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Imagine you have just been on a plane for 18 hours. You have been on a business trip to South Africa. You are a high-paid professional. You've lived in the US for 20 years. You are in your thirties, you have a wife a little boy and another baby on the way. One thing, even though you have a green card, you are still Egyptian. On transit you are asked to come with 2 security guards, next thing you know you are overpowered, hooded and chained and after a brief ( but still reasonably civil) interrogation you are to be rendered! This is what happens to Anwar el Ibrahimi at the beginning of the movie. His is a story of pain and ( literally )torture. It's one of several story lines. One follows his wife's attempts to get more information. One follows the (cold) bureaucrats behind the rendition. Another story deals with the family of the man who leads the interrogation of Anwar el Ibrahimi. There are some other stories too and by the end they all neatly come together. Though the more famous actors like Reese Witherspoon ( as the distraught pregnant wife ) Jake Gyllenhaal ( as the CIA rookie forced to watch the interrogation in Northern Africa) and Meryl Streep ( as CIA hotshot Corine Whitman) it is really the more unknown actors that carry the story and give it it's heart. For me the actor playing the unfortunate Mr El Ibrahimi ( Omar Metwally ) was the heart and soul of this movie. His portrayal of a man in distress was shockingly well done. It's almost as if he was being tortured for real! Also Israeli actor Yigal Naor was very impressive as the part worried family-man and part extremely cruel chief of torture. Hard to watch and not exactly fun, but still very worthwhile.

In this day and age in which just about every other news story involves discussions of waterboarding, images of Abu Ghraib, or tales of forced detentions at Guantanamo Bay, Gavin Hood's "Rendition" is about as up-to-the-minute and timely a movie as is ever likely to come out of the entertainment mills of mainstream Hollywood. It's not, by any stretch of the imagination, a perfect film, but neither does it merit the caterwauling opprobrium it has received at the hands of critics from all across the ideological and political spectrum.

The term "rendition" refers to the ability of the CIA to arrest any individuals it suspects of terrorist dealings, then to whisk them away in secret to a foreign country to interrogate and torture them for an indefinite period of time, all without due process of law. Anwar El-Ibrahimi is an Egyptian man who has been living for twenty years in the United States. He has an American wife, a young son and a new baby on the way. He seems a very unlikely candidate for a terrorist, yet one day, without warning or explanation, Anwar is seized and taken to an undisclosed location where he is subjected to brutal torture until he admits his involvement with a terrorist organization that Anwar claims to know nothing about.

On the negative side, "Rendition" falters occasionally in its storytelling abilities, often biting off a little more than it can chew in terms of both plot and character. The ostensible focal point is Douglas Freeman, a rookie CIA agent who is brought in to observe Anwar's "interrogation" at the hands of Egyptian officials. The problem is that, as conceived by writer Kelley Sane and enacted by Jake Gyllenhaal, Freeman seems too much of a naïve "boy scout" to make for a very plausible agent, and he isn't given the screen time he needs to develop fully as a character. We know little about him at the beginning and even less, it seems, at the end. He "goes through the motions," but we learn precious little about the man within. Thus, without a strong center of gravity to hold it all together, the film occasionally feels as if it is coming apart at the seams, with story elements flying off in all directions. A similar problem occurs with Anwar's distraught wife, played by Reese Witherspoon, a woman we never get to know much about apart from what we can see on the surface. Gyllenhaal and Witherspoon have both proved themselves to be fine actors under other circumstances, but here they are hemmed in by a restrictive screenplay that rarely lets them go beyond a single recurring note in their performances.

What makes "Rendition" an ultimately powerful film, however, is the extreme seriousness of the subject matter and the way in which two concurrently running plot lines elegantly dovetail into one another in the movie's closing stretches. It may make for a slightly more contrived story than perhaps we might have liked on this subject, but, hey, this is Hollywood after all, and the film has to pay SOME deference to mass audience expectations if it is to get itself green lighted, let alone see the light of day as a completed project.

Two of the supporting performances are particularly compelling in the film: Omar Metwally who makes palpable the terror of a man caught in a real life Kafkaesque nightmare from which he cannot awaken, and Yigal Naor who makes a surprisingly complex character out of the chief interrogator/torturer. Meryl Streep, Alan Arkin and Peter Sarsgaard also make their marks in smaller roles. Special mention should also be made of the warm and richly hued cinematography of Dion Beebe.

