Mad Men: Inventando Verdades

The journey is a most interesting one in Don Draper's universe that occupies a time (1960s) in American culture when changes occurred in warp speed. No Pollyanna view of the world, 'Mad Men' explores the full spectrum of human relationships, personality types, and emotions.

The show's creator Matthew Weiner (previously executive producer/writer of 'The Sopranos') takes viewers on a high-ball roller coaster of human experiences that explore pursuit of bliss, the depths of where one can go, and the winding roads of inner angst one must often travel.

'Mad Men' is the ultimate ensemble drama series with grown-up adult themes that drill deep into the human psyche and often self-destructive behavior patterns of the 1960s post-WWII Greatest Generation that populated the high-flying, high-pressure Madison Avenue ad agencies.

Those ad agencies created the culturally iconic images cast through television, radio and print media during that turbulent, mass-consumption decade in American society, when Baby Boomers started taking over the reigns of influence in America, much of it in conflict with Greatest Gen thinking.

There is nothing low key about 'Mad Men'. Tension and conflict is layered throughout the series. Weiner covers a lot of territory of the human experience that exists inside complex personalities and their relationships, and the intense emotions that often accompany them.

As it stands now, 'Mad Men' is the best TV drama series of all-time; I don't believe there is even a close second.

The show received 4 consecutive "Outstanding Drama Series" Emmys (21 total Emmy wins out of 116 nominations) to close out it's relatively brief pre-determined tenure of 7 seasons.

Those who have seen every episode in sequence, experience a level of high-quality TV viewing that sets the bar to the pinnacle, and rivals the best theatrical movies in production, casting, acting, and story-telling.

Matthew Weiner's unique concept alone puts it into a must-try category.

For those who have seen the entire series, it is even better the second, third time around (and one gains value in more rapid linear viewing, rather than having to wait months to see the next season, or a week to watch the next episode).

Marathon binge-viewing of consecutive episodes can be exhausting, but the series' irresistible gravitational force inevitably draws you back into the center of Draper's universe to watch the next episode - You just can't look away.

View 'Mad Men' from episode one, season one. The trip is well worth the time.

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Everyone has a back burner watchlist of TV shows considered to be the greatest. These are often graced by the likes of Breaking Bad, Deadwood, The Wire, The Sopranos, and, of course, Mad Men. Even though these shows may be indeed great, you may be familiar with a weird avoidance mechanism that usually kicks in: we may regard those landmark pieces of TV not very exciting, especially if they are a few years old - not unlike "must-read" literary classics that nobody ever reads - and thus we relegate them to the bottom of our watchlists, while we consume the latest, more exciting, and often less fulfilling offers.

Then, when you finally make the effort to watch that landmark series and realize it is every bit as good as everyone said it was, you flagellate yourself thinking why you held back for so long.

This Great-TV-Show-Avoidance-Mechanism happened to me in regards to Mad Men. A show about advertising and corporate people did not seem very exciting to me, and I wasn't really a fan of anyone in the cast (save Elizabeth Olson). Having in the past started to watch best-of-all-time TV shows just to drop them along the way - I'm looking at you, The Sopranos - I kept it on the back burner for a very long time. Now, after consuming all of Mad Men in a relatively short amount of time, I think it is the most consistently good TV show I have ever watched.

Out of the 92 episodes in the entire series on IMDb, I have rated only two a 7. All the rest got a rating of either 8 or 9 (I don't believe in perfection, so 9 is as high as I go). The key word here, alongside consistency, is even-handedness. Even though there are standout episodes, usually popping out unpredictably within seasons, rather than near the end like most other shows, Mad Men's episodes are so well balanced in terms of drama, character development and plot advancement that you feel you are witnessing interesting lives go by - extremely well costumed, photographed, written and acted lives, but fictional nonetheless. Compared to most other shows, there is a refreshing under-reliance on plot twists and melodramatic acting scenes, which now seem to me like the bluntest tools in the writer's bag of tricks to keep viewers tuning in every week. Perhaps Mad Men's greatest achievement is just that: through the power of character and acting alone, it manages to capture the viewers' interest while dispensing with more traditional tricks of storytelling. Of course, other facets of the production, such as the attention to period detail, costume design and cinematography are really good too. But what stands out and keeps us watching is the near-perfect marriage between solid writing, first, and solid acting, second - acting here defined in terms of how perfectly the actors inhabit their roles, not the showy, larger-than-life, award-stealing acting scenes you find in Oscar bait films. And I tell you from experience, the binge pull of the series makes it nearly impossible to watch a single episode in a sitting. I have only been able to pull that off once, with the final episode.

