Os Fragmentos de Tracey

This is an odd film. I like it, and still I can't think of it as a masterpiece.

At first glance, the picture may seem annoyingly pretentious due to its very original picture composition.

And in some ways it IS annoying. But the amazing thing is: it works pretty well. It really does compose the delicate, mysterious tune, which is the nerve of this fine movie.

Some people might think that The Tracey Fragments would benefit from a more explicit epic narrative. But the artistic mist is also the movie's strength, and I certainly did enjoy this mystery. So, give it a chance even if you're a bit amazed by all the flashing frames. It's actually possible to follow the storyline, even if the intentional non-clarity of this flick is not mastered completely.

Having said all that: Ellen Page as Tracey is a very very good choice!

The Tracey Fragments is a wonderful movie which everyone should all see for the experience. Most of the movie is split between three or more different camera angles. This allows the viewer to watch the movie in many different perspectives. Where this can be confusing at times, I found it wonderful and unique! I had such a blast watching this movie and trying to see every frame at least once.

The beginning of the movie will leave your head spinning for a good 20-30 minutes. Picture an empty time-line and as the movie progresses, you get to know a little from the beginning, a little from the end, a little of the middle, and repeat it until the movie finishes. It's bizarre but an experience.

One great portion of the film are the little scenes when you get dumped into Tracey's fantasy world. Sometimes you can tell it's a fantasy and sometimes you cannot. However, this then leads the viewer to wonder if future scenes are real or just a fantasy.

The highlight of the film, in my opinion, is Tracey's 'back of the bus' confessions. Throughout the movie, Tracey will pop in the movie, dressed in a shower curtain, and give a little hint or just some insight into her somewhat confused mind. It gives you a short break from the non-linear chaos of the film and sometimes will give you a chuckle.

All in all, Ellen Page yet again shows how great of an actor she really is. Her acting in this movie blows Hard Candy and Juno out of the water! The movie is all about her and I don't believe that there isn't a scene without her. I find this great because you can truly focus on the main character and her story, rather than any subplots or supporting character development. The Tracey Fragments is a must see film!!

This is my first review ever on IMDb - and iv been here since it started. But after seeing this film yesterday i just had to leave my comments.

This movie isn't for everyone. A lot of people will actually hate it - dismiss it to the garbage cage in a heartbeat...but for those who truly enjoy the art of movies, this is a gold piece.

At first i didn't think this movies was going to be anything else then just another "split screen" movie... but as we soon realize, this is so much more, and its brilliant executed. As the main character (excellent performance from Ellen page there) gets more and more emotions, they are presented to us in a way of past, present, future and fantasy - all in different small squares on the screens. It made at least me really feel all her struggling with being a teenager who hasn't found her place yet.

Thumbs up for this - it should be a must see, in ever movie class there are - for its visual.

If it's true, as Marshall McLuhan has suggested, that the medium is indeed the message, then "The Tracey Fragments" proves that theory in spades. This highly idiosyncratic work has as its focal point "Tracey Berkowitz - 15 - just another girl who hates herself" - a description that comes straight from the mouth of Ms. Berkowitz herself. Tracey is a deeply unhappy youngster who hates her (admittedly horrible) parents, is terrorized by all the "cool" kids in school for insufficient mammary-gland development, spends most of her nights riding the subway, hooks up with a psychotic lowlife who turns out to be a drug dealer, and searches for her little brother whom she's hypnotized into thinking he's a dog and who goes missing by a frozen river when she's supposed to be watching out for him. To help mitigate her misery, Tracey also dreams of having a relationship with a brooding "emo" bad boy at school and fantasizes that she is a famous, universally worshipped rock star.

But it is not Tracey's story that is of primary interest here; rather it's the cut-and-paste film-making style director Bruce McDonald has employed to create a sense of fragmentation and dislocation in the viewer - intended, obviously, to mirror the highly chaotic and disordered nature of Tracey's world and life. With rare exceptions, the screen is occupied by as few as two and as many as a dozen shots at a time, often portraying the same sequence from slightly different angles or at slightly different moments in time, or portraying thematically related scenes simultaneously. The question inevitably arises, is the approach effective in what it's trying to accomplish or does it serve as a distancing device for those of us who are trying to enter into Tracey's mind and world. I imagine that different viewers will come to varying verdicts on that point.

