A Vida de Miles Davis

Absolutely stunning! Attended the world premiere at the NewYork film festival this past weekend. As the film ended, my mind felt entranced. The film's rapid clip style and dramatic ending made me film as if I had viewed one of Mile's mind blowing paintings. Somehow, it all seemed to come together as one mental image at the end. An ingenious portrayal of both Miles music and painting style. Along with the fabulous music throughout, the movie even included a clip of miles working on one of his paintings, as if the cue us in on the films approach.

The music of Miles Davis provides the background for many of the scenes and it is performed in many scenes. As Miles was also an accomplished abstract painter, he is also featured creating some of his artwork. His challenges, triumphs and failures in love, the music industry, music composition, health, etc. compose a collage that comes together like one of his abstract paintings. At the end, a stunning scene brings it all together and emphasizes the phenomenal impact of the Miles music through today, for all time, and across many genres.

As the reviews of Miles Ahead amass on the Internet I'll be interested to read all the different ways people will have to describe Don Cheadle's electrifying performance as jazz great Miles Davis. Or should I say "social music" great, a term Mr. Davis preferred to jazz, according to this biopic. I'd never heard this term before, looked it up online after the movie ended, but couldn't find any definition that fit what I thought Mr. Davis might have meant. What it meant to me though, after being treated to a sumptuous sampling of Miles Davis music in the film, is that there's no better musical expression of the human soul than jazz if done right. In Miles Ahead, Don Cheadle seems to be able to relate to that. As for his portrayal of Miles Davis in general, he plays a man who lays everything on the line in everything he does. Total honesty. Total this feels right so I'm going to do it. No-bs, no-putting-up-with-bs attitude. From violence and crudeness to stunning beauty - this is humanity unadulterated. The movie's high points, to me, are the stunning beauty scenes - when Mr. Davis plays the horn. That is the culmination of everything.

Still, it's ironic that while Don Cheadle seems to get not only jazz, but the concept of creativity - starting off the movie with the Miles Davis quote "When you're creating your own sh**, man, even the sky ain't the limit" - Miles Ahead is limited by being formulaic. In other words, the movie itself is not jazz, though at times it tries to be and wants you to think it is. For example, there is too much clichéd man/woman relationship drama in the film, and while I get that Miles' love of women is necessary to portray for the all-important character development, Miles Ahead gets a little schmaltzy at times, if only because I'd seen the same kind of drama scenes more or less so many times before in so many Hollywood movies.

Overall, Miles Ahead is a passionate tribute, beautifully done, and the love that Don Cheadle had for the project and for Miles Davis really shines through.

Miles Ahead: the Film's Ending Saves Davis

Miles Ahead is an interesting take on the life of the jazz master. It's not a standard biopic telling a tale of the rise, then fall, then rebirth of an artist. Miles Ahead starts toward the end of his career when he is 'taking a break' from performing and recording. We learn that Davis has a deal with Colombia Records to start recording again, but he has yet to follow up when the film starts.

Several plot lines run throughout the film. However, the only one that is fully explored is his marriage. It runs the standard arc of plots with an introduction, conflict, plot points and resolution. The other stories within this film are not so successfully explored.

We have an idea why Davis took time off, but we don't get the full picture of his talents and his method for writing. More time spent on his work and less time with his interactions with the record label and the Rolling Stone magazine writer would have made this film more profound and enjoyable.

Don Cheadle is excellent at embodying the conflicts of the artist. It is not a salute to an idol, it is a full exposé, the talent, his influence, his trouble working with others, his addictions, and his struggle with fame. Davis at once hates his fame and desires to focus on the music while also uses it to get what he wants and to manipulate others. It's his love-hate relationship with his stardom that is the crux of the film in like of his past. However, the film doesn't go deep enough to satisfy your regular audience member that knows little about the man.

A major problem with the film is that while is does well in presenting the marriage and his conflicts with his fame, it also stupidly tries to be an action film. The relationship with the Rolling Stone writer just distracts from the heart of the story and plays out like a Three Stooges bit. Ewan McGregor is out of place as writer Dave Brill and can't bring enough charisma to the screen to make it work. The plot line with the writer is an annoying distraction from the acting of Cheadle and the struggles of an artist.

