Um policial assassinado recentemente se junta a uma equipe de policiais mortos-vivos que trabalham para o Departamento de «Descanse em paz» e tenta encontrar o homem que o assassinou.Um policial assassinado recentemente se junta a uma equipe de policiais mortos-vivos que trabalham para o Departamento de «Descanse em paz» e tenta encontrar o homem que o assassinou.Um policial assassinado recentemente se junta a uma equipe de policiais mortos-vivos que trabalham para o Departamento de «Descanse em paz» e tenta encontrar o homem que o assassinou.
- Direção
- Roteiristas
- Artistas
- R.I.P.D. Evidence Clerk
- (as Christina Everett)
- Nick's New Avatar
- (as Piper Harris)
- Executive
- (as Duncan Putney)
Avaliações em destaque
Some reviewers seem to insist on portraying the film as a poor man's ripoff of Men In Black, or Ghostbusters. It's neither. It's just a fun, wisecracking film based on a well known genre comic from independent publisher Dark Horse. Go, have some popcorn, laugh a lot, and enjoy the summer.
One of the summer's biggest expensive casualties is this Dark Horse comic adaptation starring Ryan Reynolds and Jeff Bridges as two police officers in the after life fighting undead ghouls. It was directed by Robert Schwentke (who also directed the action films 'RED' and 'FLIGHPLAN') and written by Phil Hay, Matt Manfredi and David Dobkin. Peter M. Lenkov created the comic book it's based on and also executive produced the film. The film also co-stars Kevin Bacon, Mary-Louise Parker, Stephanie Szostak, Marisa Miller and James Hong. Oddly both Reynolds and Parker had two big films opening the same weekend (Reynolds also can be heard in the animated family film 'TURBO' and Parker reprised her role in the sequel to Schwentke's 'RED'). All three films bombed and Reynolds now has a pretty big reputation for constantly delivering box office misfires. That doesn't mean they're bad films though and I actually enjoyed 'R.I.P.D.' to a certain degree (definitely not an especially good movie though).
The film opens with a Boston cop named Nick Walker (Reynolds), having a dispute with his partner, Bobby Hayes (Bacon), over whether or not to turn in gold they found at a recent drug bust. Walker is shot and killed by Hayes during a shootout and is recruited by the R.I.P.D. (Rest In Peace Department) in the afterlife. The R.I.P.D. specializes in catching 'deados', which are souls who have refused to leave the land of the living. Walker is teamed with an old U.S. Marshal from the Old West, named Roy Pulsipher (Bridges), while he attempts to track down his old partner and clear his reputation with the love of his life, Julia Walker (Szostak).
The biggest complaint I've heard about the trailer for the film is how much it resembles the film 'MEN IN BLACK' and I have to say, after seeing the film as well, that it very much resembles a 'MEN IN BLACK' movie. It's of course not nearly as good as that campy sci-fi classic but it is better than it's first sequel (arguably 'MEN IN BLACK 3' as well). The fact is the movie is not nearly as bad as a lot of people like to say it is. It's a lot of fun, funny at times and the visuals are spectacular. It had a budget of approximately $130 million and as a purely visual treat it paid off; as far as the special effects go, plus the women are all super hot (Szostak and Miller are breathtaking in the flick). Watching Reynolds and Bridges together (as an odd couple duo) is a treat as well and it's funny to see Reynolds being mostly the straight man while Bridges mostly hams it up (Bacon is also once again a great despicable villain). Not a great film by any means but not a bad one either.
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Você sabia?
- CuriosidadesIn a Reddit AMA discussion, Jeff Bridges said that he enjoyed making the movie with the cast and crew, but attributed its failure to studio interference. Bridges said, "The suits just cut it against the grain, and, I thought, screwed it up." He described the film as "underwhelming."
- Erros de gravaçãoIn the elevator scene, Nick shoots the elevator cable that causes the elevator to rocket upwards. If the safety features are defeated, shooting the counterweight would send it downward. Sending it upward by shooting a counterweight would imply the weights are there to keep the elevator from rising. Also, when the elevator breaks through the roof, there is no sign of the rigging and machinery the elevator needs above it.
- Citações
Roy Pulsipher: [to Nick] You are just gonna have to learn to sit on your regret and pain until it turns into a dull, persistent ache. The way I do it. The way a man does it.
Business Person: [walks up to Roy's avatar] I do music videos. Home phone number's on the back.
Roy Pulsipher: Excuse me? I'm not a piece of meat put on this earth for your gratification, I'm a woman. Respect me or I will castrate you like a three-year-old steer.
- Cenas durante ou pós-créditosAs the primary cast is first being shown, the names are accompanied by images relevant to their characters: Roy's ten-gallon hat, Proctor's white boots, Hayes' St. Christopher's medal, etc.
- Versões alternativasThere are apparently two versions in circulation, a worldwide theatrical cut and one for the United States. There is no significant difference in length between the two. Runtimes are "1h 36m (96 min)" and "1h 36m (96 min) (United States)", respectively.
- ConexõesFeatured in ReelzChannel Specials: Richard Roeper's Red Hot Summer (2013)
- Trilhas sonorasHey Nineteen
Written by Walter Becker, Donald Fagen
Performed by Steely Dan
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Principais escolhas
- How long is R.I.P.D.?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- R.I.P.D. Policía del más allá
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 130.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 33.618.855
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.691.415
- 21 de jul. de 2013
- Faturamento bruto mundial
- US$ 78.324.220
- Tempo de duração1 hora 36 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1