A Pequena Vendedora de Fósforos

I first saw this film streamed on youtube.com and had no idea that it was a Disney short. Sure it had Disney's beautifully fluid animation (in 2D no doubt, just like old times), but unlike Disney of late, it told a deeply emotional tale with inventive visuals and no compromises in its themes. Its based on the Hans Christian Anderson fable of a small Russian girl selling matchsticks on a harsh winter's evening, when no one seems to care less. Alone and without shelter, she rides out the night lighting her matchsticks for warmth in a street corner, allowing herself to be transported to hospitable, warmer places of fantasy.

By the end, i was deeply moved by what i'd seen, but as the credits rolled, i was astonished; directed by Roger Allers; executive produced by Roy E. Disney?! Who would've thought that the company currently responsible for such tat as "The Wild" and "Chicken Little" are still capable of such profound work as this? I thought that this kind of animation only existed in Japan. Apparently, Disney is still alive somewhere under all that commercialism. In a western culture that thrives on bland, generic animated comedies (fot the most part), in short and feature length, seeing this, and from the company that seems to have finally submitted its guard to that culture, is a breath of fresh air (to use a well worn cliché).

Get "The Little Mermaid" Platinum DVD release and give it a glimpse, the only place your likely to see this in an acceptable format. This is an improvement from Disney, hands down, not just on their most recent stuff, but from all their modern works. While the majority of the 90's showcased impressive and at times classic examples of Disney's animated division working at their best, no other film from their modern catalogue tackles such real ventures in human desperation and suffering. True, this is mostly due to the source text. But several of Disney's other adaptations of literature containing disturbing and tragic content have all but washed out those elements, so while the result was still universally great entertainment in an innocent way, it definitely missed out on the more emotionally rich possibilities that Japanese animation mines frequently, and Disney itself used to acquire from time to time in their earlier classics (Dumbo and Pinocchio to name a few). Not so here, Disney seems to have acknowledged this revelation from the east. In fact "The Little Matchgirl" is actually comparable to the profoundly depressing Studio Ghibli war time anime, Isao Takahata's "Grave of the Fireflies", in its sophistication, while also remaining fairly inexplicit to appeal to all but the youngest audience. Stuff like this has very rarely found its way into western animation, and pretty much never in the ones released as mainstream features. This may be only a short, but if Disney can somehow stick to this path of much more sophisticated and imaginative movie-making and implant that thinking into their feature output, we may well see their next Golden Age in animation sooner than planned. Fingers crossed.

One of the saddest cinematic displays I have ever seen. It is 2D rendered 3D animation overlaid with traditional illustrations as well. The animation is well done and coordinates well with the score. The film is very short, 11 min or so, but it is a simple plot with only one main character (the match girl), and by the end of the picture you are totally engaged in the girls plight. H.C. Anderson had a way with human despair, and this film captures that nature without one word uttered. I recommend this film despite its graphic illustration of society's malevolence and disregard. To be honest I have never read the original Anderson story, but it seems to have a similar tone to his other works (not the Disney adaptations).

A little girl, living in Russia in the winter, has a few matches to sell. She is shunned by all who see her. They have no empathy. Finally, she finds a corner between some buildings. She begins to strike the matches. As each one burns, she experiences (in her mind) all the things that she doesn't have: heat, food, safety, and love. There is that same ending that we have come to know.

it is one of films who are not defined but story - well - known - but for art to translate in image a classic text. the science to present new nuances for Andersen story . and, in that case, the job is remarkable.for the grace of details, for the smart solutions, for the lovely animation, for the blue and white and gray, for the magic and for the last images. a film like an embroidery. delicate, simple, touching, honest and hard careful work. the little girl is different by the original character but the new details are beautiful homage to the author. a lovely short film.useful for the remember of childhood emotions.

I never read the original story, so I had no idea what this was about. Needless to say by the end of the short (which is about 6 minutes) I was felt a heaviness in my chest an my eyes were teary. Mind you, I'm an action/horror movie guy - I don't emote much. :-) THIS is the full potential of what animation can do - even without any words spoken. The expressions and fluidness of the characters simply would not emote the same way if it was CGI and as this was the final hand drawn 2d work by Disney's studio it looks to be their final true masterpiece.

Its BURIED in the Platinum edition of the Little Mermaid DVD, be sure to find it on the 2nd disk Why a person would tell this story to their child is really beyond me.