Robert Langdon, o simbólogo de Harvard, trabalha com um físico nuclear para resolver um assassinato e impedir um ato terrorista contra o Vaticano durante um dos eventos significativos dentro... Ler tudoRobert Langdon, o simbólogo de Harvard, trabalha com um físico nuclear para resolver um assassinato e impedir um ato terrorista contra o Vaticano durante um dos eventos significativos dentro da igreja.Robert Langdon, o simbólogo de Harvard, trabalha com um físico nuclear para resolver um assassinato e impedir um ato terrorista contra o Vaticano durante um dos eventos significativos dentro da igreja.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 5 indicações no total
- Cardinal Baggia
- (as Marco Fiorini)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The story: Tom Hanks plays symbologist Robert Langdon. He has to solve a murder and at the same time, prevent a terrorist act against the Vatican. This time, he has Vittoria Vetra (Ayelet Zurer) to help him solve the mystery. The mystery plot and intense peril scenes kept me on the seat. Hans Zimmer's beautiful score makes the movie more epic. The adventure is an intense ride but not as intense as I thought. The sets are amazing too.
Overall: Fans of the book will flock the cinemas to catch this. Fans of the previous movie, Da Vinci Code, should also catch this. Those who like thrillers, this one may suit. This is supposed to be a fictional thriller which is not to be taken seriously.
The movie however was pretty much what i expected, a lot of action, with somewhat of a mystery storyline. Tom Hanks plays, in my opinion, a much better role, of Professor Langdon than in The Da Vinci Code.
You won't have to worry about this being as bad as The Da Vinci Code, this is everything that it wasn't. Much more interesting, more action, more suspense, and less of the unneeded controversy. If you haven't read the book, no worries you will still find it very interesting. And if you have read the book, well lets say you might be a little let down because I found many scenes missing that I was looking forward to.
Overall, Pretty impressive film for any everyday movie goer. But, maybe not something too special for Dan Brown fans.
There are some things in the book that would appear very implausible in the movie form. I am not giving any spoilers, except to say the ending of the movie is handled in a slightly different way. How Leonardo Vetra was found is also different. Those who see the movie might be interested in reading the book to get the full details of the story. Some minor details are are also cut from the movie.
Although they did film in Rome, they had to recreate interior shots. Since I went on a walking tour of Rome the day before the movie I can say that the interior sites are authentic in look and feel. Kohler is not in the movie and not much is shown about CERN. Hanks does a good job and there are some interesting scenes involving the Vatican archives. Of course they had no access to that area and I am not sure if anyone actually knows what the Vatican archives look like. Eyelet Zurer has her break in this movie as Victoria Vetra and does a good job as eye candy for Hanks.
This movie should be received better by the critics and public, but you never know. Ron Howard mentioned several times in interviews and as we saw him and the cast before the movie, that this is just a movie.
The Da Vinci Code broke records in 2006 but for the vast majority of Dan Brown followers it did not do his award winning book justice and though running at a good 2 and a half hours, seemed to bore many.
Having read the book, I was perhaps one of the few who enjoyed Tom Hanks and Audrey Tautou attempt to solve the mystery of the murder in the Louvre but for Angels and Demons the scales were raised once more as lead star and director return.
Having asked around, most people seem to prefer Angels and Demons to The Da Vinci code for an entertaining read and it seems as critiques and fans, whilst still not fully justified, prefer this latest adaptation to the 2006 release.
This Howard picture certainly has a more clinical energy and exercise to it as unlike Da Vinci, Tom Hanks' Robert Langdon has only one night to solve the mysterious activities of the forgotten Illuminati in the Vatican and because of the time limitations, the action and desperation up the ante and deliver an excitement that certainly beats The Da Vinci code but also generates plenty of twists and stunning murder sequences.
The interesting factor of this 2009 release is the constant elements being justified for the murders. Earth, wind, water and fire are all included in drastic and powerful sequences to pronounce a feeling of overall power to the situation.
This really does justify the tag of thriller with a constant tension and sharp drama with the issues and beliefs once more given a full working over.
