Planet of the Spiders: Part Two

I should think Panda Three does need assistance.

Lupton is now under the influence of the visitor from Metebelis III, and manages to steal the blue crystal away from The Doctor.

I'm afraid I have to disagree with the other reviewer who said that the car chases were excellent, personally I thought the whole episode was padded out beyond belief, apart from Lupton stealing the crystal, literally nothing else happens.

This whole episode was designed for Pertwee to have a bit of fun, a la James Bond it's full of car chases and action scenes, as far as content is concerned, best of luck finding any.

I think Sarah Jane really had made her mark this series, her performance throughout has been wonderful, they made great use of her character here.

Planet of The Spiders as I remember it is a real mix of great and poor, Part two is very poor, it's just a reminder that so often, six part stories would have worked much better if they'd have been cut down to four.

Shocking I'm afraid to say, 4/10.

Review of all 6 episodes:

This may not be the very best of the Pertwee era but it is an excellent story and a fitting finale for the Third incarnation of The Doctor. It is exciting, beautifully scripted by Robert Sloman (+Barry Letts) and well acted with poignant final scenes for Pertwee saying a sad farewell before regenerating into Tom Baker's 4th Doctor.

The story involves Mike Yates, convalescing in a Buddhist retreat and finding some of the others there are seemingly attempting to gain dangerous mental powers. He calls Sarah Jane in to help investigate. Meanwhile The Doctor and the Brigadier are investigating a psychic whose powers are beyond his own understanding and this power combines badly with the crystal from Metebelis 3 which The Doctor shows him after it is returned to him by former companion Jo Grant. This psychic event causes a link to be made by huge, psychically powerful spiders on Metebelis 3 with the men in the Buddhist retreat. A spider joins with the leader of the group Lupton and causes him to steal the crystal.

The first episode has great dialogue and a very interesting set up. The second episode is very entertaining and continues just as strongly with lovely exchanges between Pertwee, Nicholas Courtney and John Levene plus the wonderful Lis Sladen. There is thoughtful drama and great humour. Halfway through the second episode changes pace with a huge, slightly pointless but action packed chase sequence on numerous forms of transport. This is great fun if a little gratuitous. The only real flaw for me in the opening 2 parts is that they have a striking coincidence that the different strands of the story happen to link up - Mike happening to be at the very place that people become psychically linked to Metebelis 3 seeking the Doctor's crystal. But this is a common storytelling feature and not a big criticism at all. The humour, action and drama is great.

The third and fourth episodes continue with the entertaining drama, excellence in script and great acting from the regular cast. They are only held back a little by the humans - '2 legs' - on Metebelis 3 who are a bit disappointing compared to the whole rest of the production which is superb. The spiders are not really ground breaking but are scary, pretty effective for the time and well voiced, making them great monsters.

Episode 5 builds in quality with striking scenes where Pertwee acts intense fear and dread as he confronts the 'Great One' and delightful scenes with the character Kan-Po Rimpoche, The Doctor's former mentor who is brilliantly portrayed and a fascinating addition to the series lore. Episode 6 is superb and brings a tremendous climax to the story as well as a wonderful, moving end for Pertwee's Doctor. There are numerous powerful scenes in this final part and the script is excellent.

Benton, the Brig, Sarah Jane and Mike are all on top form. Best of all, Pertwee is tremendous in his final story and especially his final couple of episodes. The character portrayal with him realising he has let his quest for knowledge cause death and danger is fabulous and more clever and subtle than the efforts to show 'the dark side' of the Doctor by Stephen Moffatt in the modern era.

A great send off for the Third Doctor and an excellent addition to the series as a whole.

My ratings: Parts 1 & 2 - 9/10, Parts 3 & 4 - 8.5/10, Part 5 - 9/10, Part 6 - 10/10. Overall 9/10.

Season 11 was a fantastic season, my second favourite Pertwee season after Season 7 and one of the top 10 seasons ever in my opinion. Terrance Dicks and Barry Letts had done a terrific job running the show throughout the Pertwee era, maintaining consistent high standards. Pertwee himself was a marvelous Doctor who still remains one of the best to many of us.

My Season 11 Average Rating - 8.9/10

My Pertwee era average rating - 8.82/10.

This episode is overall good and contains much of the goodness typifying the Pertwee Period of Dr Who...if you like Pertwee, Sarah Jane, Brig. Lethbridge-Stewart, Sgt. Benton, and the daffy cleverness of the vintage years for this show, you will likely enjoy this episode.

The standout feature for this chapter however, is an extended vehicular chase sequence which begins when a villain steals the Whomobile, and involves the Doctor's yellow Ford ('Bessie') and eventually involves a motorboat, a hovercraft, and an autogyro (some call it a gyroplane, but autogyro is a better term) similar to the Little Nellie flown by 007 in 'You Only Live Twice.' To anyone how has seen more than 3 episodes of this series, this episode is simply astounding due to budgetary reasons. For the crew to have gone on location long enough to shoot the required footage, to have fueled and operated the various vehicles shown in operation as well as the vehicles which had to become air and water borne to film the sequence, must have consumed more financial resources than were used in all of the 12 previous years of production. I tell you, it was a simply jaw-dropping experience for me.

Especially since, upon reflection, the sequence does almost nothing to advance the plot.

My best guess is that this sequence was created with the intent of impressing potential foreign broadcasters of this series, because in the 1970's, this series was eventually syndicated in various foreign markets, including USA. Car chases were HUGE in US TV during this era.

Whatever the reason, this is a very unusual episode, and for curiosity value alone it is worth viewing.