Thus, for all its good, and it has a lot of good, I only recommend two-thirds of the film. Fortunately, the ending is so well done that it salvages the good in the film.

Rating: Matinée

Cheadle is excellent at playing Davis, but his poor writing and directing decisions detract from what is an otherwise interesting film about a master musician.

Peace, Tex Shelters

The life and music of Miles Dewey Davis, better known as Miles Davis, is on display in the new bio-pic, Miles Ahead. Don Cheadle wears as many hats as afforded to him playing the title character as well as appearing in the credits as producer and director in a film that showcases Cheadle's talent and offers a strong case in ensuring the Oscar's have some color on the stage at next year's telecast.

The film opens in the later years of Miles' life. He has already reached fame and fortune. But his drug addiction has turned him into a Howard Hughes recluse. And he has temporarily turned his back on music. The story opens with Miles alone in his home when he is aggressively approached by Rolling Stone magazine writer Dave Brill (Ewan McGreggor) who is interested in writing about Miles' new project. The opportunistic Brill gets swept into a fantastical series of events that include following Miles as he confronts his record label, procures cocaine and is chased through the streets in a hail of gunfire by unscrupulous folk looking to advance their worldly standing through the theft of Miles' still-in-progress demo tape.

The events that unfold are not based on historical fact. But it doesn't matter. Miles Ahead is more a movie about the attitude and persona of legend Miles Davis than it is a straight up account of a fraction of the musician's life.

By way of flashbacks, we get a glimpse into the more serene life of Miles Davis before drugs off-tracked his career. A clean cut Davis is seen rising in ranks through the Jazz clubs of America and eventually falling for Frances Taylor (Emayatzy Corinealdi) who would eventually become his wife of 10-years.

The film doesn't dive too deeply into the domestic violence between the two lovers that became headlines back in the early 60's nor does it touch too intensively the racial tensions in America at the time. There is a scene where Davis is unprovokingly harassed by police officers and taken to jail for simply showing kindness to a woman of white skin, but the film has no message to present in terms of Miles' involvement with racial divides at the time. Instead, Cheadle keeps the camera focused on a single day in the broken down icon's history. This works largely to the films advantage but sacrifices giving us a glimpse into the life of the historic character.

Don Cheadle is a revelation as Miles. The raspy voice, the trumpet playing, the belligerence. All are played exactly on key. The supporting cast does amply in tow but there is little to look at outside of Cheadle's performance.

For this particularly story, things do work out well in the end. Relatively. We had hoped for end credit title cards that would have told us more about the man. Those unfamiliar with Miles Davis might have wanted to know if he was still alive or what became of Frances Taylor after their split. Even a short blurb unveiling Miles' nine Grammy Awards would have been refreshingly educational at film's end.

Miles Ahead is not the be-all of musician movies. But I would categorize Cheadle's performance of the late trumpet player as one of the better performances of a real-life musician on screen. It's good enough to recommend the film to anyone. Jazz fan or not.

Miles Ahead tells the story... well, not quite. The story of Miles Davis in the 70's. Going back and forth to the 50's. With all my love to the man himself, I gotta say the movie isn't so good. Let me break it down a little: When you want to see a biography about a person, you would normally want to see his journey, his creations and art being shown, a bit of his struggles and personal life. You don't want to see a fictional journey of the person that has nothing to do with the man himself.

I have stated in the past that there have been many biography movies in the past few years depicting the lives of celebrities, when so many origin movies are being made so it loses its specificity and becomes cheap and ordinary.

In Miles Davis's case, they made a complete fictional story surrounding Miles, something a bit bizarre and odd. Even though I was a bit interested with this sort of plot. I would have rather done another biography depicting Miles Davis's career, the start, the middle and end. Have the movie focus on the music only. The music is what's important.

Luckily we do get to hear all of Miles's music, from "Kind of Blue" and "Sketches of Spain" to the 80's music.

Overall I guess the whole fictional shenanigan journey was just not good enough for the movie and probably was better to have a more simple plot line.