scene where Wu Jing was fighting Andy On, in a fight that almost met his death. It is this very moment that Wu Jing has transformed into a monster – no longer human and no longer humane. By entering this world, Wu have not only betrayed himself physically, but mentally and internally. Basically, Law is trying to say two words – dead end.

Having impressed Neo immensely in b420, Miki is a more than capable actress, and here, she is both convincing yet unconvincing, but that's partly for the director to be blamed. She engages the audience well in her scenes with Wu Jing, and even overshadowing his mainlander speaking canto accent. There are times where you feel you understand her character and then it all go downhill and eventually a forced resolution where the director preferred to take the route frequently taken. Ronald Cheng is funny and likable, but is wasted in a supporting that can be played by almost everybody and most notably Chapman To. You either love him or hate him, but here you just want to see more of him and his comic antics. Theresa appears here and there as a "chicken" and further emphasizing the darkness of the underworld.

All in all, Fatal Contact is a brutal, realistic and fluent fighting sequence and combines well with the deep yet simple message about the downfall of humanity and that anyone can be corrupted. However, like many other HK movies before him, director Dennis Law fails big time, by going the route of the clichés and the processes is destroying a movie that could have offered so much more. With that being said, both Law and Wu are still young and fresh talents and both have moments of greatness within the flick, even if it is not wholly consistent. Still, this is a credible effort and fights sequences that stand well alongside Sha Po Long and heck this isn't a bad movie after all. Let's hope that this movie will be remembered as the one that launched Wu Jing into a Jet Li and Dennis Law into a Corey Yuen – well at least we can hope… (Neo 2006)

I rate it 7.5/10

• www.thehkneo.com

The real reason anyone will see fatal contact is for the action. With that in mind, you may have to forgive a little bit of the jumpy and clichéd story telling.

The action sequences are frequent, and well choreographed. It's an interesting combination of brutal and flashy. Wu Jing will throw several jumping multi-kicks, but because the general rhythm of the fights are captured well, it doesn't look too far fetched. The choreographers throw in some pretty believable elements in the competition fights. You may see the fighters just hop around a it to psych each other out, and you'll notice, the more brutal the fights get, the less visible these sportsman like elements become. It's pretty interesting. There's no wirework and very little, if any, video speed up that is flamboyant in some HK movies.

Wu Jing really struts his stuff in this movie. I would say in general, he's very similar to jet li. He has this strange brutalness that jet li embodies in his roles with a modern setting. He looks wild, but clean at the same time. Wu Jing is younger, more vibrant, and he even has more flare than Jet Li. An actor like Donnie Yen has a different kind of appeal, but because Jet Li is getting old, and probably no longer doing action movies anymore, Wu Jing would make a superb replacement.

The story has almost no introduction, no time to familiarize a little with the characters, and the actual revelations about the characters are sporratic and placed in seemingly random places. It has a terrible and nonsensical love story, which luckily, isn't the focus. The whole setup is pretty nonsensical as well. Some guys walk into an opera performance, and somehow recognize skill in a performer. They ask him to fight underground for them, and they offer a lot of money. Of course, a lowly wushu performer is poor, and he eventually decides he neeeds the money. The setup is all a little fantastical to me, especially with the realistic setting. I feel it would be more at home in an aime than a live action movie with a modern day setting. It helped a lot to almost imagine Fatal Contact taking place in some alternate universe where the underground fighting scene is big money, and the scouters are like pimps. A world where performers are poor, but incredibly talented fighters. It's almost romantic if you think of it that way. So the setting is bearable and kinda interesting if you give it some of your imagination, but the story is still hampered by tons of cheesy dialogue and that oh so corny romance.

It's all about the action though, and that totally does not fail to disappoint. My favorite action movie in recent times is Sha Po Lang. The stories in both are at least a little cliché, but SPL had the cleaner, less sporratic story telling. It also had cinematography of a higher quality than Fatal Contact. Still though, Wu Jing and his action co-stars drive a really tough bargain. His moves are cleaner, flashier, and he's more vibrant than Donnie Yen. I almost can't decide of Fatal Contact trumps SPL or not.