Adicionar um enredo no seu idiomaThe bizarre tale of Fanny Cradock, Britain's famous and maligned TV chef from 50s to the 70s.The bizarre tale of Fanny Cradock, Britain's famous and maligned TV chef from 50s to the 70s.The bizarre tale of Fanny Cradock, Britain's famous and maligned TV chef from 50s to the 70s.
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- Indicado para 2 prêmios BAFTA
- 7 indicações no total
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i thought that this was an excellent portrait of a deeply complex and individualistic woman. Julia Davis shines as she always does, and seems to inhabit the unknowable Mrs Cradock effortlessly.
Whether you admire Madame Fanny or not, and preposterous and obnoxious as she seems, I rather do, she was a pioneering female, very much of her time, and the world is a more interesting place because she was in it. To paraphrase a line from the programme, better to die miserable than be boring, darling!
My only complaint is that I would have liked to have seen more about her earlier life, how she managed to throw fabulous dinner parties despite World War 2 rationing by catching and cooking whatever unfortunate wildlife strayed into her garden, why she abandoned her children and just what made her tick. Maybe we'll never really know. Maybe we shouldn't.
Whether you admire Madame Fanny or not, and preposterous and obnoxious as she seems, I rather do, she was a pioneering female, very much of her time, and the world is a more interesting place because she was in it. To paraphrase a line from the programme, better to die miserable than be boring, darling!
My only complaint is that I would have liked to have seen more about her earlier life, how she managed to throw fabulous dinner parties despite World War 2 rationing by catching and cooking whatever unfortunate wildlife strayed into her garden, why she abandoned her children and just what made her tick. Maybe we'll never really know. Maybe we shouldn't.
10rhiw
This was a great show about a deeply insecure woman with intense emotional problems. The show catalogued a lifetime of pretence and despair and the pain she inflicted on others most notably her daughter in law.
I wasn't old enough to see her shows the first time but I remember the infamous blue boiled eggs and the green mashed potatoes as well as other equally hideous food.
Her treatment of the dying Johnny when she couldn't even bring herself to visit him in hospital seemed especially harsh but Fanny suffered from her own demons which seemed to torment her constantly.
I wasn't old enough to see her shows the first time but I remember the infamous blue boiled eggs and the green mashed potatoes as well as other equally hideous food.
Her treatment of the dying Johnny when she couldn't even bring herself to visit him in hospital seemed especially harsh but Fanny suffered from her own demons which seemed to torment her constantly.
Julia Davis is a brilliant writer and actress but I found this utterly boring. It was billed as a black comedy but it prompted not one laugh. It was not particularly black either. The recreation of the period seemed meticulous and rang true to me, who vaguely remembers the programmes. But such ingenuity deserves a better script. One is tempted to suggest that the subject matter was just not that interesting. However, there were hints that Craddock's character was extraordinarily complex. But left as hints they did not lead anywhere. I suspect that Julia Davis was too constrained by the need for this biopic to be true to the known facts to be able to produce anything funny or even interesting.
As a piece of drama this offered absolutely nothing in terms of interest or entertainment. Actors all did a fairly solid job but the script and the narrative where derivative, unexciting and dull. Let's face it, the public perception of Craddock was what made her interesting, the reality was that she was just a ghastly old drag queen who really isn't worth the time this film invests in her.
To add to this because I have to write at least ten lines of waffle, her cooking was pretty gruesome too. It was the stench of the upper middle classes offering advice to the great unwashed that was the Craddock-style (and the BBC at the time) and an hour and a half remembrance of a thoroughly dislikable and untalented Daily Telegraph writer is a total waste of British taxpayers money. ( Paid for by the licence fee which of course is a flat tax on all British households). The BBC should find better things to waste our money on.
To add to this because I have to write at least ten lines of waffle, her cooking was pretty gruesome too. It was the stench of the upper middle classes offering advice to the great unwashed that was the Craddock-style (and the BBC at the time) and an hour and a half remembrance of a thoroughly dislikable and untalented Daily Telegraph writer is a total waste of British taxpayers money. ( Paid for by the licence fee which of course is a flat tax on all British households). The BBC should find better things to waste our money on.
I've never had much of a clue what kind of person Fanny Cradock was off screen. On the surface, what bits and pieces I've seen of her TV show always made her seem very quick on her feet, somewhat posh in a calm, intimidating sort of way but most of all perfectly confident. Very little (if any) of that attitude is to be found in this film. Julia Davis comes across uptight instead of posh or intimidating, and constantly nervous and easily upset instead of calm and confident. (That includes the TV show segments so it's not a matter of the movie implying Fanny might have looked formidable on TV but was actually insecure and neurotic off camera.)
I just couldn't recommend this film - when even the obvious stuff is so far off base (whether that's on purpose or because Davis just couldn't pull off a proper Fanny is another matter), I simply can't lend any believability to the more complex parts that are meant to be dealing with the woman's private life and personality while not so subtly passing judgment on both every 20 minutes. 2 out of 10.
I just couldn't recommend this film - when even the obvious stuff is so far off base (whether that's on purpose or because Davis just couldn't pull off a proper Fanny is another matter), I simply can't lend any believability to the more complex parts that are meant to be dealing with the woman's private life and personality while not so subtly passing judgment on both every 20 minutes. 2 out of 10.
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Fanny Craddrock: Hello everyone. Well, here we are, once again at the festive season And it's the time of the year when Johnnie likes to get his hands on a nice plump young bird. Making a change from the old boiler he gets the rest of the year.
- ConexõesFeatures The Benny Hill Show (1969)
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- Tempo de duração1 hora 20 minutos
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