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It's hard for me to precisely categorize this movie. Drama? Sure. Thriller? For sure. Horror? Mmm, I don't think so. It's funny, because it's hard not to label the movie horror, seeing as how it deals with a grotesque infection, that spreads worldwide terror and brings civilization to its knees. However, the infected aren't the antagonists here. Once you've been infected, you're basically already dead.

Ultimately I thoroughly enjoyed the movie. After reading other comments here, it seems the general consensus is that the pace is too sluggish. I'd have to agree that it was a long 90 minutes, but as someone who is prone to falling asleep during movies, especially after an 8 hour shift, my interest was effortlessly sustained throughout the movie.

The production values here are top notch. I was never bothered by bad acting (or at least too bad). The cast fit my tastes, maybe only falling short with Piper Perabo, but that would only be nit-picking. The photography wasn't jaw-dropping, or even slightly innovative, but it was still more than adequate.

What actually impressed me most was the writing. There are some real gems in there, but mentioning them would be spoiling some great scenes. I seemed to sense some anti-religious or religious undertones, however I honestly can't decide which. I suppose that's what I liked so much about it, the morality was left quite vague.

Anyway, a solid effort. It's possibly lacking some more gore, and action, but that also could have just made it tasteless. I would recommend this to anyone who's a fan of biological horror, but I'd say ultimately you should see it for the story, and not the action.

The movie revolves around the fate of 4 unpleasant millennials mid-way through an apocalypse caused by a gruesome virus. They've instituted rules that are meant to keep them from getting infected. Some of these seem rational, like "disinfect stuff touched by decaying people."

Too bad they didn't include rules like "let's avoid acting like the cast of Jackass." I don't want to spoil their clever pranks, so I'll compare them to the geniuses who tried to drive blindfolded using only the GPS, like Sandra Bullock in Birdbox.

There are predictable lessons about karma, a few mild jump scares, and plenty of times to take bathroom breaks.

But still very good. Chris Pine (you might have seen him in a little movie called "Star Trek" by J.J. Abrams) & Piper Perabo star in a very low key Horror movie, that doesn't even try to make you believe it has any big action scenes in it. It's more about the characters and how they react to certain situations.

Quite a few people were appalled by the fact, that there is not that much happening in the movie, but I liked it, because it was slow moving, because it took it's sweet time. Another criticism is that the movie is predictable. Again it's not so much about where it's going, but how it gets there (the "road" so to speak, even literally in this case).

While the premise of this movie is very relevant to the current state of the world, (Covid-19)the actions by the major players is at best lame and often reaches the point of stupid. An extremely deadly virus has been unleashed on the world and it is almost universally fatal. Two young men and two young women are in a car traveling to a seaside resort where the two boys spent a considerable amount of time in their youth. It takes a bit of time before these facts are clear to the viewer. The four of them have masks and a lot of bleach and are very cautious about contact with anything that could possible be contagious. At first, they seem very knowledgeable about their situation and what they need to do to survive. The two men are brothers, but the exact situation regarding the two women is unclear. It does not take long before the intelligence declines and the stupidity rises. When their car is irretrievably broken, the older brother (the leader) takes out his pistol and does some target practice on a political campaign sign. No one with any real sense of their situation would have wasted precious ammunition like that. Some of their actions appear incredibly foolish once it becomes clear just how deadly the virus is. They arrive at a Center for Disease Control base only to find little more than death and a sense of futility. Almost no one is left alive. Yet, they engage in absurd behaviors where they could suffer broken bones or be in an auto accident. As disaster movies based on a virulence go, this one had a lot of potential, but it is hard to take a movie based on such actions in response seriously.

The key, unequivocal problem with the Pastor Brothers film 'Carriers' is that it just doesn't go anywhere: it begins, eighty minutes go by, and then the credits roll. The narrative just trudges along from start to finish without further challenging the audience or without placing further emphasis on the dramatic choices at hand. Which is disappointing as this film had a lot of unearthed potential that would have certainly set it apart from simply being 'just another zombie/pandemic' film. Instead, it is unfortunately, just another viral pandemic flick.

Brian (Chris Pine), his brother Danny (Lou Pucci) and their two female friends Bobby (Piper Perabo) and Kate (Emily VanCamp) are your four typical just-out-of-college kids who are on the road to nowhere, literally. After a viral outbreak incapacitates almost the entire population of the United States and potentially the world, they decide to hit the road and hopefully find somewhere to stay or somebody to engage with who is free of the virus.

'Carriers' would be more aptly placed in the drama genre than the horror or thriller section of the local video store as nothing as note actually takes place in regards to the latter genres. There are maybe two or three scenes ranging from two to three minutes in length which contain some suspenseful elements, however the rest of the film is rather conventional. Even regarding the lack of blood and on screen violence, after all, the central on screen element is the deteriorating relationships between the characters.

When the teens encounter Frank (Christopher Meloni) and his infected, young daughter Jodie (Kiernan Shipka) in the middle of a desolate stretch of road just waiting for somebody to "lend them some fuel," the first of a few moralistic situations are shoved towards the audience. Would you leave them? Would you help them? The crux of 'Carriers' is based around one simple principle; don't help anybody infected, not matter how young or how vulnerable they are and YOU will stay alive. And it's how the characters engage with these various situations which they encounter along their journey, and this manages to breathe a little life into this heavily deflated film.

Chris Pine, pre Star Trek, gives a brilliant performance as the brother who has had the emotional consciousness beaten out of him throughout the pandemic to the point the where the survival of himself and his younger brother is the only objective. While Lou Pucci, who portrays Brian's younger brother Danny, also pulls out an equally inspiring performance as the younger brother who is constantly fighting with his conscience with regards to the tough decisions that Brian has to make.

If Alex and David Pastor were given the opportunity to go back and shoot around thirty-to-forty minutes worth of extra footage, then 'Carriers' would have the potential to be a very good film. Instead, however, we are left with a film so short in length that once we have just connected and engaged with the characters and their desperate situations the credits begin to roll and the lights come up leaving you feeling incredibly empty inside and asking one brief question; "Is that it?"