Does the movie oversimplify the issues? Probably. Does it stack the deck in favor of the torture victim and against the evil government forces? Most definitely. (One wonders how the movie would have played if Anwar really WERE a terrorist). Yet, the movie has the guts to tread on controversial ground. It isn't afraid to raise dicey questions or risk the disapproval of some for the political stances it takes. It openly ponders the issue of just how DOES a nation hold fast to its hard-won principle of "civil liberties for all" in the face of terrorism and fear. And just how much courage does it take for people of good will to finally stand up and say "enough is enough," even at the risk of being branded terrorist-appeasing and unpatriotic by those in power? (The movie also does not, in any way, deny the reality of extreme Islamic terrorism).

Thus, to reject "Rendition" out of hand would be to allow the perfect to be the enemy of the good. "Rendition" may not be perfect, but it IS good, and it has something of importance to say about the world in which we now live. And that alone makes it very much worth seeing.

Rendition fails to really nail the issue - it chooses instead to show its colours too distinctly.

And what we get instead is a decent political thriller, but one that is difficult to assess in terms of its attempted aim - after all, here we are dealing with what must be one of the emotive issues known to man - can torture ever be justified? Is the utilitarian rule of the possible gains worth the literal breaking of a possibly innocent man? Is he a terrorist, isn't he a terrorist?

This is a very important topic, and a very complex one, that is treated as though it were a film about lobbying on the one hand, showing Washington and the Beltway as a ground for piranhas to make or break their careers, and on the other, in Egypt, a battle for the sanity of all involved there.

Yes, it makes a good thriller; but, and it's a big but, it lacks the true depth of thought, rather than action, that will address the issue, rather than (God forbid) entertain an audience.

Excellent performances from all involved - really. Good steady hand at the helm - but what it lacks is complexity - it seems complex initially but unravels the further down the rabbit warren we go.

I came away uneasy, but not as uneasy as I should have, and non-plussed by the sleight of hand tricks that should have revealed real ambivalence, real moral dilemma, real grey areas, whereras instead I was left with black and white.

Not the film it wants to be, it is a good political thriller, but it is not as effective a piece of cinema as it could have been.

Reviewed at the World Premiere screening at Roy Thomson Hall, on Sept. 7, 2007 during the Toronto International Film Festival.

On the surface, this would seem to have everything going for it with a solid cast (veterans Witherspoon, Sarsgaard, Gyllenhaal, Streep, Arkin and new faces Metwally, Naor, Oukach, Khouas) a recent hot director (Gavin Hood, dir. of "Tsotsi", winner of the 2006 Oscar for Best Foreign Film) and a script on a current hot-button issue (the anti-terrorism law of extraordinary rendition which allows U.S. agents to transport suspected terrorists to off-shore sites where anti-torture laws do not apply).

Somehow each of the cast members, perhaps due to the number of major characters involved and thus the reduced screen time allowed for each, come across as superficial stereotypes - the distraught expectant mother, the ex-boyfriend who tries to help, the CIA agent with a conscience, the cold hearted CIA executive, the pragmatic senator, the torture victim, the secret police torturer, the torturer's daughter with a secret boyfriend, the boyfriend with a secret). You're not with any of the characters long enough to identify with them much and when it all gets tied up together in the end a bit too neatly you're just left feeling disappointed and cheated.

Early reviews seem to be mostly praising this but the friend whom I saw it with and another veteran TIFF goer that we see in various line-ups had the same sense of disappointment.

The film just seems too desperate to make it all relevant as it tries to inspire our shock at the wrongs being perpetrated in the name of the anti-terror wars but it mostly comes across as clichéd rather than natural. When the Gyllenhaal character finally builds up the will to act on his moral outrage you're just not convinced about how he's made this character arc as he has spent the first 3/4's of the film either stunned by the effects of a suicide bombing that takes place before his very eyes and then drinking himself into a stupor while occasionally taking time out for an illicit office romance or to bark an order to underlings. It seems Gyllenhaal is the protagonist we are meant to identify with but he is too weak-willed to inspire much audience sympathy. Witherspoon as the distraught expectant mother has more of an immediate draw on our heartstrings but doesn't kick off the expose on the U.S. side of the things which we are pulling for her to do by soliciting help from ex-boyfriend Sarsgaard (who works for Arkin's senator character) after her Egyptian-American husband goes mysteriously missing after a trans-Atlantic flight. There are at least a few moments of fireworks when Witherspoon at least briefly gets to confront the CIA exec played by Streep who is pulling the forced extradition strings behind the scenes, but a few seconds of confrontation doesn't make up for the 90 minutes of gradually increasing tedium that it takes to get there and we still have about 30 minutes to go in the plot after that highpoint. The subplot built around the head police torturer and his family in an un-named North African country is more engrossing and a neat twist is pulled off in that storyline but that wasn't enough to save the picture for us.

