Avaliações do Metacritic

The early, explosively funny skits and a loose, engagingly adventurous spirit are enough to ensure this uneven but often delightful project the cult fame that accompanies pretty much everything associated with Stella mainstay Wain.

Second feature from duo David Wain and Ken Marino of comedy group the State is, like their "Wet Hot American Summer," uneven but often hilarious.

More often than not, you'll laugh, and that's all you can hope for in what might as well be a prolonged episode of "The State," from which several of the cast and creators sprang.

Let's talk about Paul Rudd. I think he may be in every film in 2007 and that's okay by me, because Paul Rudd has become an acting Man-God.

An uneven, sophomoric and only fitfully funny omnibus of skits, The Ten is one of those silly-on-purpose ensemble exercises that must have been wildly fun to make.

As sketch comedy, The Ten often is imaginative and sometimes hilarious...Still, like precursors from "The Groove Tube" to "Jackass," it doesn't make for much of a movie.

The Ten is so proud of its own wit and irreverence that when you fail to be equally impressed, you are likely to wonder if your own sense of humor is, in some way, deficient. Rest assured it is not.

The funniest and arguably most envelope-pushing episode stars Winona Ryder as a newlywed who falls in love on her honeymoon - and steals the object of her lust: a ventriloquist's dummy.

David Wain, director of "Wet Hot American Summer," brings his popular brand of surrealist yet mundane humor to the big screen with more or less dreadful results.

The Ten changes tone every few minutes, ranging from lowbrow gross-out gags to elevated language to a big, sloppy musical number.