On the Lot
- Série de TV
- 2007
AVALIAÇÃO DA IMDb
6,1/10
1 mil
SUA AVALIAÇÃO
Dezesseis aspirantes a cineastas competem para se tornar o próximo grande diretor de Hollywood e assinar um contrato de desenvolvimento com a DreamWorks.Dezesseis aspirantes a cineastas competem para se tornar o próximo grande diretor de Hollywood e assinar um contrato de desenvolvimento com a DreamWorks.Dezesseis aspirantes a cineastas competem para se tornar o próximo grande diretor de Hollywood e assinar um contrato de desenvolvimento com a DreamWorks.
- Indicado para 1 Primetime Emmy
- 1 indicação no total
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Avaliações em destaque
It's a better show than some of the other more popular reality shows out there. Sure it has its problems but the work produced by the filmmakers is great and its cool to see short films get screened to a large audience for a change. It's too bad audiences don't take too well to creative showcases such as short films. Some of the filmmakers have a lot of talent and deserve some exposure. I hope it lasts the season because if people watched for the films (not for the host or the characters/tension they try to create on reality shows) then it just might pick up some steam. Is it really that hard to have an attention span these days to sit down and watch a collection of fun short films each week....This viewer doesn't think so...Give this one a chance just for the short films.
50 amateur filmmakers are brought to Hollywood to compete for a million dollar contract at Dreamworks. Garry Marshall, Carrie Fisher, Brett Radner, and others are the judges over its run. The first episode has the contestants making pitches. The remaining 36 split into groups of 3 to make a short film. 12 are eliminated but the next challenge for the remaining 24 was not aired. Episodes 3 and 4 show and judge one minute shorts by the final 18. The rest of the episodes has the show reduced and cheapened to burn off the remainder once a week.
This tries to be a sincere competition show like Project Runway for movie directors. The first episode is problematic because it's not fun. There are too many people and few of them draw in the audience. Pitch meetings are not cinematic and do not provide great reality TV material. The first episode is a complete bust. The second episode is better and Zach Lipovsky's special effects wizardry is really the highlight. The whining and fighting do not always work. The show struggles to figure out the formula. It's a lot of hit and miss. A few shorts are actually interesting and wonderful but there is a lot of crap to dig through. The show kept losing viewers and it's slow grinding TV death.
This tries to be a sincere competition show like Project Runway for movie directors. The first episode is problematic because it's not fun. There are too many people and few of them draw in the audience. Pitch meetings are not cinematic and do not provide great reality TV material. The first episode is a complete bust. The second episode is better and Zach Lipovsky's special effects wizardry is really the highlight. The whining and fighting do not always work. The show struggles to figure out the formula. It's a lot of hit and miss. A few shorts are actually interesting and wonderful but there is a lot of crap to dig through. The show kept losing viewers and it's slow grinding TV death.
There is plenty good about this show and a little bad along the way that spoils the fun. Besides being formulaic in the reality show talent contest format ala Idol, there's a decent show with true content each week. While the demographic to which this appeals to is fairly small I believe it'll survive the dearth of summer original programming and do OK for Fox during the bland summer months.
The directors are varied and each have a particular take, though their own efforts are hampered by frequently mediocre acting. Also at issue is the minimal information that is given about the constraints they work under, so it's hard to judge them objectively.
Example "What is the theme?" "How long do their movies have to be" "What funds/equipment/time are they alloted"... it is hard for the audience to formulate an opinion when these facts are never discussed.
The production values are OK but the judges are a mixed bag. No one, at home or on the show, respects Carrie Fisher's opinion, and if I have to hear the old dirty man tell another 'sweetheart' contestant how 'we need more female directors' and that while her movie sucked he 'likes her smile' I'll puke.
Tune in each week for the surprisingly famous guest judge (who Fox can't ever seem to promote in advance and capitalize on) who is invariably promoting his next big flick and providing the only intelligible commentary and this show should be worth you money on Tuesday nights.
The directors are varied and each have a particular take, though their own efforts are hampered by frequently mediocre acting. Also at issue is the minimal information that is given about the constraints they work under, so it's hard to judge them objectively.
Example "What is the theme?" "How long do their movies have to be" "What funds/equipment/time are they alloted"... it is hard for the audience to formulate an opinion when these facts are never discussed.
The production values are OK but the judges are a mixed bag. No one, at home or on the show, respects Carrie Fisher's opinion, and if I have to hear the old dirty man tell another 'sweetheart' contestant how 'we need more female directors' and that while her movie sucked he 'likes her smile' I'll puke.
Tune in each week for the surprisingly famous guest judge (who Fox can't ever seem to promote in advance and capitalize on) who is invariably promoting his next big flick and providing the only intelligible commentary and this show should be worth you money on Tuesday nights.
I love my movies. I come out of the cinema with lots of opinions and theories (some good - some bad) and my friends tell me to shut up already.
Here we have a bunch of aspiring producers (some good - some bad) having their short films completely taken apart by well known directors each week.
What more can I ask for? Can wait each week to see what new ideas there are. Even the bad ones aren't that bad because they end in 2 minutes.
I pity those that are around me when I'm watching this - like my friends and family say "shut up already and watch the show!"
Here we have a bunch of aspiring producers (some good - some bad) having their short films completely taken apart by well known directors each week.
What more can I ask for? Can wait each week to see what new ideas there are. Even the bad ones aren't that bad because they end in 2 minutes.
I pity those that are around me when I'm watching this - like my friends and family say "shut up already and watch the show!"
A cynical title but if this show wants to last, that is exactly what it needs to do. I watch a lot of FOX shows and the advertisements for "On-the-Lot" ran so ramped that i just had to check it out. It air right after American Idol (coincidence?) and . . . i saw no difference. Other then "singing" is replaced with "directing" it fits all other Cliché Reality Show stereotype. The Judges (who are predictable in their banter), The contestants trying to kill each other (oh the Drama!) and the host who is pretty but gets annoying after 5 minutes of hearing their voice. What sickens me the most about this show is that they could of dispensed with this Cliché bull plop and for once had a reality show that dared to actually be GOOD!!!! I am losing interest FAST in the show because of the RS crap between Movies. That's all this show should be showing is the short movies because the movies are the only thing people want to see. If you actually like a contestant enough to remember their name and face then you still won't remember them enough to actually care if they get eliminated. This show had a interesting concept but it's execution was horribly thought out. So in short: "CUT-THE-BULL OR CUT-THE SHOW!"
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- ConexõesReferenced in Archive of American Television: Mark Burnett (2010)
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