I had really been looking forward to this film but something just seemed to be missing in the way it pays off the different plot lines.

This was a pretty intense movie. It starts out with a bang - literally - a suicide bombing in a public area. Not a bad opener.

Shortly thereafter, a US chemical engineer, on his way back from a conference in South Africa, is abducted by the CIA in Washington DC airport ... and his name is wiped from his plane's flight list. His family is left searching for him at the airport terminal. We follow his predicament as we watch decision makers assess his situation ... and watch his nightmare unfold.

It was hard not to stop watching; you want to see what's going to happen next ... what are those that are keeping one "eye closed" do? ... what is the family going to do? ... what is a sympathetic senator's aide do? what did he 'really' do or not do??

FWIW, the story is supposedly inspired on a similar event involving Khalid El-Masri in 2003. There's also another storyline going on in this movie that eventually ties in near the end of movie. This second story/plot is good, but not as good as the main one. It drags the movie down a notch to a "7" - but that's still really good. If you like intense dramas, this is a good one to check out.

Despite the fact that Rendition reaps all the qualities of what should have been an Oscar Nominated Film, it simply doesn't draw the viewer in, lacking character depth. With an Ensemble cast, with the highest of credentials, one would naturally expect this film to be a hit. But unless you have the subtitles turned on, to understand what would be construed as garbled Arabic, there is no way to follow the multiple story lines, jumbling together at once. The viewer is thrown from scene to scene, not comprehending what is really truly going on until the very end of the movie, and not getting enough out of the many characters in the story line. All in all, it was a well acted film; the characters did a good job depicting what they were hired to do, and most importantly the film slams a subject down that isn't necessarily something the government wants you to be informed about. It could have been way better, and the simple minded lot of Americans, who didn't understand it at all would have been better satisfied. This film is not to be viewed by the viewer expecting a blockbuster hit. It is geared for the viewer who wants to make their brain work, and understand the corruption of the United States of America.

"I fear you speak upon the rack, where men enforced do speak anything." This Shakespearean line from The Merchant of Venice is echoed again in the new film Rendition which introduces the viewer to the "enhanced methods of interrogation", renditions, which began in the Clinton Administration and have become more commonplace since the terror attacks of September 11, 2001.

The film features an all-star cast, with Oscar winners Meryl Streep, Alan Arkin, and Reese Witherspoon, as well as Peter Sarsgaard, Jake Gyllenhaal, and Omar Metwally. Supporting roles filled by unfamiliar actors deliver as well, sucking the audience into the plot, and showing how many people can be affected by overseas terror attacks, and our means of investigating them.

Rendition follows an Egyptian born terrorism suspect (Metwally) who is taken by U.S. officials following his flight from South Africa to Washington DC to an undisclosed prison overseas. His pregnant wife (Witherspoon) ventures to Washington DC to find out about his disappearance through a family friend and Senator's employee (Sarsgaard). Gyllenhaal plays a young CIA analyst at the overseas detention facility who monitors the violent interrogation.

This film follows the emotional plights of the torture victim (Metwally), and those involved in obtaining the supposed information from him. Some, like the CIA analyst (Gyllenhaal), are visibly shaken and horrified by the methods exercised, while others, the stern Senator (Streep) and foreign interrogator (Yigal Naor), see it as necessary and effective.

The film may be described by some as a political piece, but is ultimately an emotional one. Metwally's performance as the tortured prisoner is Oscar-worthy. The film does not intend to preach, but rather to question and inform the audience on a topic that does not often have a human face put on it. Renditions have been known to work, but have also been known to produce false information from innocent prisoners. The film simply depicts the emotional struggles of those involved in such grave business, and does so in a way that will affect every viewer differently. The film will keep your interest, and have you engaged in each of the character's plights.

