Drama sobre uma das mais prestigiadas agências de publicidade de Nova York nos anos 60, e de Donald Draper seu executivo mais misterioso mas extremamente talentoso.Drama sobre uma das mais prestigiadas agências de publicidade de Nova York nos anos 60, e de Donald Draper seu executivo mais misterioso mas extremamente talentoso.Drama sobre uma das mais prestigiadas agências de publicidade de Nova York nos anos 60, e de Donald Draper seu executivo mais misterioso mas extremamente talentoso.
- Ganhou 16 Primetime Emmys
- 166 vitórias e 450 indicações no total
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Resumo
Reviewers say 'Mad Men' is lauded for its deep character studies, historical accuracy, and nuanced depiction of the 1960s, focusing on the advertising industry. The show delves into themes of identity, power, and societal change, with standout performances, especially Jon Hamm as Don Draper. Its meticulous period detail receives high praise. However, some viewers critique the slow pacing, repetitive storylines, and occasional frustration with character exits and unresolved plotlines.
Avaliações em destaque
The journey is a most interesting one in Don Draper's universe that occupies a time (1960s) in American culture when changes occurred in warp speed. No Pollyanna view of the world, 'Mad Men' explores the full spectrum of human relationships, personality types, and emotions.
The show's creator Matthew Weiner (previously executive producer/writer of 'The Sopranos') takes viewers on a high-ball roller coaster of human experiences that explore pursuit of bliss, the depths of where one can go, and the winding roads of inner angst one must often travel.
'Mad Men' is the ultimate ensemble drama series with grown-up adult themes that drill deep into the human psyche and often self-destructive behavior patterns of the 1960s post-WWII Greatest Generation that populated the high-flying, high-pressure Madison Avenue ad agencies.
Those ad agencies created the culturally iconic images cast through television, radio and print media during that turbulent, mass-consumption decade in American society, when Baby Boomers started taking over the reigns of influence in America, much of it in conflict with Greatest Gen thinking.
There is nothing low key about 'Mad Men'. Tension and conflict is layered throughout the series. Weiner covers a lot of territory of the human experience that exists inside complex personalities and their relationships, and the intense emotions that often accompany them.
As it stands now, 'Mad Men' is the best TV drama series of all-time; I don't believe there is even a close second.
The show received 4 consecutive "Outstanding Drama Series" Emmys (21 total Emmy wins out of 116 nominations) to close out it's relatively brief pre-determined tenure of 7 seasons.
Those who have seen every episode in sequence, experience a level of high-quality TV viewing that sets the bar to the pinnacle, and rivals the best theatrical movies in production, casting, acting, and story-telling.
Matthew Weiner's unique concept alone puts it into a must-try category.
For those who have seen the entire series, it is even better the second, third time around (and one gains value in more rapid linear viewing, rather than having to wait months to see the next season, or a week to watch the next episode).
Marathon binge-viewing of consecutive episodes can be exhausting, but the series' irresistible gravitational force inevitably draws you back into the center of Draper's universe to watch the next episode - You just can't look away.
View 'Mad Men' from episode one, season one. The trip is well worth the time.
👍👍
The show's creator Matthew Weiner (previously executive producer/writer of 'The Sopranos') takes viewers on a high-ball roller coaster of human experiences that explore pursuit of bliss, the depths of where one can go, and the winding roads of inner angst one must often travel.
'Mad Men' is the ultimate ensemble drama series with grown-up adult themes that drill deep into the human psyche and often self-destructive behavior patterns of the 1960s post-WWII Greatest Generation that populated the high-flying, high-pressure Madison Avenue ad agencies.
Those ad agencies created the culturally iconic images cast through television, radio and print media during that turbulent, mass-consumption decade in American society, when Baby Boomers started taking over the reigns of influence in America, much of it in conflict with Greatest Gen thinking.
There is nothing low key about 'Mad Men'. Tension and conflict is layered throughout the series. Weiner covers a lot of territory of the human experience that exists inside complex personalities and their relationships, and the intense emotions that often accompany them.
As it stands now, 'Mad Men' is the best TV drama series of all-time; I don't believe there is even a close second.
The show received 4 consecutive "Outstanding Drama Series" Emmys (21 total Emmy wins out of 116 nominations) to close out it's relatively brief pre-determined tenure of 7 seasons.
Those who have seen every episode in sequence, experience a level of high-quality TV viewing that sets the bar to the pinnacle, and rivals the best theatrical movies in production, casting, acting, and story-telling.
Matthew Weiner's unique concept alone puts it into a must-try category.
For those who have seen the entire series, it is even better the second, third time around (and one gains value in more rapid linear viewing, rather than having to wait months to see the next season, or a week to watch the next episode).
Marathon binge-viewing of consecutive episodes can be exhausting, but the series' irresistible gravitational force inevitably draws you back into the center of Draper's universe to watch the next episode - You just can't look away.
View 'Mad Men' from episode one, season one. The trip is well worth the time.
👍👍
The brilliance is all in the subtext. There are many hilarious moments that are only funny if you've been paying attention and understand where the character is coming from. There are also many tragic moments that would pass you by if you didn't know what came before. Many lines have double or even triple meanings. Watch this from the beginning, with a friend. Believe me, you will want to discuss each episode afterward to figure out some of the nuances of what happened.
The main Mad Man is the confident womanizer Don Draper, who is head of the Creative department at a mid-sized ad agency in 1960s Madison Avenue. I admit, at first I kind of hated him, but as the viewer learns more about him and his past, I learned to - not love him exactly - but like him and want to watch him endlessly. He is a complicated character who can be a very good man, but also a very bad man.
