Sleep Dealer

Well, the above reviewer beat me to my warning: If you are some god forsaken film student, or "Hollywood" film buff, you will hate this film. The structure is open and allows for a great deal on viewer interpretation that most US film goers hate, and even fear. But I love, I love the director giving me images and direction, and then letting fill in some inferences and this not clearly delineated.

The film makes excellent cinematic use of cultural and social cyphers, and (I hate to say this almost for fear of "tainting" it; a slight magical realism to cast a wide net of meaning, not to tell some stupid plot arc formula. It is a brilliant, exciting, deeply satisfying movie (finally some one is talking abt these issues cinematically, and making a great movie), and I even found it fun. A well crafted daring film.

I can't believe this movie got only a 5.9 on IMDb. If you are someone who thinks, and if you like science fiction, this is a gem. It brings totally new angles to bear on cutting edge social issues; and if you think about what has been presented, you cannot find any flaw in the logic of it, even in the small points. In fact, one leaves the movie fearing that such a world is just around the corner and may be unavoidable. The acting is good and there are no lagging moments; every scene drives the plot. An excellent, deeply satisfying movie worth watching more than once.

Unfortunately I am driven to believe that the reason the rating on IMDb is not higher, is simply that the movie is in Spanish, and north American audiences just are not sharp enough to get it. Perhaps an IMDb rating over 6 is impossible without any car chases or sex crimes.

Science fiction as a genre exposes two things about a culture: our hopes for the future, and our fears for the future. What foreign science fiction does for us then is tap directly into the hopes and fears of a culture that is alien to us.

The story of Memo mixes the Mexican condition with a cautious approach to an exciting technology. While "nodes" allow people to directly connect their brains to an Internet of sorts, "sleep dealers" construct cheap, unsafe sweatshops where noders can perform dirt-cheap labor for developed nations, without leaving home.

There are plenty of eye-opening layers of apprehension for the future that are taken straight from the Mexican psyche: the construction of the authoritarian Del Rio Dam in Memo's village echoes the ongoing "water rights" controversies throughout Central America; the closed border with America echoes isolationist fears; the ability of an American corporation to send warships into Mexican villages not only with impugnity but complete openness echoes fears of American corporate-driven hegemony.

Flag-wrapped Americans will deride this movie as Anti-American at worst; cultural ignorance at best. But it is a different sort of cultural ignorance that remains ignorant of the sentiments illustrated in this well-done foreign film.

Rarely does science fiction cinema depict the future of the 'third world', if at all. Alex Rivera's film, primarily set in the state of Oaxaca and the city of Tijuana, Mexico, certainly proves originality in its premise and vision of the future. But while Sleep Dealer's inventive depiction of the future of human labor, immigration and transnational borders is extremely interesting and thought provoking, Rivera fails to achieve engaging storytelling. The plot feels flat and characters seem one dimensional. Both actors remain unconnected with each other and the story. Their actions, at times, seem unmotivated and contradictory. I understand how this film could have been so much more, unfortunately it wasn't. Aside from director Rivera's critique on social and political progress, the story fails to break through.

Frankly, I admire Rivera more for his social, political and progressive vision rather than for his cinematic skills. The film, in the end, feels rough around the edges and leaves a bit to be desired…But still a good effort from a first time director, especially for such an ambitious project.

6 out of 10.

I liked the film and think it deserves more than a 6.2 so I gave it a high score to try and bump up it's overall score. It deserves about an 8. A really good film that tries to deal with the idea of a dehumanized black economy working for an ever increasingly fascistic USA. Some interesting idea's, some not so interesting. It definitely has a cyberpunk feel but being from Mexico it was always going to be different.

I am unsure of the budget but the film holds it's own and the sfx budget seems to have been spent wisely. The acting was good with the lead and support actors being enjoyable enough to watch. I also liked the score which was essentially Latin pop/dance.

The ending is a little unrealistic given the portrayed future realism of the rest of the film. A good film that is not the greatest sci-fi ever but deserves higher marks considering the obstacles the production team faced. A low budget, sci-fi drama from Mexico is not something you see everyday so it should be applauded.