Numb

Hudson Milbank (Matthew Perry) is a depressed Hollywood screenwriter who can't feel anything. He bounces from one psychiatrist to another. His life takes an interesting turn when he meets the lovely Sara Harrison (Lynn Collins).

Director/writer Harris Goldberg doesn't have the creativity to make this movie quirky. I wasn't certain what it was trying to do for quite awhile. Then Lynn Collins gets into the movie and I figure this was a nice little rom-com. But then Lynn gets yanked out of the movie. It completely disrupted the flow. Mary Steenburgen provided some quirky funny moments in the last half, but it's too little. Lynn was sorely missed. A depressed Matthew Perry is just not compelling all by himself.

I saw this at the Austin Film Festival and thought it was one of the best romantic comedies I have seen in years--and from the most unlikely source material. Beautifully written with a light hand, it exploits extreme situations for humor but always goes beyond simple shock value and superficial, quirky tics. (This writer has had enough of movies like Superbad and Knocked Up, which wear audiences out with shock humor, and I didn't see the point of Napolean Dynamite, in which minimalist, oddball moments fail to accrete to a real story.) Numb is instead an eccentric, hilarious film with depth, heart and soul. The tone was spot on: though based on deeply painful autobiographical material, Numb is never maudlin or pathetic. And Matthew Perry is outstanding--prevented from being outlandishly Matthew Perry ("Zero," the director reportedly commanded him. "Nothing. You're numb."), it seemed he was forced to funnel his comic genius into tiny, brilliant moments. A gem of film.

Hudson Milbank, who is a screen writer, gets to knows that he has depersonalization disorder, tries to change his isolated lifestyle and starts to socialize to cure it, and the decisions that Hudson takes, whether as part of the treatment or not is all about the movie.

Having someone who loves and accepts the way that you are without proving or without showing any gimmicks to be attractive is the soul of this movie.

A small movie about accpetance, whether it's good or bad.

Overall it's a good movie which mostly driven by Mathew Perry's performance as Hudson which is the main postive of this film.

It's highly recommended.

I have been rooting around for sometime now for a movie that would speak to the inertia that has settled over me in various cycles during the last decade or so. This would be a movie that would address the issue of being a potentially gifted person, but who is stunned by the oppressiveness of modern life: frightening economy, unpredictable jobs, the no-rules relational chaos of post-modernism.

The last movie I saw that got to this was "Wonder Boys," about an insightful English professor who couldn't function because of being emotionally stunned. While it is flawed and at times, forcing itself too much on you, "Numb" is that great new movie that gets into the struggle for identity.

Matthew Perry does a convincing job as Hudson Milbank, a modern LA freelance writer, trying to find meaning and connection. The film cleverly dances in and out of his early life, showing his times with fittingly remote and narcissistic parents, especially a destructive mother who is played perfectly by Helen Shaver, a great Canadian actress who masterfully conjures cold, chipper, semi-ice-queen figures.

It also has a hysterical and realistically frightening bit about a highly credentialed psychiatrist, Dr. Cheryl Blaine, played ably by Mary Steenburgen, who has her own bout with borderline syndrome and sexaholic tendencies, which she can't seem to restrain from unleashing on Hudson, who seeks her help with his condition.

The funniest line of the movie comes when she chases him out of a restaurant in a predatory moment, asking him about his family. To which Hudson, in a mid-trot, grunts to Tom, his writer sidekick played by Kevin Pollack: "uh...run." You can't decide whether Dr. Blaine is funny or terrifying, maybe the scariest female character since Sharon Stone in "Basic Instinct."

There are so many familiar handles in this movie, I can't even remember them all. Besides the out-of-control, counter-transferring female therapist, let's see...there was

-- Spending most of your leisure life in bed being hooked on one brand of inanely topical TV, in this case, The Golf Channel. Many of us have our times escaping into with some kind of nerdy TV; mine is The Weather Channel, for my ex, it is The Fishing Channel, and an old roommate couldn't live without The Military Channel.

-- Trying an unending series of anti-depressants, thinking you will find one magic pill to fix you. Hudson becomes so much a regular at the HMO pharmacy, that we see the pharmacist playfully wishing him luck with his latest prescription.

-- Being up and out at 4 a.m., insisting this is the only time you really feel good about the world.

And there are many more moments I recognize in this movie that come from the benumbing, joyless periods that seem to settle in on us. without answers, at various times in the post-modern world.

What director Harris Goldberg does that is so helpful is he makes many of the trapped moments funny and he resists offering up a trite resolution. Hudson finds hope in certain things and soon abandons them, going on to his next illusory beacon. It is a waiting game until he finds the next bit of relief, kind of like real life.

Since the 'friends' era (someone was bound to bring it up), Perry's films have always shared the typical romance/comedy element, although I must nuance by saying the emphasis tended to differ, but now it seems that Matt has chosen a different path, trying to prove himself as a serious actor in drama's, although he hasn't fully abjured comedy (not that he should, as long as it remains tasteful). The recent 'The Ron Clark Story' proved to be a big hit in the rose and 'Numb' was the next logical step, providing him with a more challenging and diverse role even namely a screenwriter having to deal with a peculiar form of depression; 'depersonalization'.

Judging the authenticity of his performance is very hard, seeing that I, like most people, have never heard of the condition in question. I do believe most reviews coming from people suffering from it or having suffered from it in the past were predominantly positive. Perry's natural charm and his impression of being clumsy have to be suppressed, and having dealt with depression in real life the actor can dig into his own experience to come up with a real life character, and he does so with furore, wisely underplaying and steering away from his typical comedy style, meanwhile the film still has a lot of off beat comedy moments to lighten the material at hand a bit, certainly a welcome comical relief.

The low-key tone of the film might make it difficult for some people to access, but I would still recommend it to most people.

7.7/10