Day Break

Hard to find title but well worth looking for. Interesting and captivating story and characters even without the time-looping. If you like Russian Doll you should definitely give Day Break a chance.

A good, complex conspiracy at a steady high pace.

It's a shame, but I understand why it was taken of the air after just 6 episodes. It's simply too complex to be "mainstream easy entertainment". Too many leads and entanglements. But when that's said… it's a really good show. I actually had not expected it to be worth watching, but I just had to see what came next and how they would get out of this one. The many angles on the case are brilliant. You very often ask yourself "what would have happened if this and that". Here you actually get the answer to those questions. Well acted on all parts, doesn't make it worse that Moon Bloodgood plays the part as the girlfriend. Loved it. … but kind of hard to make a new season :-)

I found myself engrossed for the whole of the premiere episode, although I had at first been daunted by its 81 minutes.

Although the theme of the repeating day has been done before, I don't agree that this show will become repetitive. I think that there are enough threads to follow to keep it interesting for at least a whole season. The three days in the pilot were all radically different, even though the lead character, Detective Brett Hopper changed only a few decisions in the morning.

I think part of the appeal is the interaction with the audience. Because we kind of know what the story is, we urge Hopper along in the right directions to solve the mystery of his framing. Its like one of those books where you choose your own adventure and there are multiple endings.

There is also an element of the macabre. *How* is it possible that the day repeats itself over and over again? That is a meta-mystery, that lies above the obvious mystery of the murder.

All in all, I think this is an exciting new show, and I cannot wait to see how it plays out.

"Decisions... consequences"

Perhaps one the jewels in modern TV viewing experience. Day Break has all of the elements to create a cult-like following and it is savvy. As the season (episodes) progress, Day Break exceeds it stereotype genre (Groundhog's Day, Deja Vu, Memento, The Time Machine, Pulp Fiction et al) by evolving through all of its similarities of the aforementioned action- thrillers. Essentially, Brett Hopper, played brilliantly by Taye Diggs, coalesces into all of the central heroic characters of these action dramas,thereby embodying there strengths and vulnerabilities as he attempts to manipulate his micro-environment; ultimately resulting in a dynamic varied sequences of consequential events that re-animate the plot and the rising action/conflict. There can be very convincing arguments that the dynamically evolving plot becomes worthy of an 'Odyssey' with the familiarly essential themes of LOVE, Vengefulness, Sorrow, & Hope. Day Break cannot be viewed or taken casually, as it require the viewer to pay attention to nuances and details otherwise taken completely for granted by very common-like formulaic genre driven TV shows; which in my opinion constitutes at least 85% of TV programming - exception being cable. Perhaps one of the cable networks will place 'correct' value of this brilliant show and continue to produce it into a second season. Lastly, I find that neither Americal Idol, Prison Break, or 24 could ever achieve what Day-Break has in just 13 episodes.

I thought ABC's programming strategy with Lost this year was brilliant: bunch up the first-run episodes into two batches and commission a one-shot limited series to fill in the gap. Just something that you could enjoy while Lost was on hiatus, a pleasing diversion that had a definite end. Apparently Day Break just couldn't pull the numbers ABC was looking for, though, and not all of the series aired. Fortunately, the network posted the rest of the episodes online.

It's a shame more people won't get to see this; it was good. Not by any means "the best show on television" but well worth watching. Diggs is appealing as Hopper, and the supporting actors, particularly Bloodgood and Baldwin, are solid too. The plot has enough twists and turns to keep even the most careful watcher guessing. Some of it doesn't actually make much sense -- in some episodes, Hopper is off doing things that won't actually stop some of the other bad things in his day from happening, but they somehow don't happen. (Creative license.) Still, unlike Lost, it all actually concludes neatly and satisfyingly.

This kind of show is actually the kind of thing that British television does well. Hardly any British dramas have more than 13 episodes a season, and many come to a definite end after only a season or two. (Example: The second season of Life On Mars is the last.) I think the smaller number of episodes allows for better writing -- Ron Moore of Battlestar Galactica has expressed similar concerns. (Which is probably why Season 4 of Galactica was originally slated to be 13 episodes. Sci-Fi apparently dangled enough of a carrot to get him to agree to 22, though.)

The Brits do it largely because they don't have the budget the American networks do. But I'd completely support any American network that wanted to schedule two 13-episode shows in place of a single 22-episode show. It divides neatly into the calendar year (you get to run each series twice in its entirety, so viewers can catch shows they missed the first time) and gives the viewer a new series to look forward to on a regular basis. At the same time, the network's financial commitment for each individual show is lower, so they're not betting the farm on 22 episodes of one show.

Of course, if they're not willing to do that, ABC's approach is a good compromise. I hope ABC does not let their disappointment with Day Break's ratings scare them away from repeating this scheduling gambit next year with a different show.