Expresso Transiberiano

I had heard little about this film before watching it, apart from the cast that included the wonderful Ben Kingsley as well as Emily Mortimer and Woody Harrelson. Who each added a great depth to their respective characters making for compelling viewing. The blend of great actors and natural dialogue makes for an emotive and visceral experience.

Brad Anderson has made a well paced thriller that explores the vast emptiness and deprived parts of Russia, and at the same time in contrast capturing the beautiful scenic landscape, as the characters delve deeper into the twisting roads of the narrative. Other than The Machinist (2004) I was unfamiliar with his work but will probably lookout for upcoming features as he has shown great competency in both the writing and direction of this film. Balancing the dramatic aspects of the narrative with the overall film.

The most important thing to note is that it is an independently produced film, which means it is free from the constraints of the mainstream but unfortunately this may mean that it falls through the net as independent films are often unable to compete with the marketing capacity of studio productions. As a result this film will probably not receive a nation wide release across UK cinemas, which is a shame.

This film is great watch with a solid narrative structure and with honest performances from all actors involved, hopefully you'll find Transsiberian a worthwhile watch as I did.

A thriller on the Trans-Siberian railway is not an everyday film premise and that is in part what makes "Transsiberian" interesting. It's not typical in any way unless you count the connection between murder and trains. That, and its cast is quality without seeking out big- hitting names and its director, Brad Anderson ("The Machinist") is a fairly understated one. The story of a married couple onboard the railway and encountering something over their heads is not full of devious twists and turns, but it's attention-getting.

Emily Mortimer and Woody Harrleson star as two married travelers who after going to China to do volunteer work through their church, decide to travel through Russia by train to make their trip a bid more adventurous. After all, we wouldn't have much of a film without them deciding to take the train. On board, they meet Carlos and Abby, a young couple whom they bond with, but who appear more and more suspicious as the film inches toward its first big event.

Not much more can be said without giving away large chunks of the suspenseful elements of the film. It's not bland, but the intrigue of this film is summed up into just a handful of moments. Ben Kingsley, however, has a dynamite supporting role as a Russian homicide/narcotics detective. His performance is crucial to the movie's entertainment value.

I would suspect a lot of people would be less than enamored with "Transsiberian" because it floats between suspenseful thriller and a drama about keeping secrets, telling lies and guilt. It's not pure entertainment, nor is profound with regards to the human condition. Expectation for one or the other is a recipe for not having much of a feeling about this film.

I, however, found the subtlety of Anderson's film a delightful change of pace and the characters played by Mortimer and Harrelson (and the performances they give) easy to sympathize with and unique. Anderson doesn't use any familiar clichés in creating suspense with his film. It just builds toward its few moments and with the help of what I felt was an equally effective score from Spanish composer Alfonso Vilallonga. "Transsiberian" is effective in rhythm and mood, not in plot twists and profundity.

~Steven C

Visit my site at http://moviemusereviews.com

As far as setting and scenery this is a 10. As far as woody's and ben kingsley acting its a 10. Where I feel let down, and I may be a harsh critic but so be it: i think the story is weak. don't get me wrong i was compelled to continue watching because of the suspense and some twists and turns...but when its all said and done i felt like it was pointless...just nothing special, somewhat empty.

Brad Anderson is probably the best unknown director working today. He's the independent Christopher Nolan, often making character-driven, psychologically complex flicks that transcend the trappings of their respective genres. In the past he has successfully combined elements from time-travel thrillers and romantic comedies in 2000's "Happy Accidents", delivered a taut "Shining"-esque thriller in 2001's "Session 9" and then provided a stirring Hitchcock homage with 2004's "The Machinist" (which also featured a gonzo performance from Christian Bale). With "Transsiberian" Anderson attempts to breath life back into the often forgotten train-based thriller. Like those three earlier films, "Transsiberian" was made on the cheap, yet still manages to feature great camera-work and well known faces headlining the cast. In terms of the logistics of the location shooting in Lithuania (doubling as Siberia), this arrives as Anderson's most accomplished film from a technical standpoint.

The story starts off with an American couple (a goofy Woody Harrelson and a criminally underrated Emily Mortimer) returning from missionary work in China by route of the famous Transsiberian railroad. Once on board the train, they befriend a young couple (Kata Mara and Eduardo Noriega) who claim to be student-teachers returning from Japan but might be hiding something sinister. The screenplay does a good job of building up to "something" and developing the characters, especially Mortimer's Jessie, delving into her past with expository dialog that makes you care about where these characters are headed and think deeply about their motives. Without giving away too much of the film, entanglements ensue as a drug smuggling operation comes to light, and in steps Ben Kingsley (excellent as a Russian bruiser) as a narcotics detective with a special interest in the case.

There is a point, however, where (pardon the pun) the screenplay derails, and despite some unexpected twists, there never seems to be that big payoff. The film keeps the viewer on their toes with a bizarre turn of events at an abandoned church and a shockingly grim torture scene, but the psychological ramifications of these events are never probed as deeply as they could've been. The seductively cute Mortimer gives a nervy, complex, and excellent performance as Jessie, keeping the viewer invested in her character and what could happen to her even as the screenplay goes all over the map with her development. Woody Harrelson's performance is more of a conundrum as he seems to be playing a book-smart version of his moronic character from "Cheers". He makes you laugh during some of the more ridiculous scenes as the plot holes get deeper, and whether that was intentional or not to break the tension or gloss over the leaps of logic is never clear.

"Transsiberian" should please those looking for something different from your run-of-the-mill Hollywood thriller. Though the screenplay initially gives us characters that feel like real people, the mechanics of the convoluted plot spoil the potential of that development. However, the film still offers up an exotic locale, solid direction, and interesting performances, which makes it easy to recommend.

If you believe Americans deserve a happy ending because even if they're stupid, they're true believers, and they're on the right side of moral values-- then you can stomach the twists and turns of the plot. After all, it started off with potential. It's got honest-to-goodness Russian scenery on a real Russian train. Yes, there probably is international narcobusiness on the Transsiberian, corrupt police, rude conductors. But it's all a bit over the top.

There are very good actors. Ben Kingsley is above reproach. Woody Harrelson is right on target as an oafish Iowan abroad. But why would his wife spill out her story to a stranger on a train if it were not that the screenplay needed enough back-story for an implausible relationship? And isn't it suspicious that the Spanish hunk is the evil tempter, ergo the only character responsible for his misdeeds? And violent torture is the specialty of the Russian mob, so even when they realize they're dealing with mere dupes, they must literally extract their pound of flesh?