Segredos Íntimos

"Secrets" is a film about everything. Just when you think you know what the main theme of the film is, it shifts direction subtly. I think you have to know at least one person who is like a character in this film to find it believable, or you possibly might just be interested in unfamiliar cultures. Practically every event in this film could not possibly happen in the US, but the movie is not a fantasy.

What are the secrets that the viewer gradually comes to understand? They are things people don't tell other people. They are things that people don't know about themselves. They are a culture's basic assumptions that normally go unquestioned. They are ancient Jewish mystical practices that are not supposed to be talked about. They are insights into biblical writings that were never uncovered before. They are little twists of language, like how many M's are in a sentence. They are what happens to people when they face death.

And the secrets of what makes this an amazing film? They are the uniformly great performances, the cinematography that lovingly caresses the city of Sfat (or Zefat, as the Israel road signs say), the beautiful and moving music, and the the questions that haunt the viewer emotionally and intellectually afterward.

Ha-Sodot (2007), is an Israeli film, shown in the U.S. as "The Secrets." It was co-written and directed by Avi Nesher. Noemi (Ania Bukstein) is a young woman who loves to study Torah with her father. She knows that, as a ultra-orthodox Jew, she can never be a rabbi, and she accepts that fact. However, she cannot accept the traditional role of wife and mother that's expected of her by her culture. She's given permission to study at a women's seminary. The school is operated by an older woman who is trying to bring learning to Orthodox women, while working within the Orthodox culture.

It's a good school, where the students are treated well and where learning and good works are emphasized. The plot revolves around one type of good works--bringing food to people in the area who cannot afford to purchase what they need. The person to whom the food is brought is a woman named Anouk, played by Fanny Ardant. Noemi is chosen to take the food because she's extremely competent, and Anouk's situation is complex and difficult. Anouk's first language is French, so the Headmistress assigns Michal, a French-speaking student, to accompany Noemi.

One of the major plot threads revolves around the relationship of the two young women with the older woman. Another plot thread is the growing tenderness between Noemi and Michal. A third thread is the difficulties for women who want to exercise their judgment in a society where the judgments are traditionally made by men.

We saw two movies at the Rochester Jewish Film Festival. The first was "Noodle." When I reviewed that film I noted that it could have been made in any developed nation--not just Israel. "The Secrets" could probably only be made in Israel. Obviously, patriarchal societies exist in many countries. However, I think that only in Israel could a film be made about people who live within such a society, and yet be shown in theaters with scenes that include full frontal nudity. That is the paradox of Israeli society--the ancient and orthodox exist in parallel with the modern and liberated.

The acting in the film was outstanding. Both Bukstein and Shtamler are extraordinarily attractive and capable actors. However, when Fanny Ardant is on the screen, her beauty and acting skill make you forget everyone else.

"The Secrets" is an unusual and compelling film. If the movie is released for theatrical distribution, watch for it and see it. Otherwise, try to find it on DVD. This is a fascinating film--don't miss it!

Living in a secular society and not being religious myself this movie was like visiting another planet. It's a world where religion is taken seriously. And when I say religion I don't mean believing in God (or G-d, as in the sub-titles), but rather the understanding of what God said is studied seriously. Again, while I'm not religious, I admired the fact that the girls took it so gravely seriously. I admit I cannot make a judgment on the accuracy of the movie as a depiction of Orthodox Jews, but the world is filled with societies where women are treated as less then men so it wouldn't surprise me if it was true. As a movie, it was funny and dramatic and entertaining and never lost my interest for a moment. I saw this at the Toronto International Film Festival 2007, but I hope this gets some North American release.

It may be a honor to be nominated, but there can only be one winner. Unfortunately this great 2007 film had the misfortune to be competing with The Band's Visit, and outstanding film. Fortunately, it is eligible this year for a GLADD award for a feature film in limited release.

The performances by Fanny Ardant as Anouk, Ania Bukstein as Noemi, and Michal Shtamler as Michel (That's Michelle!) were outstanding.

It was a powerful and fascinating look at a very patriarchal society, and a glimpse that even Jews have differences of opinion on their religion (Are they Protestant?).

Funny, compelling, sure to anger you over the treatment of women, warm and tender: it is an excellent film.

There are so many poorly made, self-conscious and annoying so-called art house films out there, and then there is this gem of a movie. I sincerely hope it gets a U.S. art cinema release. It's not often I am still remembering the characters, the passion of the heart, the location and faith awakening all in one post-viewing memory.

The actors are all uniformly true to to their characters, and really excellent at involving us in their personal tests of faith and moral dilemma. The orthodoxy of their faith, positioned against a seeping modern day sensibility surrounds us as effectively as the location photography transports us (American audiences) to a world we know little about.

A friend told me to see "this lesbian movie." It's not that. It's a story of girls in a repressed society dealing with their first sexual awakening and affection confused bonding as a portion of the story of immersion in their faith and how it transforms their relationship with each other in their involvement with a strange, mystical and salvation-seeking non-Jew.

This is a uniformly excellent film. In the openness of the locations and the beautiful music, the closeness of the camera work puts us in a claustrophobic male-dominated society, just at a moment in time when women are establishing their place in their religion and in their society.

I spend a lot of time in theaters. It's not often I come away with a feeling I have truly experienced a romance with faith, with the human heart and with the written word so totally in one film.

Congratulations to the filmmakers and actors. I sincerely hope this movie finds its best audience in American theaters.

(I am not Jewish and was deeply moved and intrigued by the religious material presented)