At least given the circumstances such as those in the movie, when you do not know whether the suspect is innocent or guilty but you want to believe that he is guilty...would it then be right to torture this person until he cracks and yields to your belief even if it is under the name of justice, freedom and democracy? Anwar El_Ibrahimi is an American (of Egyptian descent) who has a well-paying respectable job, an American wife and a clean record but even that is not enough to free him from the suspect list because of a phone number that was found on his cell phone. Upon landing in America, he is immediately flown to Egypt (they do not even try him in the states) because America does not allow torture. He is humiliated. He is dehumanized. He is brutally tortured and stripped of dignity, courage and self worth... and yet they find no solid evidence that links him to the bombing.

About a month ago I was clearing up some old newspapers and happened to see an ad of the movie. It had an interesting cast and title. I had never heard of it before and decided to give it a chance. It seemed to be one of the run-of-the-mill thrillers but 'Rendition' is far from that. This is one powerful movie that tackles a very serious theme and raises questions but at the same time it is an engaging intricate thriller. Gavin Hood does a marvelous job. He gives an unbiased portrayal of the Americans and Egyptians even though I wish he would have explored the terrorists' mindset a little more for they are portrayed under a slightly stereotypical light.

'Rendition' is quite well shot. The Egyptian locations look raw and exotic. The background score is eclectic. I also liked the use of a warmer tint in the Egyptian scenes and a colder tint for the American scenes. The jump cuts and shots from different angles work well. The story telling is solid and nonlinear.

I don't think the cast could get any better than this. The performances are overall excellent: Starting with a heartbreaking Omar Metwally, an ambivalent Jake Gyllenhal, a distraught Reese Witherspoon, a hateful Meryl Streep, a chilling Yigal Naor, a naive Zineb Oukach, an opportunist Alan Arkin and a concerned Peter Sarsgaard.

I am shocked at how so many people did not get the movie as the story is straightforward and many keep wondering whether Anwar was actually innocent while others are quick to say that he was indeed guilty. Many were even supporting the torture because he wasn't of American origin and because this kind of thing happens in Egypt anyway etc etc. This movie is not for such immature people and it does not take a rocket scientist to show that Anwar WAS innocent. 'Rendition' is a disturbing film to watch but it is one that must be seen as it provokes a lot of strong themes that many would not dare to question.

Isabella (Reese Witherspoon) is married to a handsome chemical engineer named Anwar (Omar Metwally). Anwar is an Egyptian by birth but has lived in the United States since he was fourteen. The two of them, having met and married in college, have a young son named Jeremy and Isabella is expected their second child very soon. While in South Africa on business, Anwar telephones Isabella to give her the details of when his return flight is landing in Chicago. But, although Isabella and Jeremy go to the airport, Anwar never arrives. Tragically, Anwar's cell phone was mistakenly linked to a terrorist group and a top CIA official, Corrine Whitman (Meryl Streep) orders Anwar to be captured, hooded, and whisked away to a secret prison in North Africa. There, Abasi Fawal (Yigal Naor), a top police official, is put in charge of Anwar's interrogation and torture but is required to have a U.S. official present. That horrible task falls to Douglas Freeman (Jake Gyllenhaal), a self-proclaimed pencil pusher, who is thrust into his "first torture" upon the bombing death of the usual CIA toughman. Douglas' orders come straight from Corrine who charges him to be ruthless. Yet, Douglas is greatly disturbed by both the severity of the torture and Anwar's protestations of innocence. Meanwhile, Isabella tries to enlist the help of an old college flame, Alan (Peter Sarsgaard), who works for Illinois senator Hawkins (Alan Arkin), to help discover the truth about her husband's disappearance. Will Izzy ever see her husband again? Then, too, Mr. Fawal, who rules his family with an iron fist, has a daughter, Fatima, who has run away from home, leaving no clues to her whereabouts. Will he be able to find her? This film, taken from today's headlines, is disturbing, to say the very least. The tragic practice of rendition was greatly increased after 9/11, when U.S. officials became obsessed with seizing suspected terrorists and taking them away from American soil for torture, where the U.S. laws do not apply. Of course, mistakes are made and innocent people are put through hell, with no hope of seeing daylight again. Then, too, the practice of torture is suspect, for studies show that victims will say just about anything to relieve their pain and thus "make up stories" of little value. In this light, it is a challenge to present a story that adequately conveys the true horrors of rendition yet, this film makes a valiant attempt to do so. As the main "stars", stellar actors Witherspoon and Gyllenhaal are good but, surprisingly, not great. Each of them give a performance that is more forced than genuine. To be fair, Witherspoon's role is rather small, leaving one to assume that some of her scenes were edited out. While she does have some touching moments, there are times when she appears dazed and defeated. Gyllenhaal, a very fine actor, is also too restrained, for his character should be explosive with anger over the torture of an innocent man, yet, he keeps himself in check. However, the rest of the cast is superlative. Streep, whose own progressive political views are widely known, chews up the screen with her role as the chilling, Dick-Cheney-in-high-heels CIA official. Sarsgaard and Arkin, too, are great as the sympathetic men who, nevertheless, know which way the winds of politics blow. But, most importantly, it is the Arabic cast members who strike the most compelling notes. Metwally is heartbreaking as the tortured innocent while Naor freezes the blood as the main interrogation officer. All of the other Arabic actors are also very fine. Costumes, scenery, and production values are topnotch. However, viewer be warned. This is a very difficult film, to watch and to stomach. While never excessive, the torture scenes are very real and very upsetting. Although the film has a mission and an admirable one, at that, one has to realize that it is not for everyone, especially those who are faint of heart. That said, the movie should be seen by all those who care about learning more about rendition. While not the definitive word on the practice, it has more than enough force to show the world how immoral and wicked this horrendous method of interrogation really is.

