O Poder de Alguns

I have to admit the title along with the super short description of the story here on IMDb had me fooled big time, but on the other hand, what to Think when you add Christian Slater to the Word "crime"? Usually it means not so good, but watchable.

Plot: Well, there is no plot. This Movie is a Grand Canyon (1991) kind of Movie or why not say Pulp Fiction which has no real storyline either. However, you might say the Movie is ABOUT moral, ethics, good versus evil set in a run down neighborhood with cops searching for terrorists, kids trying to do what is right and normal folks going about their Daily business. all done in Tarantino, Rodriguez and Mcdonagh style.

The best part is the scene with the girl talking about biting the inside of your cheek, it reminds me of the Jake Gyllenhaal character talking about smurfs in Donnie Darko - although not as good. And it is Always a pleasure watching Anthony Anderson and Christpoher Walken. Last Words: like I said, the title fooled me, but it is a good and clever one, you'll see!!

I'll give 6 out of 10, it is good but it lacks that real cleverness, intrigue, good casting and a deeper story.

"Have you ever bit the inside of your cheek?" A stolen religious artifact, a baby who needs medicine, a delivery driver who meets a man on the run from a gang, two agents looking for someone and two homeless men all become connected in one tragic event. This is the kind of movie where a series of events connect groups of people that otherwise have nothing in common. This one event is shown from everyone's point of view and how one person can change everything. I love movies like this. Movies that show the same event from many different perspectives. No movie has done it better then Rashomon but there have been many attempts since then. Most recently movies like Crash, 11:14 and Vantage Point have all used this style of filmmaking. I have enjoyed all those movies and I enjoyed this one as well. The only problem I had with this one is that some of the stories went on a little long and started to slow the movie down, but overall the movie was enjoyable and really keeps you watching and sucked in. Overall, a fun movie done in a type of style that I really love, which may skew my opinion but I think it's very much worth watching. I give it a B.

This has just become one of my favorite all-time movies, and I have seen almost ALL of them.

I may not opt to repeat-watch this the way I do, say, "Gravity", but I highly recommend this to people who appreciate a story that examines the moments in real life under a microscope, with a bit of romantic license thrown in to keep it interesting.

After all, what is this life all about, if not a series of decisive moments, with lessons learned, replays of how it might have been, and the deep regret that we didn't always learn the lessons quite soon enough.

This movie poses the question of what an alternative life could be like if we simply practiced personal "Acts of Random Kindness" ("ARK", ala "Evan Almighty"), in the humanistic sense. In other words, should we react to situations with our brain stems (sense) or our higher intelligence (sensibility).

Wikipedia Definition: SENSIBILITY - Sensibility refers to an acute perception of or responsiveness toward something, such as the emotions of another.

BStabile

This is a twist on the multiple interlocking stories that you've seen many, many times before, but this time it IS different. The first hour is pretty traditional, with only the vaguest hint of what is to come. I stayed with it because of the quality of the actors – Christopher Walken, Christian Slater, Anthony Anderson, Navid Negahban (Abu Nazir on "Homeland"), Moon Bloodgood (Anne on "Falling Skies"), Jordan Prentice ("In Bruges"), Derek Richardson (Nolan in "Anger Management"), etc. Normally you can't get such a good ensemble with an ordinary fare.

Writer-Director-Producer Leone Marucci uses some good visual techniques although he is a little heavy handed on the musical score, and sometimes just too shocking in some of the physical scenes. At times it has a film school look, but the marvelous detailing in the interlocking elements, slowly and surely revealed as the film goes along, compensates for the lesser moments.

This is a film you may find disappointing at first, but stay with it right up until the end. It will cause no more pain.

The power of few is such a strange bird of a film, and as a very experienced movie watcher, I from the start felt this was different. There's so many of the usual and ordinary ways of making a film, that one often tend to get bored, or rather, is less impressed about. We've seen it all before, you could say.

However, this is a fresh breeze of a film. The film is full of little tricks and strange ways of doing things. Fresh takes, you could say, being in the wrong place. The idea of this film is things happening seen from different persons view or angles, happening just after 2 p.m. one hot afternoon in a gritty, crime ridden part if New Orleans. The film soon reveals this, but still it keeps the tension, though it starts over and over with the same time frame seen again from a different viewpoint.

It is easy to hate some of this as well, because things which happens here is the quite opposite of what you want. I can't tell more without revealing major story telling points, so I will not.

There's a bunch if great actors here, and the two biggest stars, Christopher Walken and Christian Slater are not doing the best job here. The best acting is done by one of the minor roles and the third segment of this film is letting the rest of the film down, like Devon Gearhart and Tione Johnson.

The instruction of the actors are not anything compared to the start. It looks like the actors was acting in another type of film, less serious than what the others are doing. Such a pity, but I think that this is due to different actors being able to be filming at different times, so that the feeling the actors have is different from the whole. The film also take a funnier twist than it should, according to the start. However, if you see through this, which I chose to do, due to the great start, the film is still good.

What I really love here is the cutting and editing. It's different and very interesting. The storytelling is superb. It reminds me of "Lola rennt" ("Run Lola run") by Tom Tykwer, which I loved when I saw it in the cinema back In 1998. Or you could see resemblance with great films like "Sliding doors" or "Mr. Nobody". The camera movements and the music is stylish. Many will be expecting more from the end, but I liked it.

I would recommend this to film lovers which wants something quite different from the ordinary. Storytelling, takes, techniques and originality makes this a gem! A cult movie, no doubt!