Com as Próprias Mãos 3: Vingança Solitária

Went to watch this movie expecting a 'nothing really much' action flick, still got very disappointed. The opening scene promised a little action with a tinge of comedy. It keeps you hooked for the first half coz till then you are expecting that now its time for the action to kick in. Well, nothing of that sort happens. The movie drags and the ending just thumps you down to a point that you get annoyed.Wonder what was the director thinking. Made no sense watsoever. The movie lacked in all aspects, had no real storyline and it seemed very hollow, even if "Rambo" was in it, I don't think he could have helped the rating at all. There is simply no logic to the movie. A perfect way to waste your time and money. By far the most irritating movie i have ever seen and i am sure there will b others who'll have the same viewpoint after enduring it. Definitely not for people who have a little movie sense left in them.

Good movies are original, some leave a message or touch you in a certain way, but sometimes you're not in the mood for that.

I wanted something simple, no thinking just plain action when I watched this one. It started of good and was quite entertaining, so why a bad review. Well in the end the movie lost it's credibility. The storyline wasn't that cheesy at all, the action was not too special but overall good, acting was OK, so more than enough to satisfy my needs. But all got ruined because things happened that were over the top, and it left me with a bad feeling. They should have put a little more effort in making everything credible and would have gotten a 7 in the "no thinking just plain action" category. So in conclusion if you know you'll get irritated because things are happening that seem completely illogical: don't watch! otherwise I'd say go ahead...

This movie is just another average action flick, but it could have been so much better. When the guns come out they really needed some choreography help. Someone like Andy McNabb - who made that brilliant action sequence in Heat as they move up the street from the robbery - would have turned the dull action sequences into something special. Because the rest of the film was alright - predictable but watchable - better than you would expect from this type of movie. Then came the final scene, the show-down, the one we had been waiting for, but was like watching something from the A-Team in the 80s. They shoot wildly, nothing hits, and they run around a house trying to kill each other - same old, same old.

No more small town sheriff taking out the bad guys entirely on his own: this time help's at hand. No more solitary hero looking for revenge: instead there is a small family there to protect. And no more rednecks set on spreading fear and terror for reasonable profit: this is organized big city crime in all its nastiness.

WT - Lone Justice is a totally different ball game from WT - The Payback and it shows: it's shot and cut following other aesthetic and timing demands, the pace is very quick, the story doesn't take its time to let itself being told, the soundtrack leaves the C&W-style and goes for gangsta-rap (there are at least two remarkable pieces there, by the way). And yes, at least one scene is as brutal as they get.

However: like The Payback, Lone Justice is almost a genre-study, bringing all elements of this type of movie together, mixing them well together and keeping them in line with a steady hand.

The characters are believable - more than that: they are in fact so realistic, it makes you want to get involved with some of them every now and then (either to hit or comfort them, sometimes even both).

The acting is outstanding, although in this one Sorbo's performance is at times too much of a good thing; he is delivering such a terrific job of making Nick Prescott alive and understandable in all of the man's struggles, that the scenes without Kevin Sorbo sometimes come over as a bit flat, which - in all fairness - they are not: the ladies in the movie are awesome actresses, the supporting male actors all good and their play's showing lots of different nuances to keep you interested, and Haley Ramm is by far the most realistic teenager I ever saw on-screen. Still: Sorbo outshines them all and - as it isn't a solo for him, but an ensemble piece - at times it would have been better to reign him in a bit on the enthusiasm with which he makes the part his own.

Personally, I cared more for The Payback's relaxed, beautifully shot High Noon-approach than for Lone Justice's Miami Vice-style. But they're undeniably both honest-to-the-core, very impressing and highly entertaining action movies, straightly told, compelling stories about people one can relate to.

If one ever wondered what movies like The Bourne-trilogy would look like without the enormous budgets: Lone Justice is the answer. And that is a good thing.

A second straight-to-DVD sequel following on from WALKING TALL, a remake of a '70s action flick starring Dwayne Johnson. Kevin Sorbo had already appeared in a first sequel, which I haven't seen, but this one has a stand-alone storyline which is unconnected to the previous movies.

In essence, it's a typical low budget action movie, very similar to the kind of stuff that Steven Seagal is making these days. Kevin Sorbo is the just, upright hero who falls foul of a sinister drug lord and his gang of ruthless dealers. People are killed, Sorbo kicks a little ass (including during one of those ultra-predictable scenes in which he stumbles upon a convenience store robbery) and it all builds to a showdown between the good guys and bad.

In terms of quality, it's very much par for the course. I like Sorbo, have liked him since the days of HERCULES: THE LEGENDARY JOURNEYS, although it's not something I regularly watched. He seems like a genuinely nice guy, and that counts for a lot in my book. Of the supporting players, nobody really stands out, but the pace is good and there are some set-pieces that work, like the lengthy hospital interlude or a surprisingly nasty bit of torture.

A big detraction from the film is the direction, which is absolutely horrible. Director Tripp Reed seems to equate style with shaking his camera all over the place, doing frenzied editing at all stages to boot. It doesn't work, it's an unnecessary detraction and really the only thing wrong with this movie; I can overlook the clichéd plot and characters, but not that direction. I cringe just thinking about it!