Personally, I appreciate what McDonald is trying to do here more than I admire it. "The Tracey Fragments," which Maureen Medved has adapted from her own novel, offers many probing insights into the subject of teenage angst, particularly as regards the tremendous pressure modern young people are put under to "measure up" and conform to some arbitrarily agreed-upon social standard. And "Juno"'s Ellen Page gives a stunning performance as the young woman caught in an ever-tightening web of self-hatred (this is, in many ways, the darker side of "Juno," and Page is much less mannered in this role).

But, frankly, the movie probably would have been more moving and involving without all the migraine-inducing imagery which succeeds mainly in throwing us out of the story. In fact, there is only one scene in which the split screen technique actually serves a narrative purpose - and that is when Tracey is hiding behind a curtain while her drug-dealer friend is being savagely beaten by the irate boss to whom he owes money. Most of the rest of the time, the approach feels more like a gimmick designed to separate this film from the rest of the "distressed-teen indie" pack than an artistically viable choice in its own right.

Still, if you can get past all the artiness and visual distraction, you might just find in "The Tracey Fragments" a thoughtful, sensitive and ineffably sad glimpse into a young woman's heart.

Tracey Berkowitz is a 15y.o. girl on a night bus, covered by a curtain shower, talking directly to you - nonsense. He memory is fragmented, chaotic, fancy, and on a loop. She has left home, is looking for her missing little brother Sonny and is in trouble.

We are drawn into Tracey's chaotic mind and soul, but also towards her path of growth from child to woman, from fairy-tale worlds to harsh reality and acceptance of the self. This is a very interesting story about a teenager that is not pretty, cleaver or happy. Although this is a movie about teenagers, there is nothing sweet about it, as presents very hard topics: rape, bullying, loneliness, lack of self-esteem, confused self-image, delusional thoughts, insecurity, and mental trouble.

Tracey's memory fragments and thoughts appear in mini-screens within the screen and on split-screen images, which show different angles of the same scene or different scenes altogether. The non-linear narrative is very challenging. Pay extra attention to the first 15-20 minutes of the film, because they are the most difficult and the ones that really give clues to understand many of the things that happen later on.

The film is more complex, visually, at the beginning, when Tracey's mind and emotions are more confused, and becomes simpler and more linear at the same pace that Tracey's mind clears, to be completely linear at the end, when she accepts herself and the events related to Sonny. In other words, Tracey's troubled mind and emotions are directly linked to the way the movie is visually organized. The movie is also full of symbolic psychoanalytical elements, from the gender of Tracey's psychiatrist and the settings in which the consultation happens, to the appearance of different animals (a crow, a horse, and "a dog"), to the way the scenes have been patched and shown to the viewer.

Ellen Page is fantastic, despite the dramatic demands of her character. She was 20 when the film was shot, but she is believable as a 15y.o. girl. That's not only her physique, is the great actress she is. The rest of the cast are OK in their respective roles: Ari Cohen and Erin McMurtry as Mr & Mrs Berkowitz; Zie Souwand as sweet Sonny; Toronto Songwriter and performer Slim Twigg as jerk Billy Zero, Julain Richings as Dr Heker, among others.

A few important flaws ruined what could have been a great movie. The main idea is brilliant but, since we get mostly Tracey's subjective approach to reality, the rest of the characters are somewhat pointless and can't be trusted by the viewer; in fact they are just hinted. I did not like the end, not the way it ended, but how the end was presented and how we get there - what triggers Tracey's epiphany? That is so because the mood of the movie and, most importantly, its tempo were not the right ones.

This is one of those movies that are a challenge for the viewers, that need of their full awareness and attention, that have a difficult knot to untie, but also one of those movies that can be interpreted in different ways and make your brain produce sparks. One of those movies that you get or you don't, nothing in between. To me, one of those movies that, the more I think about it, the more I want to watch again.

Are you ready for it?