Como Festejei o Fim do Mundo

A trip in memory. A story about an age and about an era. Only character of this movie is Ceausescu. And his presence in ours souls. At a first view is a combination Chagall-Blecher. A page of a old book. A yellow image. But the Romania of 1989 is the Romania of 2006, too. Same words, same dreams, same facts are the pieces of our life. To escape, to have, to be are the problems of everyday. So... . The extraordinary talent of Catalin Mitulescu is the result of a long clear deep observation of the pictures of present Romania. In this film is not the testimony of a communism's drop, a tale about love, absurd, lies and honor. It is a chronicle, a gorgeous chronicle about Revolution, Piata Universitatii, Iliescu regime, about Miron Cosma and the empty hope, about condition of Romanians, ever strange, ever cold. Lalalilu is our conscience. Ours jokes, patience, wait are the fruits of his desire to understand. "Our country is our country". It is possible a better definition of our condition?

I have just seen this movie and I loved it. Maybe for the little boy who plays his role very well, maybe for the strange relationship that Eva has with either guys, but especially for how the director managed to capture the communist era in every aspect of the movie. Romanians may understand this better. The revolution took place almost 17 years ago, a new regime was installed since then and almost everything has changed. But this movie brings back even the smallest detail, from the clothes that students wore, music they listened to, even haircuts they had, to the state of the streets, houses, cars. It's amazing, but I had the strong impression that the movie was made many years ago. I would recommend this movie to all Romanians because, in a small detail, it gives a different perspective about the revolution. But also, non-Romanians should watch it just to see how difficult times we have been through.

I saw this film at the Toronto International Film Festival. This was an earnest but uneven film about life in Romania during the final months of Ceausescu's rule in 1989. Teenaged Eva and her young brother Lalalilu live with their parents and suffer the hardships of living under a hated dictator. Since their neighbour is a cop, they have to be careful what they say, and Eva's parents encourage her budding romance with the policeman's son Alex because of what the family connection could do for them. Instead, her rebellious attitude gets her expelled from her school and sent to a technical school for troubled students. There she connects with another neighbour, Andrei, whose family have already been punished for protesting against the regime. Together they make plans to escape Romania by swimming across the Danube, but when the crucial moment comes, Eva turns back.

Meanwhile, Lilu is plotting with his friends how to kill the dictator. Young Timotei Duma is very reminiscent of Salvatore Cascio, who played young Salvatore (Toto) in Cinema Paradiso. Which means he was extremely cute, and some of his scenes were the best in the film. There are two whimsical scenes where we seem to enter his childlike world: one is set in a submarine taxi where all the villagers can be taken to whatever city in Europe they wish to visit, and the other visualizes the boy blowing a huge chewing gum bubble that becomes so large that it floats away. Clearly, the theme of escape is on everyone's mind.

I wish there had been more scenes like that. Instead, most of the film consists of Eva's various meetings with Alex or Andrei and very little dialogue. For a main character, she was just a little too enigmatic. I definitely felt the film could have used a bit more dialogue and a bit more editing to speed the pace a bit. As well, the ending could have used a bit more explication. There are some pictures of Ceaucescu on live television and what appears to be live coverage of him fleeing but there is no explanation. For Romanians this might be self- evident but for the rest of the world, we could use a little bit of help.

The ending itself is quite lovely, with the increasing tension suddenly released with Ceaucescu's fall. And there were some moments of dark humour, as when the students are required to sing patriotic songs about how wonderful their lives are in Romania when it's plain that everyone is living in misery. But there is a bit of unexplained business at the end surrounding the policeman and his son Alex that bothered me. As well, there were a few strange cinematographic choices throughout the film that proved distracting. Scenes would be clumsily blocked by objects as if the director didn't quite know where to place his camera. It's not a huge surprise to discover that this is Catalin Mitulescu's first feature film.

Indeed...the best Romanian film in a while. It took me back to those years when I was probably about Lalalilu's age and gave me a small piece of my childhood back, when on the one hand everything was a game, on the other it seemed 'normal' (to me) that a child has to suffer from cold and be ill every winter. I realized the tragedy of that only after the communist regime was gone. But what's more important, you don't have to know anything about those years in order to relate to this films, because IT relates to YOU. An honest film, lovely characters, great story and storytelling, totally unpretentious and charming. Great acting and cinematography, lovely directed. Definitely an A+ film from Romania so...expect more...;)

I have seen this movie recently, and it wasn't bad. I was amused by some of the comments made on this site about the movie, like the one disappointed viewer that said "I'm not a fan of Balkan or gypsy music and especially not a fan of national anthems". From some of the comments you would think this movie was a musical. No, it contains very little music, and it is often obligatory to sing the national anthem at school, especially during communism, so it is not something you like or no, it is something that you do.

I understand that the title may be misleading, that one may expect something else, and especially if you are not Romanian, you may not "feel" the movie very well. One viewer that posted a comment said he was confused about the story line, that there was no plot, but only events and people that didn't make sense. I found the story line quite simple, and I found the so called mystery of it to be necessary. It made everything seem as if it was somebody's experience and not real events. I don't know how others found the camera work, some complained that there were objects in front of the camera that seemed carelessly done. I thought the camera work was like that on purpose. Again, for me, it was as if somebody was observing all this in a certain way, and thus the camera tried to adjust to it, to make it more into an experience rather than a clear cut picture. I expected myself the movie to be more about the actual revolution. However, this movie is not about the Romanian revolution as the events of the story only culminate in the revolution at the very end of the movie. The end of the world rather, contains of months that were spend before the revolution, and I think captures well the hopelessness of everything, and the feelings that something is about to come to an end, to change somehow. Thus, those sad months are the so called end of the world, and the end of the movie is a new start.

Last thing to mention was also that this movie does not offer a global view of Romania or of Bucharest or the Romanian Revolution. The story only centers around one family, and their situation, fears, friends, etc. Thus, restricting the story to such a small scale might make viewing harder especially for non-Romanians. Even for some Romanians it may seem pointless to watch this family for the duration of the movie. However, for others like myself, you may find that the story was nicely told, the characters were well portrayed and that the movie was well done. One can argue that it is not perfect, and that it could have been this and that, but generally I thought it was very nice to see.