AVALIAÇÃO DA IMDb
5,7/10
2,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaIn seeking her own redemption from the man of whom she is most afraid, ten-year-old Cadi Forbes discovers a secret sin haunting her community of Welsh immigrants in 1850s Appalachia.In seeking her own redemption from the man of whom she is most afraid, ten-year-old Cadi Forbes discovers a secret sin haunting her community of Welsh immigrants in 1850s Appalachia.In seeking her own redemption from the man of whom she is most afraid, ten-year-old Cadi Forbes discovers a secret sin haunting her community of Welsh immigrants in 1850s Appalachia.
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I saw a pre-screening for "The Last Sin Easter" land it is a wonderful movie. The location was beautiful and the acting was outstanding especially by Liana Liberato as well as Soren Fulton. Liana was amazing as Cadi Forbes. Other standouts: Stewart Finlay-McLennan was excellent and brought a lot of energy and ferocity to his role as the tyrant of the cove, Brogan Kai, and Henry Thomas was very good as the kind, sympathetic Man of God. Actually, all the actors did a very nice job. Plus, Brian Bird did a phenomenal job of orchestrating the essential, intricate plot and back-stories of the book into a movie script. The directing was good as well.
A book character, Cadi's brother, was left out completely and the emphasis on the other "bad" Kai boys was also left out too but it is understandable that it was necessary in order to give more time to the main characters and their actions. The identity of Miz Elda (Louise Fletcher) and her relationship to Iona Kai and her friendship with Granny Forbes was not brought to light either but it wasn't necessary to understand that each child, Cadi and Fagan, had a trusting friendship with this woman. Gervase O'Dara's character was not as prominent as in the book, but, again a necessary omission for the time constraints of a movie. Therefore, I feel those out there who, like me, read and enjoyed the book, will not be disappointed at all (as sometimes happens with books being made into movies) because, as stated before, Brian Bird did an outstanding job of conveying the most important aspects and scenes of the book into the movie script. I highly recommend this movie, as it is certainly complementary of the book.
Not to give away the ending but things were only very slightly changed from what I recall of the book and not quite as harsh. I liked the ending a lot but would have enjoyed a little longer monologue from Cadi telling us more of what happened to the cove and some of the people, but it still tied things together very nicely and was beautifully done.
Although the movie does not leave you cheering, laughing or weeping it does have you leaving the theater very hopeful and satisfied as well as a bit contemplative. Jesus is given credit for being the true, original sin eater yet, for non-Christians, the movie is not preachy. It is a lovely movie and would be a good addition, when it comes out on DVD, to anyone's home library. Congratulations to all those who were involved from the grippers, make-up artists, drivers, and the other crewmembers to the cast, writers, producers and director.
A book character, Cadi's brother, was left out completely and the emphasis on the other "bad" Kai boys was also left out too but it is understandable that it was necessary in order to give more time to the main characters and their actions. The identity of Miz Elda (Louise Fletcher) and her relationship to Iona Kai and her friendship with Granny Forbes was not brought to light either but it wasn't necessary to understand that each child, Cadi and Fagan, had a trusting friendship with this woman. Gervase O'Dara's character was not as prominent as in the book, but, again a necessary omission for the time constraints of a movie. Therefore, I feel those out there who, like me, read and enjoyed the book, will not be disappointed at all (as sometimes happens with books being made into movies) because, as stated before, Brian Bird did an outstanding job of conveying the most important aspects and scenes of the book into the movie script. I highly recommend this movie, as it is certainly complementary of the book.
Not to give away the ending but things were only very slightly changed from what I recall of the book and not quite as harsh. I liked the ending a lot but would have enjoyed a little longer monologue from Cadi telling us more of what happened to the cove and some of the people, but it still tied things together very nicely and was beautifully done.
Although the movie does not leave you cheering, laughing or weeping it does have you leaving the theater very hopeful and satisfied as well as a bit contemplative. Jesus is given credit for being the true, original sin eater yet, for non-Christians, the movie is not preachy. It is a lovely movie and would be a good addition, when it comes out on DVD, to anyone's home library. Congratulations to all those who were involved from the grippers, make-up artists, drivers, and the other crewmembers to the cast, writers, producers and director.
