Não Fui Eu

A man falsely accused of groping fights for his innocence. Groping leaves no evidence, and the Japanese courtrooms are heavily biased against the offender.

"Soredemo" is one of the greatest Japanese film I've seen to date. This movie deals with the horrifying truths behind the Japanese court system. Life-altering and inspirational movie. I haven't seen Kase Ryou in film before, but he handled this difficult role perfectly, excellent control of his emotions. The supporting cast is filled with actors I consider to be the most talented in acting skills, and they all gave great performances. Casting was incredibly well-done.

This movie was directed by the same person who did "Shall We Dance?" and the lead actor in that movie, Yakusho Kouji appears as the main lawyer. Direction, screenplay, and the story were absolutely perfect.

A must-watch film.

This movie provides a deep look into a legal system (not sure if it is unique to Japan actually).

What made this movie worked really well is that I believe it is honest in splashing out as much as it can on how much injustice and unfavourable circumstances can happen in a legal proceeding, and the outcome can continue to be unfavourable for a very long period of time. Acting performances are commendable, though I hope that the main character should have been more serious rather than portraying himself as panicky all the time. But anyway, some scenes were really an eye-opener and all in it is a splendid work!

The film follows the procedures of an unfortunate man as he is arrested, indicted, and tried for groping, a criminal offense. Throughout, the audience is confronted with moral dilemmas, questions on the most basic, most fundamental principles of the justice system and court procedure. Of course, the basic tenet is "innocent until proved guilty," but how does a court truly guarantee such? How does a justice system work efficiently without error? How should the justice system correct itself when there is a mistake? And how should the defendant act when he is wrongly accused? These questions are relevant to any nation, not just Japan.

Despite all the considerations of a highly developed democratic system, the main character, Teppei, still finds himself in the most unfortunate situation of being indicted for a crime he did not commit. Japan has checks and balances different from the United States or other western nations. Most innocent people are freed in the Kensatsu (something similar to the prosecutor) and are never indicted. In a sense, there is a court involving investigation, before the actual court. That a defendant, before entering a court room, has already been found guilty in two separate investigations renders the court a place to merely decide what the punishment should be. This is the reality of 99.9% guilty rate (which includes those who plead guilty). Teppei finds himself in the unlucky situation where he actually gets indicted despite being innocent.

After seeing this movie, many people, especially non-Japanese, will get the wrong impression of the Japanese justice system, which is a lot more fair than this film gives credit to. Regardless, the film presents a very valuable and justified perspective of the way criminal cases are handled in Japan and forces us to contemplate the concept of courts regardless of nation.

One day man is suspected as a criminal of a groper. He has never done such a thing, however he is wrongly labeled as a criminal. He cannot accept it and decides to bring the case into court. He strongly insists that he is innocent but his claims are rejected. The police struggle for their pride. He fights for his innocent for a long time and in the end…

I am very sorry that this kind of accident really occurs. Of course groping should not be accepted. However, someone who is under suspicion also has his life. If he is not a criminal, his life will be unexpectedly changed. I cannot accept such a thing. This film shows us very serious problem of Japan. I want many people to watch this film and rethink about Japanese trials.

A young man on his way to a job interview is wrongly accused of groping a high-school girl on the train. He consistently denies the crime. But he is detained by the police and then charged. Most of the film consists of the numerous court sessions, and I found it totally gripping all the way.

The point of the film is that the Japanese justice system is totally unjust. Astonishingly, 99.9% of defendants are found guilty. In Japan there are no juries - judges make the decisions themselves. (This system is going to change in a few years, so that for serious crimes the verdict is decided by judges and small juries together. But who knows whether this will make the system more just. Many Japanese people might feel a strong pressure to conform with authority and find the defendant guilty even if they don't think they actually are.)

In the film we get an excellent look at how evil the system is. For a start, in Japan, the police can hold anyone for ten days without charge, and an extra thirteen days (I think) if the public prosecutor agrees. This is a very long time to be held without charge! The police repeatedly tell Teppei that if he confesses then he'll just be able to walk out of the police station - "it's only groping, it's just like a parking offence." But this is coercion and untrue. If he confesses, he can easily be charged and convicted. So the police are not allowed to say this. And in court, under oath, one police officer perjures himself by denying that he ever said it.

Someone in the film says that one problem with the system is that judges get regarded well and promoted if they deal with their cases quickly and find most defendants guilty. And judges are public employees (civil servants), so they naturally want to side with the police and the public prosecutors against some poor defendant they don't even know. But they're judges! Surely they should have enough moral fibre to put justice ahead of their personal careers.

So for people living in Japan, this is a very scary film. Innocence is no defence. For me the really shocking thing was that the judge and the police were outright evil. (Actually the judge changes half-way through the trial. The first judge seemed like a good man - he told some students, "The highest responsibility of a judge is to not find innocent people guilty.")

What I wanted to know was: what proportion of people found guilty in Japanese courts actually are guilty? Obviously there's no easy way to find this out. But perhaps a foreign lawyer or judge could read the transcripts of about a hundred Japanese criminal court cases, and say whether they think the person should have been convicted assuming that guilt has to be proved beyond all reasonable doubt. I think this would be an interesting exercise, though it is doubtless much more difficult than I imagine.

The other thing I wanted to know was: what should you do if you are arrested in Japan? If you confess, the best thing that can happen is you settle out of court and if it's a groping case pay the victim about 2 million yen (US$20,000). Or they might charge you, and since you confessed, you are certain to be convicted. If you don't confess, you spend loads of money on lawyers, spend a year of your life going through a terrible experience like Teppei in this film, and then eventually get convicted anyway. What a nightmare.

The director says he hopes lots of people around the world will watch this film. However, this can't be because the story has relevance to people in other countries - most countries don't have such crowded trains, so many men who want to grope teenage girls, or such bad justice systems. Perhaps he wants to bring shame on Japan and international condemnation of its justice system.

Anyway, I highly recommend the official English website (http://www.soreboku.jp/eng/ (this page has disappeared; use web.archive.org to find an archived copy)). It is only one page, but very interesting to read.

Incidentally, the film's official website gives the English title as "I just didn't do it". But the Japanese title might be more accurately translated as "I still didn't do it". When reading this out loud, "still" should be emphasized to make the meaning clear (which is maybe why they chose "just" instead). "Soredemo boku wa yattenai" is what you might say after someone talks at you for a long time, telling you how bad you are for doing something and how damning the evidence against you is.