Don Draper is joined by a rich cast of supporting characters, many of whom deserve a show of their own: The ambitious young Campbell who is utterly sleazy most of the time, but has occasional moments of growth and even cuteness.Peggy Olson starts out as Draper's secretary, but her growth into a strong, confident woman mirrors what is happening for Woman in the 60's. Silver fox Stirling - he may be morally bankrupt but gets some of the best lines. I could go on . . .
The 60's clothes, hairstyles, decor, and current events provide an interesting backdrop for what is essentially a character piece. The setting provides both the occasional laugh (cigarettes being advertised as "healthy") and the more than occasional cringe (how could dumping trash from a picnic in the park right on the grass ever seem okay?!).
If you need fast-paced action or a laugh track, this definitely isn't the show for you. But, if you like character development and subtlety in your television shows, rent the first seasons on DVD and settle in. You won't regret it.
The main Mad Man is the confident womanizer Don Draper, who is head of the Creative department at a mid-sized ad agency in 1960s Madison Avenue. I admit, at first I kind of hated him, but as the viewer learns more about him and his past, I learned to - not love him exactly - but like him and want to watch him endlessly. He is a complicated character who can be a very good man, but also a very bad man.
Don Draper is joined by a rich cast of supporting characters, many of whom deserve a show of their own: The ambitious young Campbell who is utterly sleazy most of the time, but has occasional moments of growth and even cuteness.Peggy Olson starts out as Draper's secretary, but her growth into a strong, confident woman mirrors what is happening for Woman in the 60's. Silver fox Stirling - he may be morally bankrupt but gets some of the best lines. I could go on . . .
The 60's clothes, hairstyles, decor, and current events provide an interesting backdrop for what is essentially a character piece. The setting provides both the occasional laugh (cigarettes being advertised as "healthy") and the more than occasional cringe (how could dumping trash from a picnic in the park right on the grass ever seem okay?!).
If you need fast-paced action or a laugh track, this definitely isn't the show for you. But, if you like character development and subtlety in your television shows, rent the first seasons on DVD and settle in. You won't regret it.
I'll be the first to admit that Mad Men is a show about watching people go to work and live their lives. It should be dull and uninteresting, yet somehow it managed to grip me for a whole 7 seasons and left me wanting more.
The setting is a big part of it. The historical interest of the time (JFK's assassination, the moon landing, England winning the World Cup, to name a few key points in the show) is enough to keep many gripped. It's more than that though. The characters in themselves are worth following and you get invested in them as the seasons progress.
To be frank I didn't like the first season. I just didn't get the formula and was getting close to giving up on the show. I'm glad I didn't though as it only improves from the second season onward.
The setting is a big part of it. The historical interest of the time (JFK's assassination, the moon landing, England winning the World Cup, to name a few key points in the show) is enough to keep many gripped. It's more than that though. The characters in themselves are worth following and you get invested in them as the seasons progress.
To be frank I didn't like the first season. I just didn't get the formula and was getting close to giving up on the show. I'm glad I didn't though as it only improves from the second season onward.
Mad Men was such a terrific show that is absolutely just as good as everyone says it is. I never watched it when it was originally on but after hearing so many great things about it I finally gave it a chance and streamed it. I was blown away but how much I loved it. There's a reason it won so many awards when it was on...because it's terrific! The acting, writing, directing, production, attention to detail, etc are all among the best in television history! I can see why some people may not like it because it does starts off a little slow but give it a few episodes because it absolutely pays off and then you won't want to stop watching it until you binge the entire series!
10alexnapo
When I started watching Mad Men, the rhythm of it felt slow.
Pretty quickly did I realize how much more powerful the slow story & plot development rhythm would be, allowing us to discover the characters, mostly in seasons 1 and 2, and then really be in the thick of it in subsequent seasons.
Indeed, this series has pushed character development so far that they are the entire and only reason why this series is interesting. The actual events happening at the advertising agency is a pretext to throw more things at those characters and have them deal with it. In fact, the characters are so interesting that there is practically no violence needed (except a few minor events) over 7 seasons to keep this series going. I find that tremendously respectable to be able to craft a series in this way, not using gun shots and bombs to make it lively.
Finally, I have not lived in the early 60's time period the series is set in, but I can only say that it's all seemed to me very interesting and all these "vintinge" props and costumes, hair style and such made it all the more fascinating to watch.
Absolutely great work.
Pretty quickly did I realize how much more powerful the slow story & plot development rhythm would be, allowing us to discover the characters, mostly in seasons 1 and 2, and then really be in the thick of it in subsequent seasons.
Indeed, this series has pushed character development so far that they are the entire and only reason why this series is interesting. The actual events happening at the advertising agency is a pretext to throw more things at those characters and have them deal with it. In fact, the characters are so interesting that there is practically no violence needed (except a few minor events) over 7 seasons to keep this series going. I find that tremendously respectable to be able to craft a series in this way, not using gun shots and bombs to make it lively.
Finally, I have not lived in the early 60's time period the series is set in, but I can only say that it's all seemed to me very interesting and all these "vintinge" props and costumes, hair style and such made it all the more fascinating to watch.
Absolutely great work.
Você sabia?
- CuriosidadesAccording to Jon Hamm, the production's pursuit of historical accuracy is such that series researchers will insist on knowing weather conditions, news items, and popular culture for a particular period related to the script's time frame.
- Erros de gravaçãoEpisodes from Season 1 to Season 3 feature rotary phones with clear plastic finger wheels. These episodes take place before 1964, when the plastic wheel was introduced. Before that, the finger wheels were black and metal.
- Citações
[repeated line]
Don Draper: What do you want me to say?
- ConexõesEdited into Yoostar 2: In the Movies (2011)
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