This movie had very good elements, a grieving family, a community secret, dark undertones, a message of hope.....but it was all destroyed by the editing. While this movie was being filmed, the emotions were palpable on the set; the hair on the back of my neck stood up many times. Unfortunately, the director was so concerned about not showing any violence on screen, that all the passion was edited out.
Mr. Landon edited the most emotional scenes like it was an MTV video. He did not allow many of the camera shots to stay with one character for more than 2 seconds. This created very choppy scenes and disconnected his audience from the story. Mr. Landon did allow the scenic shots to pan, and zoom in (they were beautiful shots due to the DP), but we could have done with shorter scenic shots and longer camera time during the emotional scenes.
The three most disappointing scenes were Brogan Kai choking Caddie, the Sin Eater taking Caddie's sins away, and the Indian Massacre scenes. When these were being filmed, many of the crew had tears in their eyes. You could have heard a pin drop, no one was breathing. These were intense, emotional scenes, and Mr. Landon edited them down to very bad, home movie play-acting.
It is ashame, because Mr. Landon directed this film very nicely, and the original camera shots stayed on the actors for a much longer time. Mr. Landon should not have been allowed in the editing room.
Mr. Landon edited the most emotional scenes like it was an MTV video. He did not allow many of the camera shots to stay with one character for more than 2 seconds. This created very choppy scenes and disconnected his audience from the story. Mr. Landon did allow the scenic shots to pan, and zoom in (they were beautiful shots due to the DP), but we could have done with shorter scenic shots and longer camera time during the emotional scenes.
The three most disappointing scenes were Brogan Kai choking Caddie, the Sin Eater taking Caddie's sins away, and the Indian Massacre scenes. When these were being filmed, many of the crew had tears in their eyes. You could have heard a pin drop, no one was breathing. These were intense, emotional scenes, and Mr. Landon edited them down to very bad, home movie play-acting.
It is ashame, because Mr. Landon directed this film very nicely, and the original camera shots stayed on the actors for a much longer time. Mr. Landon should not have been allowed in the editing room.
This is a good film to watch. Although it has the low-budget feeling, it promotes a good message. It passes a good message, and shows a twist on traditional practices. Not your average movie, that contains sex or gore. The slow developing plot took a little bit to even figure out what the movie was about. The accents are a little off, i agree to that. But who honestly knows what the accents where back then. When everyone was moving west, it was a major culture collision. The only thing I would have changed was a more developing plot towards the ending. "The Dark Secret," didn't even come into play till the last minutes. No reference point what-so-ever to what it was actually was.
According to ancient Celtic tradition, a "sin eater" is a person chosen by lottery to take the transgressions of others onto his soul so that the newly deceased can pass over to the great-beyond free of the stain of iniquity.
"The Last Sin Eater," the latest offering from FoxFaith Films (the branch of Twentieth Century Fox Studios that specializes in Christian-friendly movie-making) is a well-meaning but leaden and strangely eclectic work, sort of "The Village" meets "The Old Time Gospel Hour" meets "Little House on the Prairie" (no surprise in this last one, since the movie was directed and co-written by Michael Landon Jr.). Cali Forbes is a sweet-natured young girl, growing up in early 19th Century Appalachia, who believes that a mysterious hooded hermit - the local "sin-eater" - will be able to take away the guilt she feels over "causing" the death of her little sister in a river accident. She spends most of the movie seeking him out, much to the consternation of her parents and the myriad "colorful" folk who inhabit their little cove. However, it isn't until Cali encounters a wandering preacher (played by E.T.'s now-grownup buddy, Henry Thomas) that she learns who the "true" sin-eater really is (though one wonders how anyone in this particular time and place can be as woefully ignorant about the gospel as the people here seem to be).
Although the first half of the movie achieves a certain portentous creepiness in its tone and atmosphere, once the evangelist shows up, the movie devolves into an overwrought melodrama, marked by stilted dialogue, holier-than-thou speechifying and heavy-handed sentimentality. The acting, even on the part of Thomas and Louise Fletcher, is generally amateurish and wooden, although young Liana Liberato as Cali has a natural dignity and poise that work well on screen. And, oh yes, the scenery is eye-popping and gorgeous.
Based on the novel by Francine Rivers, "The Last Sin Eater" clearly has its heart in the right place, but good intentions alone can't make it a satisfying movie.
