Crazy Love

This may be the most amazing true-life documentary I've ever seen. If it wasn't all true, I'd never believe it. Who would? This is an insane "love story," and it really happened. Ask the citizens of New York City who lived through this tabloid story. I'm sure they couldn't believe it, either, but it was headline news in their area for quite a while.

I hesitate to say too much for those who haven't watched this, but I highly recommend this DVD. The filmmakers did an outstanding job in presenting all the major figures in this fascinating tale of twisted lovers....and "twisted" is putting it mildly, especially in regard to the chief male: Burt Pugach, who is one of the most despicable no-conscience people I've ever seen. If you have a low opinion of lawyers, you'll really appreciate this story! The female part of this bizarre "love" story is Linda Riis. She's the first person you see on camera and, from the first sentence on, you think incredulously "who is this?!" The weird sunglasses, eyebrows, obvious wig and brutally-frank New York directness and accent hits you like a truck. Her story, and from her perspective, is the most amazing of them all. Everyone else that follows - Burt and Linda's friends and associates - are almost as riveting. These are all real people, not actors.

Trust me: you have to see this to believe it. If crazy people, obsession, romance, crime, loneliness, comedy, etc., are all something you find entertaining, this documentary has all of it. It might also disgust you that human beings can be so pathetic.

I couldn't stop shaking my head in disbelief after this watching this documentary. Kudos to everyone involved in this film for a job very well done.

Entertaining and mildly provoking film documents the weird highs and strange lows associated with a decades-long bizarre courtship of one Linda Pugach by her mildly insane husband Burt. Simultaneously amusing and depressing, the progressively ridiculous reality these two ill-fated lovers found themselves in is enough to warrant viewing. Making great use of archival footage, the filmmakers really hit their stride near the end, when laying out the skewed romantic timelessness which pervades the Pugach's interactions. The film does take some time to build viewer interest (supposing you were too young to remember this in the headlines) but when it does get particularly interesting near the end, rarely does studying the brilliant intricacies of human irony feel more poetic.

I'm reminded of the line from a Chris Rock special where he's talking about gay people should be allowed to married and "be as miserable as everybody else." How about passive-aggressive? One may try and pin-point Burt Pugach as being such, though he's not the easiest sort of character to crack. Or, maybe he is: a pioneer in the field of ambulance chasers, he laid eyes on a woman one day in the late 50s in the Bronx and knew he had to have her. She wasn't that easy, albeit he was pretty rich as a lawyer/movie producer, and had all sorts of nifty objects. But, low and behold, he was really married, and once found out kept stalling on getting divorced. Why exactly I'm sure only Burt, and his eventual ex-wife, could say, but it lead down a path of one of the most bizarre cases of 'tainted love' one could ever find: blindness by acid, jail-time, near poverty, and finally a strange reconciliation and marriage between stalker and stalkee.

If you don't know the tale of the Pugach's, as I did, some of this may come as something of a surprise (the glasses Linda wears, at first, seems like a simple fashion gimmick, until the real reason comes out- and sight of her eyes as they are today), but what makes the film work best is seeing it as a surreal human interest story. Like Capturing the Friedmans, you'll leave the theater or finish watching at home and it will get you talking not so much in a gossip kind of way as the newspapers originally made it out to be as a huge story (the kind that, had it come out today, would be probably the only news for a week on the cable channels), but as if these people are almost like characters in a movie. How could Burt's first wife stand all this, or even marry him? Didn't Linda know that Burt could go one step further following her engagement to Larry Schwartz? How could the two of them stay together even after there was ANOTHER big charge put against Burt in the 90s with another woman claiming damages? All these questions, and more, may be prevalent, but in the end it doesn't matter too much.

What Crazy Love is is sincere entertainment, where there's real truth in it- the circumstances following Linda's blindness, leading to a sort of existential crisis leading up to Burt, mostly for the money, truth be further told- and lots of dark humor as well. It may be a little exploitive perhaps, but seeing photos of Burt in the 70s after getting out of prison are some of the most demented photos, I've ever seen of a man, with his beard looking like what a character playing the devil might wear (not that he is the devil, just a, well, lying ambulance chaser). There's also some humility in seeing how, in a way, the marriage that Burt and Linda ended up in may not be too far removed, in seeing them on screen anyway, from how people you know might act- which is a level of discontentment and misery, but also the feeling that things can't get much worse.

It's not a great documentary, as sometimes the editing is a little jerky, and the last transition from previously cool songs to a mopey ballad the couple dance to is not good at all. But it's got many qualities that make it very watchable- unpredictability (or predictability, depending on point of view or knowledge of the material), a real sense of time and place (great Bronx locations), and two people and their friends and witnesses who can attest to the biggest puzzle of them all: how could they get back together after what happened?

"Crazy Love" again shows us just how compelling real people and situations can be when compared to their fictional counterparts. The screenwriter has not yet been born who could come up with such a detailed, character-rich, period-to-present story. Simply outrageous, you can smell the ink of the old New York tabloids wafting from the screen. This film is endlessly entertaining, fascinating, scary, funny, familiar, confusing and confounding. I think that New Yorkers will find the film and it's tone particularly interesting. The stock footage and stills are outdone only by the amazing Bronx/Brooklyn-ese accents whining from this quirky but genuine group. Think of it, single scandalous crime whose layers have been evolving and unfolding for 50 years now. A must see!

So well done, capturing the above-ground kind of rationale that tries to exculpate horrible behavior as normalcy. This showcases the kind of hat trick that attempts to make apartheid and brutality acceptable, rationale behavior. Sadly, accepted in certain cultural circles but nonetheless is still unequivocal evil. This should be used to illustrate and teach how pathology and selfishness can be romanticized as mythic. Truly- love does not conquer all nor does it excuse the means to the end. It is stunning that this man was not identified as the sociopath that he is and permanently removed from society.