Just like 3 years ago, there are many debates and discoveries of symbols once believed to be lost forever and Langdon is again the key character to show everyone the light in and amongst the controversy of other pressing circumstances.
It is fair to say Dan Brown is a complex writer; he certainly likes to cram issues and dramas in amongst his action and thrilling sequences. As well as trying to discover the Illuminati, there is also the scenario of the election of a new pope, the dealings with a new scientific experiment and the power of Religion is again present. All interesting to discover and listen to, if occasionally the debates and dialogue tend to send your mind drifting but as there is so much in the novel, this was always likely.
Ron Howard, who kept a frankly ordinary type of direction rolling in Da Vinci, returns in perhaps the worst way possible. His jerky ever moving camera styling does nothing to keep the pressure up, and we can never fully accept what is happening on screen thanks to this frankly awfully portrayed style. He is certainly no Paul Greengrass and this is by no means Bourne.
Slick and stylized this is faster and more interesting than Da Vinci
What I really liked about this movie was that even though it is obviously fictitious, they leave enough real history to make it seem very believable. If there is one thing that I didn't like about this movie, it is that the plot itself is very unbelievable (don't want to give any spoilers). But hey, it's a movie. I was entertained throughout the whole thing and was very satisfied with what I saw.
Você sabia?
- CuriosidadesCrew members visited Vatican City as tourists and extensively photographed the city to capture as much detail as possible, knowing they were unlikely to be allowed to film there, so that they could recreate the sets as faithfully as possible.
- Erros de gravação(at around 1h 5 mins) When Langdon is in the Vatican library, he passes the book he is reading over to Chartrand and asks him to look for any reference to fire. Chartrand glances at the book and mentions the word "seraphim". Directly above this is a far stronger reference to fire, "di fuoco", which actually is Italian for fire.
- Citações
Camerlengo Patrick McKenna: Christianity's most sacred codices are in that archive. Given your recent... entanglement with the Church, there is a question I'd like to ask you first here in-in the office of His Holiness.
[Walks towards Robert Langdon]
Camerlengo Patrick McKenna: Do you believe in God, sir?
Robert Langdon: [pause] Father, I simply believe that religion...
Camerlengo Patrick McKenna: I did not ask if you believe what man says about God. I asked if you believe in God.
Robert Langdon: [pause] I'm an academic. My mind tells me I will never... understand God.
Camerlengo Patrick McKenna: And your heart?
Robert Langdon: [pause] Tells me I'm not meant to. Faith is a gift... that I have yet to receive.
Camerlengo Patrick McKenna: [pauses to consider his words] Be delicate with our treasures.
- Cenas durante ou pós-créditosAt the very beginning, when the Columbia girl is standing holding aloft the torch, it flickers like the anti-matter.
- Versões alternativasThe UK release was cut, this film was originally shown to the BBFC in an unfinished version. The BBFC advised the distributor that the film was likely to receive a 15 classification but that the requested 12A classification could be obtained by making reductions in four scenes. In particular the BBFC suggested that sight of blood splattering onto a character's face, sight of a character screaming in pain as he burns, sight of a wound being injected and sight of a character self-immolating and burning should all be reduced. When the finished version of the film was submitted, all these reductions had been made satisfactorily and the film was classified 12A.
- ConexõesEdited into Yoostar 2: In the Movies (2011)
- Trilhas sonorasGregorian Chant: Requiem Aeternam-Introitus (VI)
from "Liturgia Defunctorum, Missae Pro Defunctis"
Traditional
Performed by Schola of the Hofburgkapelle, Vienna
Hubert Dopf S.J.
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises
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Detalhes
- Data de lançamento
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- Também conhecido como
- Ángeles y demonios
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 150.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 133.375.846
- Fim de semana de estreia nos EUA e Canadá
- US$ 46.204.168
- 17 de mai. de 2009
- Faturamento bruto mundial
- US$ 485.930.816
- Tempo de duração
- 2 h 18 min(138 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1