I saw the movie yesterday and was shocked by it, but even more shocked by some of the comments I have read here. One person wrote that it was ambiguous if the victim of the torture was guilty or not--therefore... One person wrote that since he wasn't an American citizen, therefore... Some people comment that the people in the Middle East hate us and want us dead, therefore... So are we saying then that it is right to torture someone who is guilty of a crime? Are we saying it is right to torture someone who is not an American Citizen? Are we saying that it is right to torture someone who may hate us and want us dead? Are we saying that, as is written in the Geneva Convention, the Declaration of Human Rights and the Constitution of the United States that "torture is wrong, but some torture is less wrong than others?" When does it become "right" to torture? THAT is why this movie is powerful-- it is ambiguous, but not about torture. Torture is always wrong, and if we are willing to do it, even in the name of justice and "National Security" or "freedom and democracy" then we are wrong and we are evil; we are doing exactly what we are accusing our enemies of doing (and we are calling them "wrong" in the same breath.) My favorite line in the film was "if you don't want to compromise join Amnesty International." Right on.

Entertaining thriller, i must reckon. The falsely accused man, Hitchcock's most horrid nightmare and his favorite leitmotiv, is one of the axis of the movie, together with some victims of brainwashing fundamentalism-terrorism, and the classic American hero, fighting against a corrupt system, for the sake of truth and justice, like Lucky Lucke, riding alone against towards the sunset. Nice plot, with a(n also) classic McGuffin, the secret ingredients to make bombs. All in all enjoyable, as i said, but a little bit sweaty already. It is much nicer when somebody breaks the formula, even if slightly. Still, the film is modern in its setting and also in some points, such as the interracial relationship. Meryl Strip, amazing, as usual.

No more than a week after "Rendition" came out, hubby and I went to the theater and discovered that -- poof -- it was gone. "We don't have that one," said the numbskull at the box office.

It was in their newspaper ad and listed on the phone message, but the movie was GONE.

And when we went to look for it at other area theaters (Central North Carolina) it had vanished from the market. Is it being tortured in another state? What kind of promotional trick is this?

Is the movie that bad? Is the movie that GOOD? Where did Rendition go? Can you kidnap a movie?

Rendition is a pretty good thriller with impressive performances by the cast including Jake Gyllenhaal, Reese Witherspoon, Peter Sarsgard, Alan Arkin, and Meryl Streep. Gyllenhall and Witherspoon are in it the most of the five actors which is all right because they have more to do. They both bring a lot to their roles and make the best of it. Sarsgard, Arkin, and Streep are effective supporting characters but they lacked development and screen time. Director Gavin Hood the man behind films like Totsi and most recently X-Men Orgins Wolverine (which was okay but could've been better) does an admirable job of bringing this movie to life. The action sequence early on was horrific and realistic giving audiences a glimpse of what life is like in some foreign countries across the world. The supporting cast of unknown actors are good in their roles and very believable. The pacing of the movie was a little slow at times but the rest of the movie especially the acting made up for it's few flaws. Rendition is better to see if you don't know too much about the film. The story is well told in an intricate way so that near the end everything comes together. Overall the movie was better than expected maybe not the greatest but if your a fan of anybody in the cast than you might enjoy this one as well.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