The way the plot is handled is simply masterful. For instance, if a character goes on a quest to achieve something, and we spend some time witnessing the build-up to it, it is not guaranteed they will (ever) succeed, or that at least a lesson will be learned at the end of the day. Things may end up just like they are - a lot like real life. The backdrop of US history unfolding is neither overpowering, i.e., stealing attention from the characters or events at hand, or just a side note mentioned without consequence. These historically-inspired scenes excel in revealing interesting takes on people's attitudes (secretaries crying over Marilyn Monroe's death, for instance) while providing startling contrasts to our times. Another striking feature of the show I'd like to mention is that, now and again, there are a few scenes with unimportant characters - like a child doing something they ought not to do, feeling guilty, and trying to hide it afterwards - that seem to be there mostly to make us feel, "yes, I have felt this before, this is familiar to me". Those "snippets of reality," as I call them, serve no narrative purpose whatsoever and don't even advance our understanding of the characters, but they do a great deal to establish the mood and reinforce our connection to the characters, even if indirectly. By including these moments in small amounts and in the right moment, the writers are still able to keep everything on track while disregarding the common writing advice that every scene should either advance the plot or deepen character development (or better yet, both at the same time). By the way, I have rarely seen such "extraneous" scenes elsewhere, and when they do appear, they are due mostly to an editor or writer's incompetence rather than to the command of their craft.

On top of all that, the show is also a wonderfully honest piece of television. It does not promise or deliver anything more than what you see on screen. After a couple of seasons, you are likely to be able to predict to a high degree of accuracy how it is all going to end - Mad Men operates within such a well thought out "narrative system", with clearly defined bounds, that you know exactly what NOT to expect. The way the series finale begins and ends makes you feel like you are watching just another episode and, miraculously, still manages to satisfy.

In closing, I should note that Mad Men does not provide the blockbuster-y thrills of, say, Game Thrones before it became a catastrophic failure, Westworld in its first season, or Breaking Bad during the Gus Fring phase. Above all, it shows that it is entirely possible to make great, often magnificent, television without any sort of sensationalized acting, clichéd dialogue or narrative acrobatics. I have already completely forgotten Game of Thrones and don't plan on rewatching any time soon. I find it unlikely I will ever do the same to Mad Men.

Mad Men is one of my favorite shows ever. It was one of the most talked about shows when it was on, it's the reason I started watching it. I wanted to see if the show could live up to all the hype surrounding it and it did. It surpassed my expectations in every way. It actually ended up being one of my favorite shows. The entire cast is brilliant but this is Jon Hamm's show. His character, Don Draper, is iconic. Hamm was so good that he was nominated for an Emmy for all seven seasons the show was on and even won for best male actor. The show itself was also nominated for an Emmy for best drama for all seven seasons and even won a few times. In all the show won 16 Emmys and had over 116 different nominations. I'll say that again in case you thought it was a misprint...Mad Men was nominated for 116 different Emmy awards! That alone should tell you how legendary this show is. I love it so much I plan on watching it all the way through again in the near future.

Mad Men was such a terrific show that is absolutely just as good as everyone says it is. I never watched it when it was originally on but after hearing so many great things about it I finally gave it a chance and streamed it. I was blown away but how much I loved it. There's a reason it won so many awards when it was on...because it's terrific! The acting, writing, directing, production, attention to detail, etc are all among the best in television history! I can see why some people may not like it because it does starts off a little slow but give it a few episodes because it absolutely pays off and then you won't want to stop watching it until you binge the entire series!

The central character in this show is a deeply damaged man called Don. He has a strong survival instinct, but he's incapable of loving or even trusting. He is running scared. He compensates for his insecurity and emptiness by pursuing primal things that soothing his ego. He has to feel that he's in control, even though he's living on the edge. He tries to be the "Alpha Male" conquering all around him. In reality, he is a juggler about to drop all the balls.

The others in this show are complex human beings whose characters dictate how their lives evolve and ultimately end up.

One interesting character that you follow throughout the series is Peggy. She enters the world of advertising as a total innocent, but as the show progresses, you'll see her become a worldly and powerful business woman.

The show is full of examples of the attitudes and mindset of the 1960s. The type writer was designed "so even a woman can learn how to use it". Everybody smokes, a lot. It's ok for kids to play with plastic bags over their heads. Women are treated in a way that would surely be considered sexual harassment in today's world. These unacceptable things jump out at you and startle you, and give you a flavor of that era.

The show was a hit for a reason. It's very good!