Death Note: O Último Nome

Death Note 2 is a brilliantly done movie. It's the thriller that other movies wish they could grow up to be. I can't think of any major flaw with it. The acting was good, unlike some other Japanese movies which have good plots or ideas which are watered down by poor acting or special effects. It did feel quite stretched out though, it's more than 2 hours long. But that only made the plot that much more twisting and kept the audience guessing. There were some scenes that were a tad clichéd, but it lacked the predictable plot twist that we're so accustomed to in so many Hollywood flicks. The pace was brilliant and kept the movie fresh.Even though it was longer than 2 hours I barely felt it. It's a very entertaining and carefully thought out movie. The director did not screw it up by trying to outdo the anime or manga, and it didn't go up its own butt with social commentary. It was immensely thrilling, engaging and fiendishly clever. A very good movie from Japan, especially after years of poorly made horror films trying to ride on The Ring's success.

After first film's unexpected finale, this one continues adopting the manga storyline while adding some minor original twists, leading to a completely changed and, in my opinion, improved ending.

Although bad visual effects and mediocre acting might turn some people off. If you can look past that, and if you weren't satisfied with the original manga ending, this might be just what you are looking for.

A little long, but the ending to this movie was definitely better than the ending in the anime.

Death Note II picks up right where the first installment left off, with Light and L locked together in partnership. Only a new notebook and shinigami appears, bringing Kira II into the equation, complicating matters for Light while providing him with a means to overcome L.

This film betters the first film by offering more twists and superior plotting. Erika Toda as Misa Amane nails the shallow pop idol role, while providing ample comic fodder to divert us from the mind games. Shunji Fujimura as Watari ups his game here. Light has to face the consequences of his actions and the questionable nature of some of his choices. Ken'ichi Matsuyama shines again as the idiosyncratic L. There are more laughs, more questions, more surprises, and a satisfying climax this time round. No one in their right mind will watch this before watching the first, and if you liked the first you'll want to watch this. Rest assured, it does not disappoint.

The second part of the "Death Note" movie series, "the Last Name" starts from where the first one ended. Yagami Light, who uses God of Death's notebook, the Death Note, to kill criminals has joined the team of his father, Inspector Yagami, and the world's greatest detective, L, to capture Kira. Light, who is Kira, is motivated by his need to discover L's true name, so he can get rid of the detective. Meanwhile L is certain that Light is Kira, but without evidence he can't do anything but wait and see. As if things aren't bad enough, a Second Kira appears out of nowhere, to help Kira. Second Kira is Amane Misa, a rising idol, who worships Kira and has her own Death Note. Things move to their conclusion.

"Death Note: the Last Name" is a great improvement when compared to the first movie. Where first film was still somewhat slow and uncertain, the second part keeps the viewer interested its whole length: nearly two and half hours! The second part is also more faithful to the original manga than the first one. Greatest difference would be removing the character of Higuchi and replacing him with Takada, who in manga didn't appear until much later. The second movie is also the concluding one, which might be confusing since both movies together only tell the first half of the manga events. Still the finale has been cleverly turned faithful to manga, and I personally like it even better than manga ending.

I already commented the performances of Tatsuya Fujiwara(Light), Ken'ichi Matsuyama(L) and Takeshi Kaga(Inspector Yagami) in my review of first "Death Note" movie, so I'll just comment the new parties here. Erika Toda surprised me with her role as Misa. Although, like many other manga fans, I too would have wanted to see blonde Misa, the hair colour was the only complain I could come up with. Her Misa is naive but not as annoyingly air headed as in the manga, but actually makes her a believable. Nana Katase makes an okay role as an ambitious Takada, although I feel she could have done better.

The complains are the same as previous: the minor characters of police investigators are left in the background and the Death Gods look ridiculous, but this time the dynamic moving of the story saves a lot.

What can I say? A definitive improvement to the first film and a great ending to the story.