A bombing occurs in a Muslim country after a failed assassination attempt, and after some intelligence gathering, Egyptian born US based businessman Anwar El-Ibrahimi (Omar Metwally) is apprehended by the US authorities and taken in for interrogation overseas. Assigned to observe his questioning is Special Agent Douglas Freeman (Jake Gyllenhaal) who becomes disillusioned by the torturous methods he is forced to witness. Meanwhile, Anwar's American wife Isabella (Reese Witherspoon) desperately tries to find out what happened behind the scenes but is given short shrift by stuffy, self righteous defence secretary Corrine Whitman (Meryl Streep) who's trying to defend her own interests. Meanwhile a tale of forbidden love in the land of the attack leads to an explosive finale where all will be revealed.

An unflinching critique of American foreign policy, that doesn't cop out like glorified action film The Kingdom, Rendition certainly deserves praise for having the courage to tackle such a sensitive and emotionally charged subject and for being an intelligent and contemplative thriller that presents some very dubious methods of interrogation and intelligence gathering by the various authorities. Unfortunately, the sheer pace of the film is what gets it down, at times dragging so slowly as to be at a snail's pace. It's certainly not for those who like their thrillers fast paced and snappy. It takes it's time and presents a wordy script with admittently well written characters who play like you imagine those in charge probably do and makes you feel for them, even the less sympathetic ones, in the unenviable situations they are in. If it's a reflection of the real situation, then it's definitely food for thought and will provoke various arguments for how those in charge of Homeland Security go about defending America's citizens and dealing with those who pose a threat to them.

In a day and age of speedy, snazzy thrillers that come and go like buses, Rendition certainly doesn't bow to the crowd. Unfortunately, at times, this is more of a burden than a praise. ***

At two hours it's a tad overlong and slower than it ought to be for its own good but this political thriller about international terrorism is, at least, intelligent if short of thrills. "Rendition" opened in 2007 to less than enthusiastic reviews though it was clearly a prestige production; you only had to look at the cast list to figure that out. Jake Gyllenhaal is the CIA operative with a conscience, Reese Witherspoon, the wife of a man suspected of being a terrorist, Meryl Streep a senior CIA official, Alan Arkin a senator, Peter Sarsgaard the senator's assistant with the hots for Witherspoon and J.K. Simmons in his pre-Oscar days when he was just a good character actor.

Of course, it's obvious we're meant to read more into this than if it were a 'mere' mad bomber kind of political thriller. We're meant to view this with a liberal conscience and to see the 'good' guys as being as culpable as the bad guys and where it's as hard to tell the heroes from the villains. It's certainly not a bad movie and it's very handsomely photographed by the great Dion Bebee but it's also a little on the obvious side with all the expected tropes firmly in place together with a slightly unnecessary 'twist' in the tail making it a good film rather than a potentially great one.

Rendition presents a very topical matter in the form of a very tense thriller. It's a gripping, and not a preaching, movie. Seeing it in an Arab country with a mixture of Arabian and European audience gave it an extra level of atmosphere. The audience was totally gripped by the film and gave it a loud applause afterwards. The story of an Egyptian, married to an American, picked up on the suspicion of links to terrorist organizations and shipped to a friendly (with US) Arab country for "enhanced interrogation (as Meryl Streep's character states in the film: "we have no torture in the US") seems to be from the front page of todays news. There is a very neat link between the various characters which appear in the movie and the pace of the film never drops. The movies'message seems to be (as stated by Jake Gyllenhal's character in the film) that by abducting and torturing suspects you create many more terrorists. The acting is uniformly excellent with Streep and Reese Witherspoon the stand outs. Not to be missed.

Rendition's heart is in the right place, but feels like a desperate single attempt to get it all out at once out of fear of losing another chance. I am glad I saw it, but I don't ever need to see it again.

I'm Egyptian. I have a green card. I have been living in the US since 1991. I have a very common Arabic name. I'm married (non-American but non-Egyptian, non-Arab wife). I have children who are born in the US. I have a PhD in Cell Biology from the US and I travel for conferences. I make 6 figure income and I own a home in the Washington, DC area. I pay my taxes and outside 1 or 2 parking tickets I have no blemish on my record since I came to this country in 1991. I look more Egyptian than the Ibrahimi character but my spoken English is as good as his.

