O Último Espírito

This is a good film to watch. Although it has the low-budget feeling, it promotes a good message. It passes a good message, and shows a twist on traditional practices. Not your average movie, that contains sex or gore. The slow developing plot took a little bit to even figure out what the movie was about. The accents are a little off, i agree to that. But who honestly knows what the accents where back then. When everyone was moving west, it was a major culture collision. The only thing I would have changed was a more developing plot towards the ending. "The Dark Secret," didn't even come into play till the last minutes. No reference point what-so-ever to what it was actually was.

This is a film that requires some willing suspension of disbelief, since its makers seem possibly to be prey to the fallacy that it enough that Christian art be Christian. Which is not to say that they didn't get most of it right, just that their missteps are so avoidable. Fortunately, most (like the young star's unbelievably sumptuous wardrobe) weren't major distractions for me. But the crudeness of the special effects scenes (which, thankfully, are brief) did disrupt my experience, as I wondered, "What were they thinking that this looked right to them?"

Most of the cast does a truly fine job, with all the central characters (the Forbes family and Fagan Kai) getting moving, heartfelt and convincing performances from their players. There's a relationship here between quantity of screen time and quality, so the minor characters remain pretty two-dimensional, though not distractingly so.

The cinematography (except for special effects, as noted) is beautiful and effective, and successfully evokes the feeling of confining, dense Appalachian woods and isolation.

Bottom line: despite its minor shortcomings, this is an effective, affecting, non-preachy and original retelling of one of the central concepts of Christianity.

I saw a pre-screening for "The Last Sin Easter" land it is a wonderful movie. The location was beautiful and the acting was outstanding – especially by Liana Liberato as well as Soren Fulton. Liana was amazing as Cadi Forbes. Other standouts: Stewart Finlay-McLennan was excellent and brought a lot of energy and ferocity to his role as the tyrant of the cove, Brogan Kai, and Henry Thomas was very good as the kind, sympathetic Man of God. Actually, all the actors did a very nice job. Plus, Brian Bird did a phenomenal job of orchestrating the essential, intricate plot and back-stories of the book into a movie script. The directing was good as well.

A book character, Cadi's brother, was left out completely and the emphasis on the other "bad" Kai boys was also left out too but it is understandable that it was necessary in order to give more time to the main characters and their actions. The identity of Miz Elda (Louise Fletcher) and her relationship to Iona Kai and her friendship with Granny Forbes was not brought to light either but it wasn't necessary to understand that each child, Cadi and Fagan, had a trusting friendship with this woman. Gervase O'Dara's character was not as prominent as in the book, but, again a necessary omission for the time constraints of a movie. Therefore, I feel those out there who, like me, read and enjoyed the book, will not be disappointed at all (as sometimes happens with books being made into movies) because, as stated before, Brian Bird did an outstanding job of conveying the most important aspects and scenes of the book into the movie script. I highly recommend this movie, as it is certainly complementary of the book.

Not to give away the ending but things were only very slightly changed from what I recall of the book and not quite as harsh. I liked the ending a lot but would have enjoyed a little longer monologue from Cadi telling us more of what happened to the cove and some of the people, but it still tied things together very nicely and was beautifully done.

Although the movie does not leave you cheering, laughing or weeping it does have you leaving the theater very hopeful and satisfied as well as a bit contemplative. Jesus is given credit for being the true, original sin eater yet, for non-Christians, the movie is not preachy. It is a lovely movie and would be a good addition, when it comes out on DVD, to anyone's home library. Congratulations to all those who were involved from the grippers, make-up artists, drivers, and the other crewmembers to the cast, writers, producers and director.

This movie had very good elements, a grieving family, a community secret, dark undertones, a message of hope.....but it was all destroyed by the editing. While this movie was being filmed, the emotions were palpable on the set; the hair on the back of my neck stood up many times. Unfortunately, the director was so concerned about not showing any violence on screen, that all the passion was edited out.

Mr. Landon edited the most emotional scenes like it was an MTV video. He did not allow many of the camera shots to stay with one character for more than 2 seconds. This created very choppy scenes and disconnected his audience from the story. Mr. Landon did allow the scenic shots to pan, and zoom in (they were beautiful shots due to the DP), but we could have done with shorter scenic shots and longer camera time during the emotional scenes.

The three most disappointing scenes were Brogan Kai choking Caddie, the Sin Eater taking Caddie's sins away, and the Indian Massacre scenes. When these were being filmed, many of the crew had tears in their eyes. You could have heard a pin drop, no one was breathing. These were intense, emotional scenes, and Mr. Landon edited them down to very bad, home movie play-acting.

It is ashame, because Mr. Landon directed this film very nicely, and the original camera shots stayed on the actors for a much longer time. Mr. Landon should not have been allowed in the editing room.

First off the budget is small so be kind. Its a pretty solid story although it probably could have been fleshed out and feels a little disjointed in places. It is still a solid film and an excellent addition for fans of Christian films, unlike many Christian films it does not whitewash its message.

The best part of the film is the performance of Peter Wingfield as the Sin Eater. While he is almost a minor character as far as screen time his performance makes the film. His voice is so sorrowful in his scenes (he is hidden for the majority of the movie) that you could just sob for him. His pathos is spot on. He is not overly dramatic but succeeds in selling the believability of the film.