Sentindo-se culpados por um trabalho que deu errado, o assassino Ray e seu parceiro aguardam ordens de seu chefe implacável em Bruges, Bélgica, o último lugar no mundo que Ray deseja estar.Sentindo-se culpados por um trabalho que deu errado, o assassino Ray e seu parceiro aguardam ordens de seu chefe implacável em Bruges, Bélgica, o último lugar no mundo que Ray deseja estar.Sentindo-se culpados por um trabalho que deu errado, o assassino Ray e seu parceiro aguardam ordens de seu chefe implacável em Bruges, Bélgica, o último lugar no mundo que Ray deseja estar.
- Indicado a 1 Oscar
- 24 vitórias e 55 indicações no total
- Priest
- (não creditado)
- Policeman
- (as Jean Mark Favorin)
- Eirik
- (as Jérémie Rénier)
Avaliações em destaque
If I am to gripe about anything, it will be the ending. Not the very end, however, as that is absolutely perfect. The camera-work, voice-over, and final shot cannot be argued, it is the climax that happens just before that rings false. It is the only moment like that, though, so I don't hold it against the film. McDonagh needed a way to get his characters to their arc's conclusions and if that means turning one of the roles, at first seeming to be there for jokes, into a pawn for a symmetrical kind of convenience, I'll give him that reprieve. As far as fitting with the story, yeah it works; it has to because the incident is alluded to unknowingly at many times during the course of the sightseeing romp. I guess I think it fits too well and wish McDonagh could have come up with another way to do it.
Besides that, though, In Bruges is a great time at the theatre. Colin Farrell is steadily becoming a favorite of mine with his precise comic timing and broad facial expressions. I may be one of the few people on earth that loved his comedic turn in Woody Allen's Cassandra's Dream, (yes I truly believe the comedy was intentional), and here he shows it was not a fluke. Kind of similar to his scene-stealing role in Intermission, he is a punk with a lousy disposition and disregard for tact. Here, however, he also has a conscience. This tug-of-war is ripe for laughs as he is a sweet guy, he just doesn't know how to keep his mouth shut. One-liners are in abundance and you will be laughing continuously. Brendan Gleeson helps this fact by being an effective straightman to play off of. He knows the score and tries to enjoy the "fairytale" city while his cohort sulks and puts on "moods like a five year old" because, honestly, unless you grew up on a farm and were slightly retarded, Bruges is really just hell on earth. (Actually, the city looks pretty great and I wouldn't mind checking it out once in my lifetime.) The periphery roles, and there are many, also add depth and interest to the film. Small characters like Eric Godon's alcove loving gun dealer, Jordan Prentice as a horse-tranquilizer taking midget actor (he played Howard the Duck, that is awesome), and Clémence Poésy as the love interest and enigma Cholë all are fun and never quite feel just thrown in as jokes, but instead integral parts to the story. Of course, the great Ralph Fiennes is involved too. His accent and vocabulary rivals Ben Kingsley in Sexy Beast and unfortunately is a much smaller part than anticipated from the trailer. Well maybe not unfortunately, because if he was in more it might have become a gimmick. I also couldn't help stop thinking of Harry Potter with Mad-Eye Moody, Lord Voldemort, and Fleur Delacour all involved.
I highly recommend this film for anyone looking to see a good drama with comic overtones. Don't go in thinking this is to be a total good time, with laughs a minute, there is so much more to the tale that you may not expect or necessarily be hoping for. At times it is very dark and drains every molecule of happiness out of your heads, but thankfully a good joke or line will be coming shortly to alleviate the depression.
After seeing the trailer, In Bruges looked like a plodding British comedy with little originality and repetitious humor, hence the low expectations. Yet, In Bruges exceeded my minimal expectations, and, unlike my impression from the trailer, was an original drama with good acting and a nice blend of comedy mixed in. It was funny in the right places and appropriately dramatic when the story shifted into high gear towards the end.