A couple of months ago I was returning from a conference/company business in Spain through Munich Germany to Washington, DC (Home). I was picked up in Munich airport by a German officer as soon as I got off the Madrid plane. He was waiting for me. He was about to start interrogating me until I simply told him "I have no business in Germany, I'm just passing through". He had let me go with the utmost disappointment. That was nothing compared to what happened at Washington, Dulles airport (Which was not nearly as bad as what happened to Ibrahimi in the movie). The customs officer asked me a couple of questions about the length and purpose of my trip. He then wrote a letter C on my custom declaration form and let me go. After I picked up my checked bag I was stopped at the last exit point (Some Homeland Security crap). I sat there for 3 hours along with many different people of many different nationalities. I was not told the reason for my detainment. I was not allowed to use my phone or ANY other phone. I was feisty at first asking to be told of the reason or let me go but decided to suck it up and just wait and see. I asked if I can call my wife to tell her that I'm going to be late but was told no. When I tried to use my phone and as soon as my wife said "hello", an officer yanked the phone out of hand and threatened me to confiscate it. When I asked about needing to call home because my family is waiting, they said "Three hours is nothing, we will make contact after 5 hours". When I asked to use the bathroom, an officer accompanied me there. It toilet was funny; I guess it was a prison style toilet that is all metal with no toilet seat. Finally, they called my name and gave me my passport/green card and said you can go. I asked what the problem was, they said "nothing"!! I know it was only 3 hours but I was dead tired and wanted to go home to see my wife and kids.

As for the movie, it was very well made. Unlike most movies that involve Arabs and use non-Arab actors who just speak gibberish, this movie the Arabic was 100% correct. I assume the country is Morocco (North Africa).

I saw the much hyped Rendition at an early press screening in Herzliya, Israel, last week and was under whelmed to say the least. The post 9/11 film, dealing with illegal procedures towards Muslim Americans since 2001, unfortunately felt like a rehash of so many things we saw in recent similarly-themed films like Syriana, Babel and A Mighty Heart. Though dealing with an interesting concept that could have worked as a thought provoking film that shows how both sides suffer the consequences of terrorism, the resemblance to the aforementioned films was so obvious, that it just wasn't engaging, or fun, to watch anymore.

Even though some of the performances were OK (watch for Gyllenhaal to earn some year-end praise for his work here), the overall feel of this film was that of a bitter disappointment. Truth be told, I actually felt as if the trailer gave away the best parts of the movie, leaving you with a half baked project that (theoretically speaking) had the star power and potential to be so much better; but got caught up in it's own web of clichés and lack of originality that it failed to actually lift off.

Bottom line, I have a feeling Rendition won't do so well come award season, or strike a chord with North American audience at the box office either, and I really feel bad for the actors who seemed like they made a genuine effort, but couldn't truly fulfill themselves with the "been there, done that" script they were handled. Still, look out for the always-fun Gyllenhaal (as I mentioned earlier); underrated actor Peter Sarsgaard; the surprisingly talented Omar Metwally, who play's the innocent Muslim American falsely detained due to his ethnicity; and (allow me to be Zionistic for a moment) Israel's very own Igal Naor - who does a wonderful job here as well. Thanks guys, for making this would-be award contender less painful to watch then it already was.

The term 'rendition' is a euphemism for state-sponsored kidnapping, just as 'waterboarding' is a euphemism for torture and the vile 'collateral damage' means civilian casualties. Kidnap, torture and the murder of innocents is what the bad guys do. You cannot carry out these acts and claim to be the good guys. Anyone who says it is 'naive' to think so is feeble-minded.

Thematically, this film doesn't work because it thinks there is an argument to be had on this topic. The filmmakers think it has to be argued through, but I can't see any educated person having their mind changed by a Hollywood dramatization. The issue is covered in such a shallow manner that this film could easily be called Rendition for Dummies.

Considered in purely dramatic terms, the acting is high quality, as you would expect from a stellar cast, though the stand out is the little-known Zineb Oukach as love-struck Fatima in an ill-fated relationship with one of her father's political opponents. There is a looping time-line a la Pulp Fiction that seems out of place given the charged themes. There is also a sense that the 'bad guys' get their comeuppance, which, given the fact that we are living through these issues and they are far from resolved, is premature at best and insulting at worst.

I was left with a sense that some issues are best served by being considered with the benefit of distance and hindsight.