"The Last Sin Eater," the latest offering from FoxFaith Films (the branch of Twentieth Century Fox Studios that specializes in Christian-friendly movie-making) is a well-meaning but leaden and strangely eclectic work, sort of "The Village" meets "The Old Time Gospel Hour" meets "Little House on the Prairie" (no surprise in this last one, since the movie was directed and co-written by Michael Landon Jr.). Cali Forbes is a sweet-natured young girl, growing up in early 19th Century Appalachia, who believes that a mysterious hooded hermit - the local "sin-eater" - will be able to take away the guilt she feels over "causing" the death of her little sister in a river accident. She spends most of the movie seeking him out, much to the consternation of her parents and the myriad "colorful" folk who inhabit their little cove. However, it isn't until Cali encounters a wandering preacher (played by E.T.'s now-grownup buddy, Henry Thomas) that she learns who the "true" sin-eater really is (though one wonders how anyone in this particular time and place can be as woefully ignorant about the gospel as the people here seem to be).
Although the first half of the movie achieves a certain portentous creepiness in its tone and atmosphere, once the evangelist shows up, the movie devolves into an overwrought melodrama, marked by stilted dialogue, holier-than-thou speechifying and heavy-handed sentimentality. The acting, even on the part of Thomas and Louise Fletcher, is generally amateurish and wooden, although young Liana Liberato as Cali has a natural dignity and poise that work well on screen. And, oh yes, the scenery is eye-popping and gorgeous.
Based on the novel by Francine Rivers, "The Last Sin Eater" clearly has its heart in the right place, but good intentions alone can't make it a satisfying movie.
Let me start off by saying I am not a Christian (I DO believe in God but I'm afraid that doesn't make me a Christian) - and to answer your question: YES, this is a *Christian* movie, with a very clear message, but I won't spoil the plot for you.
The story in a nutshell is the awakening of a Welsh community in early America, coming to terms with their dark history, seen through the eyes of a ten year old child.
There are flaws. It's based on a novel, so the director had to make difficult choices to narrow down the plot for screen time. The editing wasn't good and led to some incoherency and superficial plot holes. The story sometimes wasn't going anywhere, and the 'horror' scenes best could've been left out, they seem out of place. Special effects looked cheap. Last and least: the accents. They should've invested a bit more in accent training because this sounded like a far fetched (teethless) dialect..
But there's some good performances to be admired. First of all, I tip my hat for Liana Liberato. What a great actress at such a young age. Secondly Soren Fulton did a great job and there was lots of chemistry between him and Liana. And what about Louise Fletcher?! Excellent. The actress who once played the horrid nurse Pratched (One Flew Over the Cuckoo's Nest).. she performed wonderfully and was brilliantly cast.
So let's see what we have here. If you take all these things into account and you're not scared off by evangelism - not bad for a Sunday afternoon.
The story in a nutshell is the awakening of a Welsh community in early America, coming to terms with their dark history, seen through the eyes of a ten year old child.
There are flaws. It's based on a novel, so the director had to make difficult choices to narrow down the plot for screen time. The editing wasn't good and led to some incoherency and superficial plot holes. The story sometimes wasn't going anywhere, and the 'horror' scenes best could've been left out, they seem out of place. Special effects looked cheap. Last and least: the accents. They should've invested a bit more in accent training because this sounded like a far fetched (teethless) dialect..
But there's some good performances to be admired. First of all, I tip my hat for Liana Liberato. What a great actress at such a young age. Secondly Soren Fulton did a great job and there was lots of chemistry between him and Liana. And what about Louise Fletcher?! Excellent. The actress who once played the horrid nurse Pratched (One Flew Over the Cuckoo's Nest).. she performed wonderfully and was brilliantly cast.
So let's see what we have here. If you take all these things into account and you're not scared off by evangelism - not bad for a Sunday afternoon.
Você sabia?
- CuriosidadesLiana Liberato's debut.
- Erros de gravaçãoContrary to what is shown with the immigrant Welsh as superstitious pagans, the Welsh of the early 1800s had a strong Christian background, with the Church of England and an early Methodist movement being the most common denominations. Christianity, the bible, and Jesus would have been well known to anyone from Wales.
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- How long is The Last Sin Eater?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 2.200.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 388.390
- Fim de semana de estreia nos EUA e Canadá
- US$ 245.000
- 11 de fev. de 2007
- Faturamento bruto mundial
- US$ 388.390
- Tempo de duração1 hora 57 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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