Set in, no surprise here, Bruges, Belgium, the plot focuses on two London hit men, Ray played by Colin Farrell, and Ken, played by Brendan Gleeson. The pair is sent to Belgium after Ray botches his first hi. And therein lies the humor, Ray has no interest in being in the medieval city, and Ken wants to sight see.
I've never really liked Colin Farrell but who knew he had such a good sense of comedic timing? There is a running gag involving fighting with a bottle, and karate, that he manages to keep fresh as it pops up throughout the film. Brendan Gleeson's character provides the moral center and plays the straight man to Farrell's Ray. This works well as the movie turns more serious towards the end. However, for my money, the best performance is delivered by Ralph Fiennes who plays Harry the pair's criminal overlord back in London. Whereas Gleeson character embodies the moral center, Fiennes's Harry fills the role of principled immorality, if there is such a thing. Fiennes creates a character with a dubious moral center and is a quite believable figure of menace when he travels to Bruges to square off with Ken. Also, of note, is Jordan Prentice, an irritable dwarf who's in town to act in a movie filming there. His ramblings in one scene, about a coming race war, is worth the price of admission right there.
The only aspect of the film that didn't work for me was Ray's love interest. Early in the film he manages to woo Chloe, a drug dealer with, drum roll please, a heart of gold. For my tastes, the budding romance seems a little forced and comes across more as a vehicle for jokes and drama. But it's a small thing and I doubt anyone but me would notice.
I intentionally left a lot of plot points out, because, as I've mentioned, this film surprised me in a good way and I don't won't to ruin it for anyone else.
In Bruges is a good film. Go see it.
At the very least, it'll make you want to visit Bruges.
The movie is a bit slow for the first half but it's entirely necessary to set the mood and the contrast between that and the second half. That's all I'll say so as not to spoil anything. It is really a great movie. There's comedy, beautiful cinematography, and awesome action scenes, albeit scattered throughout and absent at times when the viewer may be growing weary. I'd highly recommend seeing this movie. It's definitely worth the price of a movie ticket while most of the crap out there these days isn't worth the cost of the paper they print the tickets on.
Let us all know what you think after you see it.
Você sabia?
- CuriosidadesIn order to create the feeling of the holiday season, Christmas decorations were kept in some streets of Bruges until the end of March. The town council made an official communication to the people of Bruges explaining the reason why.
- Erros de gravaçãoThe stationery of the hotel where Ken and Ray are staying has the hotel name as "De Rozenkransje - Brugge". Brugge being the Flemish name for the town of Bruges. Even a fictitious Belgian hotel would never be named like that, because the article is incorrect. 'Rozenkrans', meaning Rosary, would indeed have the article 'de'. However, 'Rozenkransje' is the diminutive and as such would always have 'Het' as the article. Even for proficient but non-native Flemish/Dutch speakers, this is a commonly made mistake.
- Citações
Harry: [about Ray] So he's having a really nice time?
Ken: Well, I'm having a really nice time. I'm not sure it's really his cup of tea.
Harry: [after a long pause] What?
Ken: You know, I'm not sure it's really his thing.
Harry: What do you mean it's not really his thing? What's that supposed to mean? It's not really his thing. What the fuck is that supposed to mean?
Ken: Nothing, Harry.
Harry: It's a fairytale town, isn't it? How's a fairytale town not somebody's fucking thing?How can all those canals and bridges and cobbled streets and those churches, all that beautiful fucking fairytale stuff, how can that not be somebody's fucking thing, eh?
Ken: What I think I meant to say was...
Harry: [Interrupts] Is the swans still there?
Ken: Yeah, there's swans...
Harry: How can fucking swans not fucking be somebody's fucking thing, eh? How can that be?
- Cenas durante ou pós-créditosIn the on-screen credits, Kathy Heaser is listed twice as Graphic Designer.
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- En Brujas
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 7.800.824
- Fim de semana de estreia nos EUA e Canadá
- US$ 459.575
- 10 de fev. de 2008
- Faturamento bruto mundial
- US$ 45.211.126
- Tempo de duração1 hora 47 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1